#lit links

The first week of September has brought us many things for most of us. A day off of work, the beginning of another school year, and a set of awesomely delicious books to devour. Take a look at these tasty novels and stay tuned after for the crunchy bits at the bottom.

This is the story of a city.

The northwest corner of a city. Here you’ll find guests and hosts, those with power and those without it, people who live somewhere special and others who live nowhere at all.  And many people in between.

Every city is like this. Cheek-by-jowl living. Separate worlds.

And then there are the visitations: the rare times a stranger crosses a threshold without permission or warning, causing a disruption in the whole system. Like the April afternoon a woman came to Leah Hanwell’s door, seeking help, disturbing the peace, forcing Leah out of her isolation…

Zadie Smith’s brilliant tragi-comic new novel follows four Londoners - Leah, Natalie, Felix and Nathan – as they try to make adult lives outside of Caldwell, the council estate of their childhood. From private houses to public parks, at work and at play, their London is a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end.

Depicting the modern urban zone – familiar to town-dwellers everywhere – Zadie Smith’s NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself.

If parenting is making Americans unhappy, if it's impossible to "have it all," if people don't have the economic, social, or political structures needed to support child rearing, then why do it? And why are anxious new parents flocking to every Tiger Mother and Bebe-raiser for advice on how to raise kids? In "Why Have Kids?, " Valenti explores these controversial questions through on-the-ground reporting, startling new research, and her own unique experiences as a mom. She moves beyond the black and white "mommy wars" over natural parenting, discipline, and work-life balance to explore a more nuanced reality: one filled with ambivalence, joy, guilt, and exhaustion. Would-be parents must navigate the decision to have children amidst a daunting combination of cultural expectations and hard facts. And new parents find themselves struggling to reconcile their elation with the often exhausting, confusing, and expensive business of child care. When researchers for a 2010 Pew study asked parents why they decided to have their first child, nearly 90 percent answered, for "the joy of having children." Yet nearly every study in the last ten years shows a marked decline in the life satisfaction of those with kids. Valenti explores this disconnect between parents' hopes and the day-to-day reality of raising children--revealing all the ways mothers and fathers are quietly struggling. A must-read for parents as well as those considering starting a family, "Why Have Kids?" is an explosive addition to the conversation about modern parenthood.

Introducing one of the most stylish and moody historic detective series ever: The Inspector Eberhard Mock Quartet

Occupied Breslau, 1933: Two young women are found murdered on a train, scorpions writhing on their bodies, an indecipherable note in an apparently oriental language nearby ...Police Inspector Eberhard Mock's weekly assignation with two ladies of the night is interrupted as he is called to investigate.

But uncovering the truth is no straightforward matter in Breslau. The city is in the grip of the Gestapo, and has become a place where spies are everywhere, corrupt ministers torture confessions from Jewish merchants, and Freemasons guard their secrets with blackmail and violence.

And as Mock and his young assistant Herbert Anwaldt plunge into the city's squalid underbelly the case takes on a dark twist of the occult when the mysterious note seems to indicate a ritual killing with roots in the Crusades ...

Now, Barclay returns with a thrilling story in which two brothers suddenly find themselves pulled into a frightening vortex of power and murder…

Thomas Kilbride is a map-obsessed schizophrenic so affected that he rarely leaves the self-imposed bastion of his bedroom. But with a computer program called Whirl360.com, he travels the world while never so much as stepping out the door. He pores over and memorizes the streets of the world. He examines every address, as well as the people who are frozen in time on his computer screen.

Then he sees something that anyone else might have stumbled upon—but has not—in a street view of downtown New York City: an image in a window. An image that looks like a woman being murdered.

Thomas’s brother, Ray, takes care of him, cooking for him, dealing with the outside world on his behalf, and listening to his intricate and increasingly paranoid theories. When Thomas tells Ray what he has seen, Ray humors him with a half-hearted investigation. But Ray soon realizes he and his brother have stumbled onto a deadly conspiracy.

And now they are in the crosshairs…

The year is 1903, and the garrison of Yangambi on the banks of the Congo is under the command of Captain Lalande Biran. The captain is also a poet whose ambition is to amass a fortune and return to the literary cafés of Paris. His glamorous wife, Christine, has a further ambition: to own seven houses in France, a house for every year he has been abroad. At Lalande Biran’s side are the ex-legionnaire van Thiegel, a brutal womanizer, and the servile, treacherous Donatien, who dreams of running a brothel. The officers spend their days guarding enslaved rubber-tappers and kidnapping young girls, and at their hands the jungle is transformed into a wild circus of human ambition and absurdity. But everything changes with the arrival of a new officer and brilliant marksman: the enigmatic Chrysostome Liege. An outstanding new novel from the critically acclaimed and prizewinning author Bernardo Atxaga, Seven Houses in France is a blackly comic tale which reveals the darkest sides of human desire.

And here are some tasty Linkity Links for you to chew on:

-Poems written by kittens, how could you not?

-Interested in Indie/Self-Pub authors? You can find more here.

Nicholson Baker, who “writes like no one else in America” (Newsweek), here assembles his best short pieces from the last fifteen years.

The Way the World Works, Baker’s second nonfiction collection, ranges over the map of life to examine what troubles us, what eases our pain, and what brings us joy. Baker moves from political controversy to the intimacy of his own life, from forgotten heroes of pacifism to airplane wings, telephones, paper mills, David Remnick, Joseph Pulitzer, the OED, and the manufacture of the Venetian gondola. He writes about kite string and about the moment he met his wife, and he surveys our fascination with video games while attempting to beat his teenage son at Modern Warfare 2. In a celebrated essay on Wikipedia, Baker describes his efforts to stem the tide of encyclopedic deletionism; in another, he charts the rise of e-readers; in a third he chronicles his Freedom of Information lawsuit against the San Francisco Public Library.

Through all these pieces, many written for The New Yorker, Harper’s, and The American Scholar, Baker shines the light of an inexpugnable curiosity. The Way the World Works is a keen-minded, generous-spirited compendium by a modern American master.

The second collection by Catherine Barnett, whose “poems are scrupulously restrained and beautifully made” (Edward Hirsch, The Washington Post)

Everyone asks us what we're afraid of but children aren't supposed to say. We could put loneliness on the list. We could put the list on the list, its infinity. We could put infinity down. --from “Fields of No One to Ask”

In Catherine Barnett's The Game of Boxes, love stutters its way in and out of both family and erotic bonds. Whittled down to song and fragments of story, these poems teeter at the edge of dread. A gang of unchaperoned children, grappling with blame and forgiveness, speak with tenderness and disdain about “the mothers” and “the fathers,” absent figures they seek in “the faces of clouds” and in the cars that pass by. Other poems investigate the force of maternal love and its at-times misguided ferocities. The final poem, a long sequence of nocturnes, eschews almost everything but the ghostly erotic. These are bodies at the edge of experience, watchful and defamiliarized.

“Leave it to Peter Heller to imagine a postapocalyptic world that contains as much loveliness as it does devastation. His hero, Hig, flies a 1956 Cessna (his dog as copilot) around what was once Colorado, chasing all the same things we chase in these pre-annihilation days: love, friendship, the solace of the natural world, and the chance to perform some small kindness. The Dog Stars is a wholly compelling and deeply engaging debut.” —Pam Houston, author of Contents May Have Shifted

A riveting, powerful novel about a pilot living in a world filled with loss—and what he is willing to risk to rediscover, against all odds, connection, love, and grace.

Hig survived the flu that killed everyone he knows. His wife is gone, his friends are dead, he lives in the hangar of a small abandoned airport with his dog, his only neighbor a gun-toting misanthrope. In his 1956 Cessna, Hig flies the perimeter of the airfield or sneaks off to the mountains to fish and to pretend that things are the way they used to be. But when a random transmission somehow beams through his radio, the voice ignites a hope deep inside him that a better life—something like his old life—exists beyond the airport. Risking everything, he flies past his point of no return—not enough fuel to get him home—following the trail of the static-broken voice on the radio. But what he encounters and what he must face—in the people he meets, and in himself—is both better and worse than anything he could have hoped for.

Narrated by a man who is part warrior and part dreamer, a hunter with a great shot and a heart that refuses to harden, The Dog Stars is both savagely funny and achingly sad, a breathtaking story about what it means to be human.

Behind every good man is a good woman" is a common saying, but when it comes to literature, the relationship between spouses is even that much more complex. F. Scott Fitzgerald, James Joyce, and D. H. Lawrence used their marriages for literary inspiration and material, sometime at the expense of their spouses' sanity. Thomas Carlyle wanted his wife to assist him, but Jane Carlyle became increasingly bitter and resentful in her new role, putting additional strain on their relationship.

In Russian literary marriages, however, the wives of some of the most famous authors of all time did not resent taking a "secondary position," although to call their position secondary does not do justice to the vital role these women played in the creation of some of the greatest literary works in history.

From Sophia Tolstoy to Vera Nabokov, Elena Bulgakov, Nadezdha Mandelstam, Anna Dostevsky, and Natalya Solzhenitsyn, these women ranged from stenographers and typists to editors, researchers, translators, and even publishers. Living under restrictive regimes, many of these women battled censorship and preserved the writers' illicit archives, often risking their own lives to do so. They established a tradition all their own, unmatched in the West.

Many of these women were the writers' intellectual companions and made invaluable contributions to the creative process. And their husbands knew it. Leo Tolstoy made no secret of Sofia's involvement in War and Peace in his letters, and Vladimir Nabokov referred to Vera as his own "single shadow."

We’ve long understood black holes to be the points at which the universe as we know it comes to an end. Often billions of times more massive than the Sun, they lurk in the inner sanctum of almost every galaxy of stars in the universe. They’re mysterious chasms so destructive and unforgiving that not even light can escape their deadly wrath.

Recent research, however, has led to a cascade of new discoveries that have revealed an entirely different side to black holes. As the astrophysicist Caleb Scharf reveals in Gravity’s Engines, these chasms in space-time don’t just vacuum up everything that comes near them; they also spit out huge beams and clouds of matter. Black holes blow bubbles.

With clarity and keen intellect, Scharf masterfully explains how these bubbles profoundly rearrange the cosmos around them. Engaging with our deepest questions about the universe, he takes us on an intimate journey through the endlessly colorful place we call our galaxy and reminds us that the Milky Way sits in a special place in the cosmic zoo—a “sweet spot” of properties. Is it coincidental that we find ourselves here at this place and time? Could there be a deeper connection between the nature of black holes and their role in the universe and the phenomenon of life? We are, after all, made of the stuff of stars.

From one of the most original and influential neuroscientists at work today, here is an exploration of consciousness unlike any other—as told by Galileo, who opened the way for the objectivity of science and is now intent on making subjective experience a part of science as well. Galileo’s journey has three parts, each with a different guide. In the first, accompanied by a scientist who resembles Francis Crick, he learns why certain parts of the brain are important and not others, and why consciousness fades with sleep. In the second part, when his companion seems to be named Alturi (Galileo is hard of hearing; his companion’s name is actually Alan Turing), he sees how the facts assembled in the first part can be unified and understood through a scientific theory—a theory that links consciousness to the notion of integrated information (also known as phi). In the third part, accompanied by a bearded man who can only be Charles Darwin, he meditates on how consciousness is an evolving, developing, ever-deepening awareness of ourselves in history and culture—that it is everything we have and everything we are.

Not since Gödel, Escher, Bach has there been a book that interweaves science, art, and the imagination with such originality. This beautiful and arresting narrative will transform the way we think of ourselves and the world.

"Binder has gone so deeply, and with such mystical brilliance and loyalty, into her own world that she has brought mine to me in high relief. She both casts a spell and breaks it. To experience Rise is to experience wonder."—Laura Kasischke

The stories in Rise are fairytales, except that the witch, lucky Hans, and the frog prince are characters at the fringes of everyday life. There are rockets, swells of starlings, and children who disappear into thin air. L. Annette Binder writes magical tales with authority and restraint, and we believe her stories, every one.

Lit Links:

-The Art of Google Books

-Can author readings be crowdsourced?