Excerpts from a presentation of the Norwegian Vadmel workshop at the Española Valley Fiber Arts Center, July 8, 2011, Española, NM. The presentation reflected on three years of participation in the project as workshop assistant (2008, 2010, and 2011).
In four workshops (2002, 2008, 2010, and 2011), nearly thirty weavers from around the world traveled to Telemark, Norway for two weeks in June to explore the special properties of spƦlsau wool. Participants wove fabric the first week, fulled it in a stampa on the weekend, and in the second week, created custom vadmel garments suited to their individual needs.
Carol Colburn, Eli Vesaas, and IngebjĆørg Vaagen hold the scrap of vadmel fabric that inspired the workshop. Clipped into the shape of a bearclaw, Eli found the scrap stuffed into a mattress in one of the outbuildings at the historic Vesaas farm in Vinje, Telemark. The scrap dates from the late 1800s.
Once common in Scandinavia, the stampaĀ in Vinje is now one of the few functioning mills of its kind in the world. When the water wheel is engaged, heavy timbers pound the cloth, which is folded into a round-bottomed trough below. The fabric can be left in the stampa for up to two hours depending on the desired density of the fabric.
The fabric before and after fulling. Generally, it shrinks to between 20 and 30 percent of its original size. Once the fabric is taken out of the stampa it is stretched, rolled, and then laid out to dry in the warm sun.
The second week is devoted to cutting and stitching. Similar to the way a Chanel jacket is constructed, the lining is stitched to each pattern piece before the pattern pieces are stitched together into a jacket. The stitching technique is called spilesaum (similar to a baseball stitch).