I am kind of like this, although it's hard to say how much is me and how much is tumblr.

If you just look at the stuff I reblogged in the past year, there's some consistency:

Homestuck

Hamilton, to a lesser extent

My Tumblr OTP, aka Snape x Dumbledore, with an occasional foray into Harry/Voldemort if the Snape x Dumbledore ship is having a bad day

These are the pretty much the only fandoms I follow on tumblr, insofar as I have any fandoms I follow (I know some people use that term in a much more general sense than I do).

I don't think that's very surprising, since I'm really bad at thinking about the nuances of fanfiction, don't tend to reblog much fanart, and prefer working out problems in math to socializing (why are so many people talking on tumblr? does the other person even know I like them?? I am stressed??). (Someone please tell me if this isn't true – I'd really like to hear it)

Tumblr is this huge thing that has been around for about as long as I've been reading books and watching movies (as opposed to youtube and facebook and twitch) and is like a 10th of as huge as those things. There are lots of people who do this thing that I've never heard of, but then if I investigate them I find that a bunch of their posts on tumblr are posts I've already read.

So in this sense the "tumblr" fandom thing is that I read the same post on tumblr 100 times, even though it was made by someone I've never heard of and the person who made it never reblogs it and it never gets reblogged again.

A lot of that is probably just how tumblr works, though, and I don't see this as especially mine. (I'm not alone in making posts that get spread by retweets, link posts, and so on.) What I do think is mine is this:

All the posts I make (as opposed to all the posts tumblr users make) are a direct product of my thought process, and this process is that I have a set of weird thought bubbles and they get bigger or smaller as I think about them. I have lots of weird thought bubbles but I don't think most of them are interesting enough to post on tumblr, and I have very few ideas that I think are interesting enough to make into an actual long post. So my posts don't usually have a consistent theme, and I don't really think of them as belonging to some kind of coherent "you can always count on me to provide this sort of content" thing.

Likes: daydreaming about p-adic geometries. Dislikes: tracking analytic formulas across dozen page calculations.

I read up through the middle of Act 6. I caught up on things at the very end. I even backed the Kickstarter.

Hussie is an extremely talented creator. The symbolic vocabulary he developed in MSPA is amazingly powerful (classpects, god tier, relationship styles, all the different ways of labeling things and putting them in emotionally resonant boxes.) People really, really care about these, and for good reasons. That deserves a lot of respect.

However, it’s fundamentally a pagan story, about harmony that is disturbed and eventually restored, complex divine symbolism, and endless cycles of death leading to rebirth.

The 2001 Darwin award for the most stupid act was posthumously conferred onan unfortunate woman from the Romanian countryside who woke up in the midst ofher own funeral procession; after crawling out of her coffin, and realizing what wasthe solar parallax: the unbearable lightness of being no onegoing on, she blindly ran away in terror, was hit by a truck on a nearby road, and diedinstantly. . . .Is this not the ultimate example of what we call fate? The question of freedomis, at its most radical, the question of how this closed circle of fate can be broken.The answer, of course, is that it can be broken not because “it is not truly closed,” becausethere are cracks in its texture, but, on the contrary, because it is overclosed, thatis, because the subject’s very endeavor to break out of it is included in it in advance.That is to say: since our attempts to assert our freedom and escape fate are themselvesinstruments of fate, the only real way to escape fate is to renounce these attempts, to acceptfate as inexorable. (Oedipus’ fate—killing his father, marrying his mother—wasrealized through his parents’ very attempt to avoid it: without this attempt to avoidfate, fate cannot realize itself.)

- Zizek, “The Parallax View.”

So this was a German graphic novel from the mid-oughts, I think I discovered the series in my high school library back in like 2011. I think there's only five volumes that were ever released. I was able to find the first three volumes in English, but any other volumes I find online are so expensive since it's an old obscure series. My fav character is the best friend, Filiz, who likes lolita fashion and designs the uniforms the team wears!

Petticoats are great, but I'm trying not to buy or wear them because I have a lot of them

I like how they have this sort of double, or multiple, or even (in at least one case) three, of "layers" associated with them, which is kind of fun

But they are not "easy" to find. For instance the one with the three layers was only $30, but only one size, and the store that had it is closed for "inspection" -- "inspection" of what? "The petticoats"?? they say in the store website.

There are a number of locations I can think of (including my own apartment and several of the ones we've been to when dating). I don't know where the hot singles are, in other words, sorry.

your drill

your drill is the drill that

will pierce a hole through a