MAX DUDLER - GRÜNHOF-AREAL

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MAX DUDLER - GRÜNHOF-AREAL

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Stamping in Leipzig
A Recollection
Being an architect that took on the mantle of Document Controlling, I have not had much opportunity to see what has been turning heads architecturally, other than our own work at acme. However social media occasionally wakes me up. None more than the Museum Insel U Bahn in Berlin from Max Dudler; a former architect I worked for briefly at his Oranienplatz buero in the 90’s. This brief stint set a discipline for me personally that allows me to honour the use of symmetry in architecture and the provenance of his work through OM Ungers and Ludwig Leo. By the circumstance of my Berlin experience , the resonance of the architect Schinkel and its associated Egyptology still seems as fresh as I once knew it.
https://www.gooood.cn/u-bahnhof-museumsinsel-berlin-by-max-dudler.htm
Behance
The Magical Mystery Tour of The Museum Insel Ubahn, Berlin - Max Dudler It is with much joy that I see architecture referencing the magic of KF Schinkel once again. From the Altes Museum and beyond a plethora of devices have been reaped and understood for the making of mankind. The oeuvre of Schinkel is a tricky one, not necessarily clothed in the neo classical wolf skin that the majority seems to believe. He perhaps foretold the fear of climate before it became a reality and truly responded to the notion of the garden of earthly delights. Lest that be a warning to architects everywhere, there are factors embedded in the fortitude of Schinkel that the world has not even had the chance to comprehend or even fathom, but as needs must the Spree still flows without rising its banks and the story continues.
Max & The Tears of a Clown
Dear Max,
While memories fade, work only gets stronger. BEWAG in Gendarmenmarkt is where I got hold of the story. Not Berlin per de but the predicament that architecture has found itself in; a mother’s pride! We have a duty to make our presence

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Tegel Quartier, Berlin / Max Dudler -
BEWAG, Gendarmenmarkt, Mitte, Berlin
One of the Ten Books
BEWAG Gendarmenmarkt, Berlin - Max Dudler
Having examined the woodcut frames of Durer, it follows by example that the DIN format is a geometric proportion that has been recognised; not to fulfil the size of a machine but to confirm the truthful mechanics of the geometer