thoda mess up ho gaya tho, i'll let this one stay here
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thoda mess up ho gaya tho, i'll let this one stay here

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рдорд░рд╛рдареА рд╕рд┐рдиреЗрдорд╛ рдХреЗ рд▓рд┐рдП рдмрдбрд╝рд╛ рдЧреМрд░рд╡-рд╕рдмреЛрдз рдЦрд╛рдиреЛрд▓рдХрд░ рдирд┐рд░реНрджреЗрд╢рд┐рдд рдорд░рд╛рдареА рдлрд┐рд▓реНрдо тАШрджрд╢рд╛рд╡рддрд╛рд░тАЩ рдХреЛ рдСрд╕реНрдХрд░ 2026 рдХреА рдХрдВрдЯреЗрдиреНрд╢рди (рджрд╛рд╡реЗрджрд╛рд░) рд╕реВрдЪреА рдореЗрдВ рд╢рд╛рдорд┐рд▓ рдХрд┐рдпрд╛ рдЧрдпрд╛ рд╣реИред рдпрд╣ рдлрд┐рд▓реНрдо рдкрд╣рд▓реА рдорд░рд╛рдареА рдлрд┐рд▓реНрдо рд╣реИ рдЬреЛ рдСрд╕реНрдХрд░ рдХреА рдореБрдЦреНрдп рд╢реНрд░реЗрдгреА рдХреА рджрд╛рд╡реЗрджрд╛рд░реА рд╕реВрдЪреА рддрдХ рдкрд╣реБрдБрдЪреА рд╣реИ, рдЬрд┐рд╕рд╕реЗ рдорд░рд╛рдареА рдлрд┐рд▓реНрдо рдЗрдВрдбрд╕реНрдЯреНрд░реА рдХреЛ рд╡реИрд╢реНрд╡рд┐рдХ рдордВрдЪ рдкрд░ рдкрд╣рдЪрд╛рди рдорд┐рд▓реА рд╣реИред
рдЗрддрд┐рд╣рд╛рд╕ред рдорд░рд╛рдареА рд╕рд┐рдиреЗрдорд╛ рдХреЗ рд▓рд┐рдП рдмрдбрд╝рд╛ рдЧреМрд░рд╡-рд╕рдмреЛрдз рдЦрд╛рдиреЛрд▓рдХрд░ рдирд┐рд░реНрджреЗрд╢рд┐рдд рдорд░рд╛рдареА рдлрд┐рд▓реНрдо тАШрджрд╢рд╛рд╡рддрд╛рд░тАЩ рдХреЛ рдСрд╕реНрдХрд░ 2026 рдХреА рдХрдВрдЯреЗрдиреНрд╢рди (рджрд╛рд╡реЗрджрд╛рд░) рд╕реВрдЪреА рдореЗрдВ рд╢рд╛рдорд┐рд▓ рдХрд┐рдпрд╛ рдЧ
рдорд░рд╛рдареА рдЪрд┐рддреНрд░рдкрдЯ рдЖрдгрд┐ рд░рдВрдЧрднреВрдореАрдЪрд╛ рдкреНрд░рд╡рд╛рд╕
рд╕рд╛рд░рд╛рдВрд╢
рдорд░рд╛рдареА рдЪрд┐рддреНрд░рдкрдЯрд╕реГрд╖реНрдЯреА рдЖрдгрд┐ рд░рдВрдЧрднреВрдореАрд▓рд╛ рд╕рдореГрджреНрдз рдкрд░рдВрдкрд░рд╛ рд▓рд╛рднрд▓реА рдЖрд╣реЗ. рдирд╛рдЯрдХрд╛рдВрдкрд╛рд╕реВрди рд╕реБрд░реВ рдЭрд╛рд▓реЗрд▓рд╛ рд╣рд╛ рдкреНрд░рд╡рд╛рд╕ рдЖрдЬ рдЖрдВрддрд░рд░рд╛рд╖реНрдЯреНрд░реАрдп рдкрд╛рддрд│реАрд╡рд░ рдЭрд│рдХрддреЛ рдЖрд╣реЗ. рдорд░рд╛рдареА рдирд╛рдЯреНрдпрдХрд▓реЗрддреАрд▓ рд╕рд╛рдорд╛рдЬрд┐рдХ рдЬрд╛рдгреАрд╡рд╛, рд╡рд┐рдиреЛрдж рдЖрдгрд┐ рдХрд▓рд╛рддреНрдордХрддрд╛ рддрд╕реЗрдЪ рдЪрд┐рддреНрд░рдкрдЯрд╕реГрд╖реНрдЯреАрддреАрд▓ рд╡рд╛рд╕реНрддрд╡рджрд░реНрд╢реА рдХрдерд╛рдирдХрд╛рдВрдиреА рдорд░рд╛рдареА рд╕рдВрд╕реНрдХреГрддреАрд▓рд╛ рд╡реЗрдЧрд│рдВ рд╕реНрдерд╛рди рдорд┐рд│рд╡рд▓рдВ рдЖрд╣реЗ.
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рд░рдВрдЧрднреВрдореАрдЪрд╛ рдкреНрд░рд╡рд╛рд╕
рдорд░рд╛рдареА рд░рдВрдЧрднреВрдореАрдЪреА рд╕реБрд░реБрд╡рд╛рдд резреорекрей рд╕рд╛рд▓реА рд╡рд┐рд╖реНрдгреБрджрд╛рд╕ рднрд╛рд╡реЗ рдпрд╛рдВрдЪреНрдпрд╛ "рд╕реАрддрд╛ рд╕реНрд╡рдпрдВрд╡рд░" рдпрд╛ рдирд╛рдЯрдХрд╛рдиреЗ рдЭрд╛рд▓реА.
рдирдВрддрд░рдЪреНрдпрд╛ рдХрд╛рд│рд╛рдд рдХреЛрд▓реНрд╣рд╛рдкреБрд░, рдкреБрдгреЗ, рдореБрдВрдмрдИ рдпреЗрдереЗ рдирд╛рдЯреНрдпрдордВрдбрд│рд╛рдВрдЪреА рдЙрднрд╛рд░рдгреА рдЭрд╛рд▓реА.
рдХрд┐рд░реНрд▓реЛрд╕реНрдХрд░ рдирд╛рдЯреНрдпрдХрдВрдкрдиреА рдЖрдгрд┐ рдмрд╛рд▓рдЧрдВрдзрд░реНрд╡рд╛рдВрдЪреЗ рдирд╛рдЯреНрдпрдЧрд╛рдпрди рдпрд╛рдВрдиреА рдорд░рд╛рдареА рд░рдВрдЧрднреВрдореАрд▓рд╛ рдирд╡реЗ рд╡реИрднрд╡ рджрд┐рд▓реЗ.
рдирд╛рдЯрдХреЗ рд╣реА рдХреЗрд╡рд│ рдордиреЛрд░рдВрдЬрдирд╛рдкреБрд░рддреА рдирд╕реВрди рд╕рд╛рдорд╛рдЬрд┐рдХ рд╕реБрдзрд╛рд░рдгрд╛рдВрдЪреЗ рд╕рд╛рдзрди рдард░рд▓реА.
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рдорд░рд╛рдареА рдЪрд┐рддреНрд░рдкрдЯрд╕реГрд╖реНрдЯреАрдЪрд╛ рдкреНрд░рд╡рд╛рд╕
рдкрд╣рд┐рд▓рд╛ рдорд░рд╛рдареА рдЪрд┐рддреНрд░рдкрдЯ рд░рд╛рдЬрд╛ рд╣рд░рд┐рд╢реНрдЪрдВрджреНрд░ (резрепрезрей) рджрд╛рджрд╛рд╕рд╛рд╣реЗрдм рдлрд╛рд│рдХреЗ рдпрд╛рдВрдиреА рдирд┐рд░реНрдорд╛рдг рдХреЗрд▓рд╛.
рд╕реБрд░реБрд╡рд╛рддреАрд▓рд╛ рдРрддрд┐рд╣рд╛рд╕рд┐рдХ рд╡ рдкреМрд░рд╛рдгрд┐рдХ рдЪрд┐рддреНрд░рдкрдЯрд╛рдВрдирд╛ рдкреНрд░рд╛рдзрд╛рдиреНрдп рдорд┐рд│рд╛рд▓реЗ.
рдкреБрдвреЗ резрепрелреж-ремреж рдЪреНрдпрд╛ рджрд╢рдХрд╛рдд "рд╢рд╛рдордЪреА рдЖрдИ", "рдЬрдЧрд╛рдЪрдВ рдкрд╛рдЯреАрд▓", "рдорд╣рд╛рд▓рдХреНрд╖реНрдореА рдПрдХреНрд╕рдкреНрд░реЗрд╕" рдпрд╛рдВрд╕рд╛рд░рдЦреНрдпрд╛ рдЪрд┐рддреНрд░рдкрдЯрд╛рдВрдиреА рд▓реЛрдХрдкреНрд░рд┐рдпрддрд╛ рдорд┐рд│рд╡рд▓реА.
резрепреореж-репреж рдЪреНрдпрд╛ рджрд╢рдХрд╛рдд "рдЕрд╢реА рд╣реА рдмрдирд╡рд╛рдмрдирд╡реА", "рдард┐рдкрдХреНрдпрд╛рдЪрд╛ рд░рдВрдЧреЛрд▓реА" рдпрд╛рдВрд╕рд╛рд░рдЦреНрдпрд╛ рд╡рд┐рдиреЛрджреА рд╡ рд╕рд╛рдорд╛рдЬрд┐рдХ рдЪрд┐рддреНрд░рдкрдЯрд╛рдВрдиреА рд░рд╕рд┐рдХрд╛рдВрдЪреЗ рдордиреЛрд░рдВрдЬрди рдХреЗрд▓реЗ.
рдЖрдЬрдЪреНрдпрд╛ рдХрд╛рд│рд╛рдд "рд╕реИрд░рд╛рдЯ", "рдирдЯрд╕рдореНрд░рд╛рдЯ", "рдлрдВрдбреНрд░реА", "рдХреЛрд░реНрдЯ" рдпрд╛рдВрд╕рд╛рд░рдЦреНрдпрд╛ рдЪрд┐рддреНрд░рдкрдЯрд╛рдВрдиреА рдорд░рд╛рдареА рд╕рд┐рдиреЗрдорд╛ рдЬрд╛рдЧрддрд┐рдХ рд╕реНрддрд░рд╛рд╡рд░ рдиреЗрд▓рд╛.
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рд╡реИрд╢рд┐рд╖реНрдЯреНрдпреЗ
рд╡рд╛рд╕реНрддрд╡рджрд░реНрд╢реА рдХрдерд╛рдирдХрдВ
рд╕рдВрдЧреАрдд рдЖрдгрд┐ рдЧрд╛рдпрдирд╛рдЪреА рд╕рдореГрджреНрдз рдкрд░рдВрдкрд░рд╛
рд╕рд╛рдорд╛рдЬрд┐рдХ рдкреНрд░рд╢реНрдирд╛рдВрд╡рд░ рднрд╛рд╖реНрдп
рдХрд▓рд╛рдХрд╛рд░рд╛рдВрдЪреА рдУрдв рд╡ рд░рд╕рд┐рдХрд╛рдВрдЪреА рдЬрд┐рд╡реНрд╣рд╛рд│реНрдпрд╛рдЪреА рд╕рд╛рде
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рдирд┐рд╖реНрдХрд░реНрд╖
рдорд░рд╛рдареА рд░рдВрдЧрднреВрдореА рдЖрдгрд┐ рдЪрд┐рддреНрд░рдкрдЯрд╕реГрд╖реНрдЯреА рд╣рд╛ рдХреЗрд╡рд│ рдордиреЛрд░рдВрдЬрдирд╛рдЪрд╛ рднрд╛рдЧ рдирд╕реВрди рддреЛ рд╕рдорд╛рдЬрд╛рдЪрд╛ рдЖрд░рд╕рд╛ рдЖрд╣реЗ. рдЗрддрд┐рд╣рд╛рд╕, рд╕рдВрд╕реНрдХреГрддреА рдЖрдгрд┐ рдмрджрд▓рддреНрдпрд╛ рдХрд╛рд│рд╛рдиреБрд╕рд╛рд░ рддреНрдпрд╛рдиреЗ рд╕реНрд╡рддрдГрд▓рд╛ рдШрдбрд╡рд▓рдВ рдЖрд╣реЗ. рдЖрдЬрд╣реА рдорд░рд╛рдареА рдирд╛рдЯрдХрдВ рдЖрдгрд┐ рдЪрд┐рддреНрд░рдкрдЯ рдкреНрд░реЗрдХреНрд╖рдХрд╛рдВрдирд╛ рд╡рд┐рдЪрд╛рд░ рдХрд░рд╛рдпрд▓рд╛ рднрд╛рдЧ рдкрд╛рдбрддрд╛рдд рдЖрдгрд┐ рддреНрдпрд╛рдЪрдмрд░реЛрдмрд░ рд╕рдВрд╕реНрдХреГрддреАрдЪрд╛ рд╡рд╛рд░рд╕рд╛ рдЬрдкрддрд╛рдд
Priya Marathe Passes Away at 38 After Brave Cancer Battle┬а
Marathi Actor Tushar GhadigaonkarтАЩs Tragic Death Shocks Industry
Marathi Actor Tushar GhadigaonkarтАЩs Tragic Death Shocks Industry
The Marathi entertainment world is in deep shock after the sudden death of actor Tushar Ghadigaonkar. The actor, who had worked in several TV shows, films, and plays, reportedly died by suicide. He had been struggling with depression after not receiving work for several months.
Tushar lived in Bhandup, Mumbai, and was known for his roles in popular Marathi serials like Lavangi Mirchi, Man Kasturi Re, Sukhacha Sarinni He Man Baware, and Sakha Mazha Pandurang on Sun Marathi. He also appeared in Marathi films such as Bhaubali, Unad, and Zombivli, and had performed in the stage play Sangeet Bibat Akhyan.
Originally from Kankavali in Sindhudurg district, Tushar began his acting journey during his college days at Ruparel College in Mumbai. He was active in the collegeтАЩs drama circle and was fondly known as "Ghadya" among his friends.
His death has left the Marathi acting community heartbroken. Fellow actors and friends have taken to social media to express their sorrow and disbelief. Actor Ankur Vadhe shared an emotional message on Facebook, questioning why Tushar took such a drastic step. тАЬWork comes and goes, but suicide is never the solution,тАЭ he wrote.
Actor Vaibhav Mangle also responded with a heartfelt note, saying, тАЬPeople may look fine on the outside but feel broken inside. The gap between expectations and reality is growing. There are fewer people who listen, and many suffer in silence.тАЭ
TusharтАЩs untimely death has sparked conversations about mental health in the industry, highlighting the need for stronger support systems for struggling artists.
If you or someone you know is dealing with depression, remember you are not alone. Help is available, and itтАЩs okay to reach out.

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Legendary Singer Sadhana Sargam Madam Unveils Profound Reflections on Prarabdha
The legendary Sadhana Sargam Madam shares her thoughts on Prarabdha, the much-acclaimed Marathi film directed by Anand Deo Deshmukh.
With her mesmerizing voice and decades of musical brilliance, Sadhana Sargam Madam adds an extraordinary touch to the filmтАЩs soundtrack, making it an unforgettable experience for music lovers and cinephiles alike.
ЁЯО╢ Get ready to immerse yourself in the soulful melodies and powerful storytelling of Prarabdha, where music and emotions intertwine to create cinematic magic. ЁЯОетЬи
ЁЯФЧ Watch Prarabdha here: https://www.youtube.com/watch?v=Mi7VxkgIzGE&pp=0gcJCR0AztywvtLA
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#Prarabdha #SadhanaSargam #MarathiCinema #CinematicMagic #SoulfulMusic #PrarabdhaMovie #SadhnaSargam #AnandDeoDeshmukh #MarathiCinema #bestmarathimovie #Marathifilm #marathichitrapat
Legendary Actor Pradeep Velankar Shares Profound Insights on Prarabdha!
Veteran actor Pradeep Velankar Sir recently shared his heartfelt thoughts on the much-acclaimed Marathi film Prarabdha, directed by Anand DeoDeshmukhтАФand his words truly highlight the filmтАЩs profound impact on audiences!
Speaking about Prarabdha, Velankar Sir praised its powerful storytelling, gripping screenplay, and emotional depth. He commended director Anand DeoDeshmukh for his exceptional cinematic vision and his ability to craft a narrative that keeps viewers engaged till the very end.
ЁЯОм Experience the magic of Prarabdha! Watch it here: ЁЯФЧ https://www.youtube.com/watch?v=Mi7VxkgIzGE&pp=0gcJCR0AztywvtLA
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#PrarabdhaMovie #PradeepVelankar #AnandDeoDeshmukh #MarathiCinema #BestMarathiMovie #MarathiFilm #MarathiChitrapat
RJ Pranav | Radio Orange | Interview with Anand Deodeshmukh on Prarabdha
RJ Pranav | Radio Orange | Interview with Anand Deodeshmukh on Prarabdha
In an engaging conversation on Radio Orange, RJ Pranav sat down with Anand Deodeshmukh, the creative mind behind the much-anticipated Marathi film Prarabdha. The discussion explored the filmтАЩs essence, themes, and the journey of bringing this compelling story to life.
PrarabdhaтАФa term signifying predestined fateтАФforms the heart of this cinematic masterpiece. Anand Deodeshmukh shared insights on how the movie delves into the balance between fate and free will, making audiences question whether destiny is prewritten or shaped by actions.
RJ Pranav also inquired about the inspiration behind the film and production challenges. Deodeshmukh spoke about the powerful script, intense performances, and meticulous direction that make Prarabdha a must-watch. He highlighted how the film blends philosophy, drama, and emotions, leaving a lasting impact on viewers.
The conversation also touched on the talented ensemble cast whose soul-stirring performances elevate the narrative, making Prarabdha a deeply immersive experience.
ЁЯОм Watch Prarabdha here: Click to Watch: https://www.youtube.com/watch?v=Mi7VxkgIzGE
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