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‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.