#manga studio tutorial

Booooooooo… what is this, Photoshop?!

Lagging brushes are an occasional problem in any illustration software. Here’s a troubleshooting guide for Manga Studio if your tools are acting like molasses. (Some settings may be different on Windows or if you’re running the Clip Studio Paint branding of the software. For what it’s worth, I’m running Manga Studio 5.0.3 on Mac OS 10.7.5. Yup, I’m behind the times.) 

There are a few options to beat the lag: 

1. Quit Stuff Bye bye, YouTube. See ya, Skype. Later, Tumblr.

Save your computer’s processor by quitting RAM-hogging apps and tasks while painting. Streaming audio/video will drastically reduce performance, but even leaving browsers open can slow things down, so best to just close it up. Guess that rules out Spotify, but then there’s always ye olde Zune. Gotta love cringing through those high school playlists while working.

2. Change Preferences Easier than changing your mind, and quicker too.

Check under the hood of Manga Studio’s Preferences for a few speed boosts. Do the following in these sub menus:

Preferences/Tablet/Tablet Settings: Change from 1 to 6 (I believe this option is Mac only).

Preferences/Performance/Undo: Lower the Undo count. Try taking it down 10-15 notches from default. You could also turn up that long-titled setting (“Delay before recognizing new object…”) by 100 ms, but I haven’t figured out what that does exactly...

Preferences/Cursor/Display Position of Reversed Cursor: Make sure to check “No Delay”.

After changing preferences, it’s a good idea to close and reopen Manga Studio.

3. Modify Brush Tool Settings Your brushes may take it personally, but remember you’re in charge here.

The Tool Settings window is a wealth of options for customizing brushes. Some are more processor-intensive than others. Here are a few of the best ones to modify: (Note: the look and behavior of brushes may be affected. You may want to duplicate and/or export a brush before changing its settings.)

Tool Settings/Anti-Aliasing: Turn down to “Little” or “None”

Tool Settings/Brush Tip: Reduce the number of materials on your brush.

Tool Settings/Stroke/Space: Increase spacing, but not too much. Brushes are essentially a string of material stamps. A low space setting means a smoother brush, but more work for your computer. Picture it frantically scrubbing a rubber stamp across your canvas. On that note, also make sure Continuous Spraying is not on.

Tool Settings/Watercolor Border: If your brush uses this setting, turn on the “Process After Drag” option. This renders the effect after each brush stroke and saves computing power.

Tool Settings/Correction: Turn off (or decrease) Stabilization, Post Correction, and Brush Stroke.

Tool Settings/Starting and Ending: Turn off all this stuff. Pfffft, who needs it, right?

Here’s a speed test after fiddling with some settings:

 Woooooooo! We’re getting faster! Still a bit laggy, which leads to one last tip:

4. Rework The Canvas Might as well rework my life goals too.

Okay, disclosure: The two gifs in this post were recorded on a 4500x3000 canvas at 300dpi with a size 500 brush to emphasize lag. This third one is recorded on a 1080x720 canvas at 72dpi with a size 100 brush:

Yes! We’re cruising now! 

Canvas sizing and resolution has a big affect on brush performance. It’s a bit of a conundrum. Getting the best image quality means working at a minimum resolution of 300dpi, which can be taxing for brushes on large canvases. So what to do? Just like traditional paintings start with thumbnail sketches, digital work can start on a low-resolution canvas. Here’s the method:

Set up your canvas normally at the full target resolution. But before drawing anything on the canvas, use the handy tool under Edit/Change Image Resolution. Reduce Resolution to 72dpi. Use this smaller canvas for rough sketching, background filling, blocking in large areas of color, etc. Then increase resolution to 144dpi for building up the body of the painting, still keeping it loose. (I’d recommend switching Interpolate to Hard Outline when increasing resolution.) Finally, blow it up to full resolution and get into the nitty gritty of rendering. This is where you’ll do the crisp line work, highlights, details, etc.

The idea here is to work big to small. This will keep away brush lag by using large brushes on small canvases. As the canvas resolution increases, decrease brush size and work smaller, tightening things up in the process. NOTE: Increasing canvas resolution causes pixilation. Don’t worry about it. This can be cleaned up in the final stages of painting.

Hope this guide is helpful! If lagging persists, remember to check drivers and tablet settings as well. If all else fails, Google’s a good friend ;)

In MS5, there are some premade brushes that pick up the main and sub colors. Pretty cool. But if you decided to create your own brushes with your own custom brush tips, you may have run into the following problem:

The premade brushes* pick up the main and sub colors, but yours stay black (and/or white). The solution:

Make sure the Expression Color of the layer or image you’re creating your brush tip from is set to either Gray or Monochrome.

I have seen (and previously employed) the following workaround:

Turn Mix Ground Color on

Set Amount of Paint to 100

Set Density of Paint to 100

Set Color Stretch to 0

This will work if you only need to be able to paint with the main color, but it disables any use of Combine Modes and locks you out of the sub color.

I spent a while scratching my head over this today; it’s not in the manual and it sure doesn’t seem to be common knowledge. If you already knew this, cool; if you didn’t, now you do. Tell your friends.

So I've been asked what software I use to make my creator owned comic: Shadows of Oblivion. The short answer is Manga Studio EX.  (the long answer is a lecture on how software doesn't make comics any more than a paintbrush makes a painting.... but I'll save you the speech.)

Manga Studio is a great piece of drawing software that takes into account everything a comic artist would need.  Rulers, pens, pencils, markers, and brushes of all shapes and sizes.  Nearly everything you'd need in traditional media to create comics is here in its virtual for you. Even my personal favorite, Blue lines!  But some of you who may use photoshop may get confused. Some of the tools are similar, but not the same, it's a different interface by a different company, so things will be different.

So I thought for today's tutorial tuesday I'd show you two of the tools I use most, and the basics on how to use them.  Someday I might follow this up with a video... But I've never been confident with them moving pictures....

Lets get started. First off this is how I organize my windows.  This will give you a reference of where to find these things when I zoom in.

So lets look at the two tools I use most, and some of their options.

1. The Pen Tool

I use it for all my inking needs.  I love it because I can get a nice clean pure black line, without the mess of real ink. Not to mention I can delete and erase it easily, unlike ink.  There are lots of different options, so this gives you a clue to what they mean.

There are a few other options I didn't go into like on the shape tab, you can change the pen nib to be triangle or square instead of circular.  It's important that you play around and experiment with this options to find out which ones work best for the way you like to work, and your own art style.

2. Screen Tones

I love screen tones It gives me the grit and "old school" feel I love in my comics.  But choosing the proper screen tone can be tough.  So lets look at the options:

Just like the brushes there are other options we can play with, this just scratches the surface.  Feel free to play around. Figure out what works best for you and the type of art you're making.

But I've barely even scratched the surface.  I think the best way to do these tutorials is to do it in video form... perhaps a Livestream?  Let me know if you guys would be interested in a live stream tutorial in Manga Studio and I'll see if I can set something up.  If you're not interested I'll just stick to the status quo next week and come up with something else.

Also you should know that Manga Studio has some tutorials up on their official website.  If you need some supplemental tutorials, then check them out!

Tomorrow will be page four of Shadows of Oblivion #2. In the mean time, check me out around the web:

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And if you love my artwork don’t forget to pick up my comics!