#magic clothes

"What the?" Georgia muttered as she quickly picked up the letter.

Dearest Georgia,

I understand if you think that all I have left you is worthless. But trust in your godmother. Each garment and article of clothing has a potent spell woven into the fabric. They will transform you and your life all you have to do is wear them for twenty-four hours.

Yours eternally

Sybil

The letter left Georgia confused and curious in equal measure. "Magic can't be real... but Sybil was the biggest woman I've ever known..." Georgia mused aloud as she looked down at her tiny bee-stings before turning her gaze back to the massive silk blouse stretching across her couch.

The moment she slipped into the top, Georgia felt a strange warmth wash over her. It wasn't like anything she ever felt before and seemed to settle deep within her body. "Well... T-this is certainly weird." Georgia muttered to herself as she swayed in the oversized garment. "But... if Sybil said to wait twenty-four hours, I'll wait twenty-four hours."

The warmth within grew as the days passed, making it harder for Georgia to focus on anything as she rested on her bed as her mind grew foggy. Before long, Georgia instinctively reached up and massaged her chest, whimpering at how tender and sensitive they felt as the heat within her surged, and she fell into a deep trance.

By the time she woke up, the sun was rising, but she could only see the echo of the morning sunlight around the edges of her massive bust. "I... wha-how!?" Georgia gasped out as she threw herself out of bed. She wobbled a bit as she got used to her new body. "Holy shit! Sybil was right! The clothes are magic!!!" Georgia's tiredness leaving her as enthusiasm and excitement filled her mind. "The top still hangs off me, but just one night turned my A Cups to D Cups. I can't imagine just how big I'll become by the time I fill out this blouse!"

A soft smirk danced on Georgia's lips as she swayed back and forth in front of a mirror, ass bouncing and jiggling with every twist as she recorded her latest growth. "Fuck! Sybil was ON to something! My girls are bigger than my head and nnnnnfff~ they're so, so sensitive!" Her eyes fluttered shut as she gave a tender squeeze to her massive melon. "I... I think Im addicted! I should be happy, I've got a perfect pair of EE cup breasts and a fat ass, and I get to enjoy every hungry, lingering gaze of every guy I pass on the street."

also called the theory of song, or alternatively the theory of motion. this theory of magic is more common in the western hemisphere and is often inter-woven with the theory of elements and color theory.   its main assumptions is that magic that is in the environment can only be used by beings when it is manipulated to do something through a medium. such as singing, dancing or crafts. both the crafting process itself and the outcome are magic. if the intention of the maker is disrupted it can disrupt the maker.  (this is all a wip idea) *magic in music box is of the softer variety ** theory here is more used in the vain of philosophy or hypothesis as opposed to scientific theory bases of expression theory - magic is energy and energy can never be created or destroyed only change form (rule of magic in setting) -Mages closer and into the Euphorian and  the Jaguar empires often carry simple instruments like drums, shakers and whistles to quickly cast magic. -harmony and dissidence is important when trying to manipulate magic using this method. understanding the cords and when silence is needed helps elevate the potency of a spell.  (technically all music has some magic to it, but its often so weak that it is nothing more than vibration) in order to create potent magic the caster has to be aware of what they are doing. -it is thought that each cord of music has a unique color associated with it, as some people are able to see these colors, and a lot of people/creatures able to sense the presence of magic talk of it in terms of sound, color or feelings like vibrations. so the theory of color has some overlap with the theory of expression. -in o’llere and o’sten they have a similar version of this where they believe magic only has five distinct forms and that anything deviating from that is dark magic. their form of expression often comes through in weaving and in an equivalent to martial arts. -magic channeled through dance is held close to the body, and brutally physical in nature, though this form of magic is thought of as dance it can also be equated to martial arts or physical training, it is about understanding your own body and physical limitations. and through that you can move magic. this form of practice is common in o’ller and o’sten, but is also used by the hidden schools of kaliwafitsu, and by certain tribes in the islands of heaven and inilsue.  (in a lot of ways this magic is like bending from avatar the last Airbender, or I guess a monk from dnd) -the prevalence of magical crafts through out the world is lends some credit to the theory of expression, as a person dose not need to be proficient in other arcane magics to create for use objects made to be magical  -for example a craftsman who is a master at their craft may begin to imbue their thoughts about what they are making or what kind of person will receive the object they are making, for example if a person makes a cabinet they think will belong to an important leader, the cabinet will begin to take on qualities fit for such a person, and if it finds an owner with any of the qualities it looks for it will passively strengthen such qualities. or if a hat is made to be worn by someone beautiful, it will strengthen these qualities, though this is a two way street, people with these qualities will often unconsencly seek these items with such qualities. though this magic is generally very minimal. -items with such qualities might not nessesrly have good qualities, attributed to them, a crafter of spears might think the owner of a certain spear is a coward for example. a way to identify such items with minor curses/charms on them is if ivelar and other spirits seem to be attracted to an item. these minor charms and cursed objects tend to have their magic fade over time if the item is not “fed” more on a certain intent. (this idea is some what similar to Sophies magic from howl’s moving castle, but is far less potent as most craftsmen will only make a few items with a cures or charm in their lifetime) - notably seakin rarely are able to do this and even kin are more likely to do this. 

“The Story of Jasmine” notes continue: When she stood on the bank, inspecting the clothing Ahearn had pulled from the stream, nothing got past Thorne. She had information the others did not and preferred to keep it that way. When she examined the dress, she recognized the stitching. Her friend Abigale created a signature way of using a needle and thread that no Armildian could replicate. It was…