seen from Japan

seen from Algeria
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seen from Brazil
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seen from Mexico
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seen from Türkiye
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seen from United States
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seen from Australia

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October Challange
Professor Layton and the lost\unwound future AU , Future Flora incocnido 🥸
To go in more Detail, future Flora doesn't want the Luke from the future to be involved in all of this. Trying to stop him, though she only takes against a brick wall. Making them only have fights whenever they see each other, not understanding the other sides true intentions. :-:
I really just wanted my little apartment with plants and a cat and the universe said NO.
Did you work out the twist with ‘Celeste’ the first time you experienced PL3?
I suspected it the first time Layton sees ‘Celeste’ in Future London
I suspected it when ‘Celeste’ helps the gang escape from the labs
I suspected it after seeing how similar ‘Celeste’ looks to her sister
“So much of this tragedy was caused by the mistakes we scientists made.” -There!
I suspected after learning about Claire’s death
I did not see the twist coming at all until the truth was revealed
I was spoiled about the twist beforehand
Other/Results
I kind of expected it with this series (It’s like Randall in MM)
I suspected when ‘Celeste’ revealed the pocket watch in the Mobile Fortress

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My Tomodachi Life island is going perfectly. Well, almost perfectly. It hasn't escaped my knowledge that there is a significant lack of beautiful women on my Island.
Time to fix that with possibly the most desired lady from the entire series.
Claire my beloved!! I styled her based on her future appearance, but kept the glasses because well, she needs to see.
Now I can't possibly have Claire on my Island without introducing her to Layton. That would be crazy! Let's see how it goes...
Ok, that was a little odd and Mackintosh was being a creeper but I'm sure Claire was charmed by it.
Layclaire will be canon no matter what.
The Lost Future tech aesthetic of the early 00s
Early 2000s technology and cell phone advertising imagined a future that was sleek, minimal, and beautifully controlled. Walkmans, Nokias, and game console ads presented technology as a beautiful accessory to daily life - still separate from the self, before digital existence became constant and invasive. Unlike the bright colors of the late 90s and the louder optimism of mainstream Y2K culture, this aesthetic was restrained, emotionally cool, and mysterious. Today, it feels like nostalgia for a lost future: a version of modern life where progress promised privacy, beauty, creativity, and solitude instead of endless surveillance and intrusion.