@lifesmold : ❛ how dangerous it must be, to allow others to see you for who you really are. don't you agree? ❜
❝ is it? ❞ an easy response ——— immediate, lingering on too rapid, akin to the frenetic thrum of a pulse gone too fast too—lurching. the humor of it all ( truly stomach gripping laughing on the floor until you cannot breathe anymore humor, at that ) is that it ISN’T A LIE for the initial moments that the words are given life.
IS IT DANGEROUS TO BE SEEN AND KNOWN? well, isn’t it a comfort? isn’t it gratifying, to be known and acknowledged? doesn’t it alleviate bone deep loneliness, weariness pulling at every last inch of your skin?
kaeya has draped themselves rather ostentatiously in albedo’s laboratory again. he hasn’t even made a true attempt to snoop into the various things lying about : he’s too busy staring ( quite fascinated ) at another project of his, at the pretty petals of the flower, the arching of its leaves : ALCHEMY MADE. but not a ( ... ) certain something. he wonders if it’s something that albedo is invested in, if it’s something that he’s started and finished, if it’s something that he’s pouring his very essence into. how much time has he spent on it? will he spend more on it? the desire to know is almost a compulsion, an intrinsic craving ———
he’s made himself an IMMOVABLE IMMUTABLE PRESENCE ( again. ) intruding on albedo’s space without so much as a by your leave and he wonders, fleetingly, where sucrose has gone off to but discards the thought, though keeps the concept of her nearby. they like it here in the lab, where albedo sometimes looks at them with something that drifts away from the monotony of a blank expression and AT TIMES snipes back at him, this continuous give and take : where kaeya tries to peel back the curtain ( his layers if not his skin ) and fails and laughs GLORIOUSLY when albedo returns the favor. no one else bothers him here / there’s simply someone to bother.
THEY ARE THE SAME. a lie?
still : he lifts his gaze from one experiment to another : albedo isn’t looking at him ( of course not of course not ) but perhaps he was, at some point !! who’s to say and who’s to know but the kreideprinz, himself. this simply means that kaeya can look at him, which he does frequently enough, but here he uncrosses his legs and shifts his weight and crosses them again : broad strokes of a paint brush. extravagant, showy, overwrought, sweeps of his body and he fixes albedo with a slow smile.
❝ speaking from personal experience, i see, ❞ it’s an assumption based on the phrasing that he had been given but, well : kaeya is very good at making ACCURATE ASSUMPTIONS. he had been taught from a young age, after all, and who is he to forget the teachings of his beloved mother?
IS IT DANGEROUS TO BE SEEN AND KNOWN? yes. yes. yes. those fleeting moments where the question hadn’t been a lie are gone and the lie remains and being seen and known is disconcerting at best. horrifying at worst. ( he remembers diluc’s face, beloved brother mine i do love you so i love you so, that expression burned into every last inch of his mind / he cradles it, nurtures it, REMEMBERS ALWAYS ALWAYS ALWAYS that moment where, at last, they had been seen for who they truly were. ) they are wrapped in layers upon layers upon layers of frigid ice, kaeya as a concept lost and drifting : who is he really, anyways?
a weeping boy from khaenri’ah. a prince with no crown. a monster of the abyss with no fangs. the son of crepus ragnvindr. the brother of diluc. cavalry captain of the knights of favonius. frost—heart. defender of mondstadt. harbinger of war. no ——— no. no? not quite. danger. dangerous. DANGEROUS.
( with diluc there had been no danger. with diluc it had simply been and he had screamed / wailed / bled for it. known well that he would not die. and besides : they hadn’t been in their right mind, anyways. had simply ——— acted. spoken. confessed at an altar of all of his lies. )
ah, but who is albedo, anyways?
❝ what a shame... i would like to see you for who you really are, ❞ kaeya watches the delicate way that albedo exists. as he is and as he breathes ——— how gently he conducts himself with others. with many. with sucrose and klee and the rest. THAT IS NOT A LIE ( not the way that much of kaeya is, at least, half of a lie ) / it is simply not the whole truth. they watch albedo continue to work, the passivity of his expression, and kaeya wants to laugh. how much to reveal? how much to say? they are disjointed mirrors, some day the structure they’ve made will come crashing down ( down, down. )
❝ but you’re looking for agreement... perhaps i do agree, ❞ too much, TOO MUCH. but then : when is anything too much, when it comes to albedo? kaeya does laugh, now, eye glimmering when albedo finally ( finally ) glances at him, and he tilts his head back and staring up, up, up. ( what a shame, perhaps they should have held his gaze. ) ❝ maybe it wouldn’t be so dangerous after all, they do say that to know someone is a comfort, ❞ he thinks of diluc / feels a disjointed compulsion to tear at his chest.
❝ you should try it some time, ❞ his head tips and he looks at albedo, utterly thrilled that he’s looking at him, already. ❝ ah, you really are so interesting, albedo. ❞