#live script

Hello friends, my name is Bella Choy, this is Black Swan Events, and we were born to do this.

[END OF THE WORLD]

Let me introduce you to the rest of our merry men. First: we have our wonderful guitarists Pomee Whinney and Jess Figueroa! Give them a hand. Second: Mr. Music himself, bassist Evan Perrea. Third but certainly not least Josh Wei on drums. That last song was called end of the world, and this next one is Cabst Blue Ribbon

[CABST BLUE RIBBON]

This next song is dedicated to loose lips and sunken ships. It’s called bits*c if you like 'em catholic

[BITS*C IF YOU LIKE 'EM CATHOLIC]

The Academy Is... are a real band again! This is for William Beckett.

[27 HOURS AND CHANGE]

That was 27 Hours and Change. This next one is called Euthanasia Fantasia.

[EUTHANASIA FANTASIA]

Now friends, this is our first ever show, so here are three truths about black swan events. First: we won’t be a band for everyone. We will be your favorite band. Second: We tell stories so it’s easier to tell the truth. Just because something is fictional does not make it dishonest. The third is one of those stories. Once upon a time, there was a lonesome little girl locked in a dark room. This room of hers had a roof of glass that always let her see the sky but nothing else. The stars noticed this and took pity on her. They told her their stories, and in return for their favor, she swore she would find her own in that world she'd never seen. Welcome to the jailbreak. This next song is a direct quote from her favorite of all the constellations, a cluster rising over Lake Michigan called fall out boy. Here’s our 11 o'clock number: the (after) life of the party.

[THE (AFTER)LIFE OF THE PARTY]

Alright friends, we’ve come to the end of our evening. Our final song is a gift, so here are three thank you notes to go with it. First: a thank you to my dear friends Murph Elyria and Loula Barnes who wrote this piece with me. I cannot tell you how grateful I am to have them in my life. Second: a thank you to Chroma and Joanna Vila for taking a chance on our first show. I had an absolute fucking blast tonight and I think y'all did too. Everyone give it up for Joanna Vila and Chroma! Third: a thank you to everyone in this room tonight, especially ***** who has been running sound and lights all night, our wonderful team running front of house (Go buy something from merch, have a chat, you won’t regret it) and the four of you standing next to me. This has been the best night of my life and the first of many to come. Alright friends, if you’ve never been in a pit before, now is your time to try. This is to/from

[TO/FROM]

Learn Java Script in just 10 Days: day-1

Introduction To JavaScript

Hello, readers and viewers this is warm welcome from sparrowMan. From today you will enjoy my new Java Script tutorial. You know now a day’s Java Script   is not only necessary for making interactive website but also programmers are using Java Script to write their logics. Is it a really difficult programming language that casual web designers should be afraid of? First…

After a conversation with LukeCharles, it became apparent that the most interesting bit of the typeface was it reacting in real time and this is what this section will be. This section could be said to be a test of how well the typeface performs. My initial brief was to create a typeface that responds to emotion autonomously. What exactly this section is is still to be decided but say it runs through the dialogue of a scene in a film. If the visuals and sound of the film are completely removed and nothing is left but the script — can the typeface react to emotive text and in doing so communicate that same emotion to an audience?

This section of the specimen mimics the more editorial side of a traditional specimen. The below example is from Colophon's Aperçu specimen book. This is where the designer of the typeface gives examples of how it might be used in the real world, in magazine spreads or on posters, it shows it off in it's best possible light. Showing off the typeface is what I aim to do with this section.