work station!!
messy but working
Made a “pen” using a skewer, a cork and a rubber band. Fully adjustable,
the cork adds a nice weight to the skewer, as well as a grip.
seen from United States

seen from United States
seen from China

seen from United States
seen from France
seen from China
seen from China
seen from United States
seen from France

seen from India
seen from Ukraine

seen from Brazil

seen from France
seen from United Kingdom

seen from United States
seen from Japan

seen from United States
seen from United States
seen from Maldives
seen from Algeria
work station!!
messy but working
Made a “pen” using a skewer, a cork and a rubber band. Fully adjustable,
the cork adds a nice weight to the skewer, as well as a grip.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
ZINE RATIONALE/REFLECTION
My zine focused on sustainability in graphic design. My interviewee Eric Benson promotes and teaches sustainable design, and will be someone whose guides and resources I continue to utilise in the future.
I believe in the re-purposing and reusing of items over recycling. My zine reflects this in that it is a book, a poster, sow-able seeds, compostable and recyclable. I think the onus should not always fall on the consumer to be sustainable. As designers, we have a responsibility to create things that are quality, long-lasting and When we design, the end of an item's life cycle is as important if not more, that its beginning in the distributing shop. It is important for sustainable design to be considered for every designed project. It needs to be a given, not a niche.
Making this zine really allowed me to rediscover the hidden beauty of the world around us. Creativity doesn't always have to come from destroying the existing to make an entirely new thing, sometimes it is the adaptation and the working alongside existing systems and materials that feel even more rewarding. In this day and age where we are surrounded by technology, it is refreshing to get hands on with the aid of the original designer: mother nature.
Natural decorations
I'm experimenting with pressed flowers, and using them as a natural and aesthetic adornment for my zine. Whilst I've heard of this practice before, this is my first time trying it myself.
I placed delicate fresh flowers between the pages of a notepad, and put heavy books on top of it. I am looking forward to including these as natural pollution free decorations on my zine.
leaf printing
I trialled a variety of leaves and natural inks. Beetroot juice was the most successful, and to my surprise the majority of the leaves did not yield a desirable result. The ones with thick veins worked well, as the beetroot juice is not as viscous as paint.
To make the beetroot ink I boiled chopped beetroots and blended it into a puree. It was then strained and became ready to use.
There is something wonderful about using natural materials that fit with each other, there is a connection and feeling of harmony.
TEA AND COFFEE:
I was confident in the success of coffee and tea as inks. I had previously seen artists use them as paint to create amazing work.
I used strong black tea and espresso, yet the colours were still quite light. Through my experimentations I found that these 'inks' could be layered in a similar way to watercolour. To write the text I used a thin bamboo skewer, to maxmise legibility whilst pertaining to the natural and sustainable theme. The blackberry 'ink', whilst proving unsuccessful in printmaking, seem to be a great natural alternative to the popular blue pen.
It should be noted the text trials here were both done on recycled paper, instead of photocopying paper. To be honest I am faced with a dilemma. Recycled paper suits my theme of sustainability, yet the kind I can access is coated, making it hard to absorb the natural inks I am using. An uncoated, watercolour pad would be better to carry the ink, but it won't be recyclable. A design decision I will need to make.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Leaf Printing: Blackberry
Blackberry juice seems to consist of water and flecks of blackberry.
This created rather unclear leaf patterns. Will trial this method with beetroot
juice, should produce better results.
INK-MAKING: BERRIES
For my sustainable zine, I trialled blackberry and raspberry ink.
I mashed the berries, and used a chopstick to write text using the juices.
After heating the blackberries, it became red? Which was bizarre and unexpected.
Overall both berries were more watery than the beetroot juice. They could still be used to draw large patterns, and shapes where legibility isn’t as crucial as it is for text.
VEG INKS for ZINE
part 1: beetroot
In keeping with the sustainability theme, I got my hands dirty (or stained with beetroot juice at least) making ink out of natural ingredients.
A really effective technique was using cookie cutters to cut out raw beetroot shapes. Their natural flexibility is similar to rubber, being hard and soft.
This allowed them to be used as stamps, self-inking ones too!
I also tried to make abstract patterns, by repetition of simple shapes like small rectangles. I cut a piece of thin, paint brush-like beetroot and drew lines that mimicked a wood grain. I also tried scoring the beetroot with a knife, then using the ink that seeped out of the cuts to produce a grid-like pattern. These techniques could make decorative or informative pictures for my zine.
beetroot juice was trialled at many different stages of rawness/processed state. -raw -boiled for a short time -boiled for a long time -stick blended and strained
I found that whilst they all seemed vibrant and legible when wet, the stick blended and strained method produced the most concentrated ink. The other variants tend to soak through the paper and bleed more, as they contain more water. Although as I became more familiar with the medium the quality also improved, for example I learnt to write in a fast joined writing so that the juice will not gather in one place and soak through the paper.
Most of the handwriting was done using a chopstick dipped in the inks. A chopstick kind of represents using a wooden stick, as I didn't want to use 'artificially created' paint brushes. A chopstick provided a good amount of stiffness, making it easy to control. However the writing was too large for my liking, so I may have to use a paintbrush in the end after all.