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fetish study

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sculptural studies,
photos by Lauren Pond
black studies on recycled paper
photos by Lauren Pond
âMaterial Thinkingâ an idea proposed by Paul Carter
Here I have read and reflected on some different interpretations and connotations regarding âmaterial thinkingâ by a couple of individual practitioners. Â
Following this, I have considered how these ideas and approaches may inform my own interaction with materials and material thinking and propel my project into a more unique and interesting region.Â
âImperfect Information: The Prospect of Material Thinkingâ by Nancy de Freitas
Freitas explores a number of theorists whose ideas closely link to the Paul Carterâs ideas regarding material thinking. Freitas identifies that, âmaterial considerationsâ are of most importance in-regards to theorist Paul Carterâs ideas around âmaterial thinkingâ. Freitas makes a number of intriguing and pivotal statements. The first being, âDesigners arenât necessarily attentive to the way they make and remake the material world in order to adapt it to living in the futureâ (Freitas 2). âThrough creative attention to the material processes which shape our lives, they make material, new forms of and for living.â (Freitas 2).
Section: Imperfect In-formation
Within the section âImperfect In-formationâ, Freitas draws parallels between ideas presented by Vilem Flusser and Paul Carter in-regard to materials. Flusser, proposes that, â
Section: Material Action
Section: Living Material
Freitas states, âDesigners need to take account of how social and cultural relations are today, more than ever, mediated through material artefacts and further changed over the lifespan of artefacts. We adapt through our use of artefacts and we also adapt artefacts to our changing needs.â
Although, stated on materialthinking.org that âmaterial thinkingâ, âis an awkward term that resists simple definitionâ (Materialthinking.org). A number os practitioners have formed their own interpretations of the term. Freitas refers to a number of theorists and practitioners whose ideas draw similarity to the core value of âmaterialsâ and âmaterial thinkingâ. Similarly to theorist Braudel, I may could consider the everyday moments of interaction between both the person and the material and the take this further by identifying the sort of relationship this may generate.
âDesigners need to take account of how social and cultural relations are today, more than ever, mediated through material artefacts and further changed over the lifespan of artefacts.â (Freitas 9).