Feb 12, 2024
'dying swan - natalia marakova' in max waldman on dance: photographs (1988)
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'dying swan - natalia marakova' in max waldman on dance: photographs (1988)
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Max Waldman (photographer), Janet Eiber in Martha Graham’s Frontier, New York, 1976 :: [indivisually]
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“There’s more than meets the eye with the human body. It keeps score all on its own. It remembers; it hurts; it hides memories, secrets, even from us. The body is a record keeper, even when the brain forgets what’s been recorded. Bodies, bodies, bodies. Vanishing bodies.”
― Moses Yuriyvich Mikheyev, Vanishing Bodies: An Epic Science Fiction Romance
Ph Max Waldman: Henry and Jane Fonda, New York City, 1960.
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Un buon mentore, così come un bravo psicologo, un buon genitore, un buon partner e un buon amico, non ti dà delle risposte definitive e certe, perché ognuno di noi è un essere umano unico e ogni vita è una storia irripetibile.
Gianluca Gotto - Quando inizia la felicità
Ph Max Waldman
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Glenda Jackson as Charlotte Corday in Marat Sade, 1966 - by Max Waldman (1919 - 1981), American
National Portrait Gallery, Smithsonian Institution: gift of Carol Greunke, Max Waldman Archives © 1976 Max Waldman
Peter Martins born 1946
Born Copenhagen, Denmark
Suzanne Farrell born 1945
Born Cincinnati, Ohio
“BALLET REHEARSAL” MAX WALDMAN // 1975-76 [gelatin silver print | 14 x 17 3/4″]