Texturing the Low-Poly Mailbox Asset
I continued working on the low-poly mailbox asset by moving into the texturing stage in Substance Painter. For this asset, I used a similar paint-chipping technique that I previously tested on the fire hydrant. Reusing this method helps create consistency across the environment while also allowing me to refine the workflow through another prop.
The main focus of this stage was to build a worn painted-metal surface. I started with a faded base colour and then added layered surface damage to suggest age, exposure, and neglect. The paint-chipping effect helps break up the clean surface and reveals the idea of an older object that has been left outside for a long period of time.
I also began adding roughness and height variation to make the surface feel less flat. This is important because abandoned props should not look clean or evenly coloured. Small changes in roughness help the material react differently to light, making the asset feel more believable when placed inside a real-time scene.
The edges, bolts, frame, and lower support areas are important areas for weathering because these parts would naturally collect dirt, rust, and surface damage. By focusing wear in these areas, the texture can feel more intentional rather than randomly dirty. This also helps the mailbox support the wider abandoned setting without making the asset look overworked.
This stage helped me understand how one texturing technique can be adapted across different props. While the paint-chip process is similar to the fire hydrant, the mailbox needs its own material identity based on its shape, function, and exposure to the environment.
