#literacy levels

These established literacy levels were a sure sign their society had recognised and conformed to a set hierarchy. It was pulling its adherents into a disputable course of learning. The implication was that people more than usually felt part of what creative functionality is. People began to feel they were using creative functionality as a positive and productive pathway when developing literacy levels. It was time well spent. So long as your opinion didn't begin functioning with hatred or murderous intent it remained a healthy activity for partaking in. Surroundings mattered in this regard. The less destructive a surrounding was the more chance they had of forming and maintaining a healthy creative functionality. This was what he was now thinking anyway. Whether it mattered to him or not was less important. It was only more information to find balance with. We listened and then we balanced our opinion based upon what we had been subjected to the listening of, he thought. It was all very natural really. There was no reason to get clingy, depressed, or even angry about it. Not even when they demanded you should.

He began to feel that he should AI generate some useful information for these so-called readers to learn from. It pleased him to help people learn. He didn't have an absolute answer for why. Perhaps he was simply helping to maintain what had supported people for 2500 years.

Q) Did William Morris, the artisan, single handedly invent the modern day fantasy genre that people today love so much?

Short answer: He didn’t invent it, but he is one of the founders of modern fantasy.

William Morris is widely recognised as one of the earliest writers to shape the modern fantasy genre, especially through his late romances like The Well at the World’s End (1896). His work helped establish key conventions—secondary worlds, invented histories, medievalist settings—that later authors such as Tolkien and Lewis developed further.

How William Morris shaped modern fantasy

Early fantasy novels — Morris wrote some of the first fully realised secondary‑world romances. His novels were not set in the real world or in a dream, but in invented medieval-style realms. This was new in English literature.

Medievalism — His deep interest in medieval sagas, which he translated and adapted, fed directly into the tone and structure of his fantasy writing.

Influence on later authors — Tolkien openly acknowledged Morris’s influence, especially in the idea of a fully coherent invented world with its own geography, cultures, and languages.

Why he didn’t “invent” the genre

Fantasy has older roots—mythology, medieval romance, The Arabian Nights, Gothic fiction, and early Victorian supernatural tales. But Morris was the first to give fantasy prestige as a serious literary form and to publish novels recognisably similar to today’s high fantasy.

So the fairest conclusion of them all is:

The reading comprehension level of State of the Union Addresses