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Mare's tail
mareās tail (1969) directed by david larcher.
āmareās tail is an epic flight into inner space. it is a 2 and 3/4 hour visual accumulation in colour, the filmmakerās personal odyssey, which becomes the odyssey of each of us. it is a manās life transposed into a visual realm, a realm of spirits and demons, which unravel as mystical totalities until reality fragments. every movement begins a journey. there are spots before your eyes, as when you look at the sun that flames and burns. we look at distant moving forms and flash through them. we drift through suns; a piece of earth phases over the moon. a face, your face, his face, a face that looks and splits into shapes that form new shapes that we rediscover as tiny monolithic monuments. a profile as a full face. the moon again, the flesh, the child, the room and the waves become part of a hieroglyphic language.
mareās tail is an important film because it expresses life. it follows paul kleeās idea that a visually expressive piece adds āmore spirit to the seenā and also āmakes secret visions visibleā. like other serious films and works of art, it keeps on seeking and seeing, as the filmmaker does, as the artist does. it follows the transience of life and nature, studying things closely, moving into vast space, coming in close again. the course it follows is profoundly real and profoundly personal: larcherās trip becomes our trip to experience. it cannot be watched impatiently, with expectation; it is no good looking for generalization, condensation, complication or implication.ā stephen dwoskin, film is: the international free cinema, 1975.
On my nature walk I found this jaw bone and Mare's Tail plants