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Don Quixote, the famed Ibarra edition from 1780. Four volumes with 32 engraved plates and a map, in contemporary Spanish morocco. (Yes, the same Ibarra edition from the opening scene of The Ninth Gate) 🔥 #titlepagetuesday #dreambook #donquixote #manoflamancha #cervantes #theninthgate #joaquinibarra (at B & B Rare Books, Ltd.) https://www.instagram.com/bbrarebooks/p/Bu7Uh90gtRy/?utm_source=ig_tumblr_share&igshid=1snmuelzv16tn
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Don Quixote, Musical
Sometimes crossing mediums means crossing into new realms of intention as well. Man of La Mancha, a musical with a book by Dale Wasserman, employs a new context to use the narrative of Don Quixote for its own reflections on art and art-making. Rather than the fictional author Cide Hamete Benengeli, the in-text author is Cervantes himself, imprisoned by the Spanish Inquisition and set upon by his fellow prisoners. Don Quixote becomes a practical text, a play put on by the prisoners so Cervantes can defend himself as an artist.
The musical thus stands at an odd points where the play-within-a-play is the adaptation and the musical provides the context for the adaptation. Creating art becomes an act of survival amidst political repression. And beyond the communal act of spectating, characters within the text itself join in as viewers with radically different contexts of experience (even if we consider them as actors instead).
Such an adaptation places Quixote as a firmly sympathetic character in contrast to Cervantes' more ambiguous humor. His exaltation emerges in the motif of "The Impossible Dream," the most important number. Describing the pursuit of seemingly unachievable goals, the song's tune first occurs in the overture and is sung throughout the musical. The interaction with music as a medium provides a fundamental difference between Wasserman's text and Cervantes'. Cervantes' original Quixote dies having renounced his knighthood, but Wasserman has "Dulcinea" rush in and reminds him of "The Impossible Dream," leading him to remember and sing before dying.
Wasserman thus uses Cervantes' text as a paean to perseverance: art enables a person to remember who they truly are and to continue striving for their desires. At the end of the musical, the prisoners sing "The Impossible Dream" after Cervantes is led to the Inquisition, itself positing the affective and material impact of art on its audience.
屠格涅夫說人分兩種，堂吉訶德型和哈姆雷特型。 前者是理想主義者，「持有某種永恆的、毫不動搖的信念」，效忠理想而百折不回。後者優柔多疑，是「持譏諷態度的創造者、洞察人心的行家」，意志薄弱而躊躇不前。 在極致的軸線上，堂吉訶德會死，而哈姆雷特永不會降生。 既然凡人皆有一死，何不做堂吉訶德。乾淨的靈魂仗劍而來，逐風而去，奚落與恥笑皆為遠星碎屑，鑄成我一路光輝。 堂吉訶德說，天叫我生在這個鐵的時代，是要我召回金子的時代。 你我既已生於鐵的時代，便要用一點不滅心火，召回金子的時代，理想主義者們更要站在一起，「去夢，無法成真的夢，去摘，遙不可及的星」✨ #我堂吉诃德 #我堂吉訶德 #manoflamancha https://www.instagram.com/p/Ci0F-ZRpM-u/?igshid=NGJjMDIxMWI=
🎭 В 2000 году "всё прогрессивное человечество, вся творческая интеллигенция" отмечали 80-летний юбилей Матвея Абрамовича Ошеровского (Народный артист Украины и России (1920-2009)) актёра, режиссёра, профессора ГИТИСа и Гнесинки. Эта "картина" - подарок любимому Мастеру от строптивого ученика... Предыстория. Ошеровский поставил на наших курсах в Гнесинке и Гитисе, три полноценных мюзикла "Русский секрет", "Скрипач на крыше" и "Целуй меня, Кэт!", но заветной мечтой Мастера была постановка мюзикла "Человек из ЛаМанчи" в собственной редакции. В главной роли Дон Кихота он представлял меня, несмотря на отвратительный характер и все мои безобразия... мы много спорили, мечтали обсуждали, ругались, "творили" спектакль и образ Дон Кихота. Но, к сожалению, время учебы закончилось, у Матвея появился другой курс, я стал служить у Покровского, и наш проект заглох... Но Матвей не мог успокоиться... И в феврале 2000-го года, когда Андрей Александрович Гончаров, решает восстанавливать легендарный спектакль в театре им. Маяковского, мой Мастер часто и подолгу обсуждает с ним нюансы постановки с другими, молодыми, исполнителями. И, когда речь заходит о роли Дон Кихота, упоминает мою фамилию с соответствующими эпитетами. Андрей Александрович вспоминает "подающего надежды" студента и приглашает его на постановку... Матвей: - Конечно, это не наш с тобой спектакль, но к Андрею надо идти. Это школа. Я: - А как же Покровский?! Он: - Поговорю, он не будет против... Я: - Но я не смогу... Не буду успевать! Он: - Будешь. Сможешь. Продолжение в комментарии... #matveyosherovskiy #Osherovskiy100 #donquixote #donquijote #manoflamancha #theatrelife #musical #musicaltheatre #МатвейОшеровский #Ошеровский100 #Ошеровский #ГИТИС #гнесинка #оперетта #gitis #покровский #ошеровский #гончаров #театрмаяковского #маяковка #матвейошеровский #столетошеровскому #германюкавский #юкавский #yukavsky #goodcompany #goodtimes #gnesinka (at РАТИ-ГИТИС) https://www.instagram.com/p/CG9spiuhmWq/?igshid=1anbkbgzw23pq
Love the blue and white,, especially Delft. Clip On Earrings, Two Pins, Holland Wind Mills, Sail Boats, Blue and White, Travel Souvenirs, Collectible Jewelry, Vintage Jewelry #blueandwhitejewelry #ceramicdelft #hollandjewelry #manoflamancha #windmills #travelsouvenirs #dutchjewelry #shellyisvintage #smalljewelrylot #gotvintage #tuesdaylift https://etsy.me/2Zm9fzn https://www.instagram.com/p/CCErdungh5y/?igshid=1q65psortbr63
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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No Tilting •▪•▪•▪•▪ #windmill #donquixote #manoflamancha #sunday #funny #warning (at North Scituate, Rhode Island) https://www.instagram.com/p/B87dsjYgEOg/?igshid=okau87zkbtkx
We are super excited to see Mom @klemmlynn @memoriesdinnertheater preforming in #ManOfLaMancha Nov 1-10, 2019. The stage and space looks beautiful as always!! #TheaterInTheRound #LiveTheatre #LiveArt #Acting @visitportwashington #PortwashingtonWi (at Memories Dinner Theater) https://www.instagram.com/p/B4aeaCHH3_g/?igshid=p12vwnleofwc
昨日ラ・マンチャの男を観劇してきた。 いままで行ってみたいと思いながら行けずにいたけど、結果行かなきゃならないものだった…本当に圧倒され、心を震わせられ、ラストずっと泣いてた…。 あらゆる芸術を一気に体内に取り込んだ感覚。放心でした。 #帝国劇場 #ラマンチャの男 #観劇 #松本白鵬 #manoflamancha #japan #tokyo #matsumotohakuo #観劇みやげ #資生堂パーラー (帝国劇場) https://www.instagram.com/p/B4D_hNnA6Vf/?igshid=9x10ved2orlh
