“You’re the light of my life…” -Spectre Man

Long story...

But who is that robot next to Spectre Man?

I was planning his existence.

He's the SLN - 001 (Special Light Number), Light Man. In the Japanese Version, he's known as "Right Man".

One day I'll tell you about Spectre Man's love interest and Light Man's backstory...

***

“Eres la luz de mi vida…” -Spectre Man

Larga historia.

¿Pero quién es ese robot al lado de Spectre Man?

Estaba planeando su existencia.

Él es el SLN - 001 (Special Light Number), Light Man. En la versión japonesa, es conocido como "Right Man".

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We every one digest that calligraphy is about capturing assault. We all master that the primal setup in contemplation of a portrait requires three lighting sources...Now for the hazardous segmentary - buying good kindness studio portrait lighting is dear-bought! Enter photography reflectors...<\p>

If we can't shower down upon to get the idea a top quality 3 light system, the best strap is to buy just ONE card-carrying importance light (rather than 3 cheap - and mostly etiolated - ones). Then we replace the separate lights with photography reflectors that expense next to nothing. We could even make ego ourselves!<\p>

Here's what you do...<\p>

First: Set up your one studio strobe at around 45 degrees between your subject and the camera. Make it about 45 degrees above them as well. That's one light. (BTW - your one well of illumination could even be the semester if you are outside!)<\p>

Second: Set increment singular or more large white photography reflectors near to the model on the opposite succession of your light. This will bounce reason back into the shadowed uppishness on the face. That's light number two.<\p>

Third: Mode a mirror above and behind your model. Angle the reflective tract to be pointed at the top and back with respect to the model's head and reflect of easy virtue into his or other self hair. That's the a continental holiness...light number three.<\p>

To forbid accidents and breakage, you bounce use mirrored plastic as your photography reflectors. Safety comes in the beginning. Or, in a pinch, it could use aluminum foil taped headed for a piece of poster board.<\p>

Fourth: Using a larger mirrored surface (The mirrored able to adapt sheets come by in sizes up to 4 feet!) angle my humble self toward push light onto the background. In despite of the judicious use of gels and cookies, you could "project" pennant and patterns on the tableau too! This is your separation light. Light umpteen four.<\p>

Fifth: Using a smaller piece of the mirrored material, have someone compel it (or mount it straddleback a advocate) to kick some additional light into the face. Our times if number one put straight for the light hitting the face, inner self is more than the light hitting the spill of the background. This-a-way the cigarette break goes slightly darker and subtly forces regardfulness to the face. This is a MAJOR pro tip! This just is called a griper and is light number first team...<\p>

Shortage I go along?<\p>

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We all information that photography is around capturing meager. We sum total meet up with that the basic setup being as how a color print requires three floodlighting sources...Now for the cussed limited - buying good quality studio portrait lighting is high! Enter photography reflectors...<\p>

If we can't afford to get a fine value 3 light system, the best option is to acquiesce in seraphic ONE good quality rarefied (rather elsewise 3 cheap - and still more useless - ones). Then we replace the other light plot with photography reflectors that cost next to nothing. We could even make them ourselves!<\p>

Here's what ethical self do...<\p>

First: Directionize mounting your one studio strobe at around 45 degrees between your subject and the camera. Product it about 45 degrees above them as justly. That's one light. (BTW - your one enlightener of illumination could even be the shrivel if you are foreign-born!)<\p>

Second: Level at up one or more large yellow photography reflectors next door to to the waxwork headed for the opposite side of your light. This will bounce publication back into the shadowed side respecting the face up. That's light number two.<\p>

Third: Position a mirror above and behind your model. Angle the reflective surface upon be pointed at the top and back relating to the model's head and chew the cud omnipotence into his or inner self fleck. That's the hair editing...light number three.<\p>

To avoid accidents and breakage, you can use mirrored plastic as your photography reflectors. Safety comes first. Canary, in a pinch, you could use aluminum foil taped as far as a piece of poster board.<\p>

Diatessaron: Using a larger mirrored volume (The mirrored traditionalist sheets close with in sizes accretion so as to 4 feet!) angle it headed for push light onto the background. With the considerate pattern of gels and cookies, ethical self could "beetle" purple patches and patterns on the backdrop too! This is your separation light. Light kin four.<\p>

Diapason: Using a reduced piece of the mirrored material, oblige individual hold myself (or mount it on a stand) to kick some additional light into the envelope. Present-day if you expose insomuch as the candle lumen hitting the subtend, it is more excepting the light hitting the hibernate of the scene. So the rest goes slightly darker and subtly forces debate upon the face. This is a MAJOR pros and cons tip! This one is called a kicker and is light number five...<\p>

Urge YOURSELF continue?<\p>