everytime i remember this i need to lie down for a minute

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everytime i remember this i need to lie down for a minute

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insane dynamic. *drops him gently on the bank* "are you fucking stupid i could have fucking killed you and you're so fucking annoying i still might" "that was so cool how did you do that" "well you see..."
all the opera pieces sung in leroux's the phantom of the opera
gounod's roméo et juliette; leroux only says christine sings some excerpts from it on her first night covering for carlotta and he doesn't clarify further, i like to think she also sang the poison aria at some point (especially considering later in the novel christine tries to kill herself in erik's lair)
the prison scene and final trio from gounod's faust, the piece that makes the parisian audience fall in love with christine as raoul and erik watch. it was also used in the 1990 miniseries!
when christine isn't covering for carlotta, she's playing siebel en travesti, and faites-lui mes aveux is the aria she's singing on the night the chandelier falls when she makes eye contact with raoul and her voice falters - while he starts sobbing violently to everyone else's confusion
the jewel aria is the aria that makes the audience go mad for carlotta
during that same performance of faust, while singing act 3's last duet il se fait tard, carlotta croaks at the end of the line that starts at 2.20
erik sings nuit d'hyménée from gounod's roméo et juliette, the wedding night duet (he gives her a ring that night), as raoul watches christine walk through the mirror after the masked ball
la romanza di desdemona from rossini's othello, which erik (!) sings to christine after bringing her to the lair for the first time
othello and desdemona's duet from rossini's othello, which erik and christine are singing together when she unmasks him (now this is me being pedant, but the masks probably comes off at around 9.18 in this recording, considering leroux has christine react by saying "horror! horror!" which is what desdemona is repeating here, and immediately after erik phisically attacks her in anger much like othello does)
gaston leroux, the phantom of the opera
a few years after his death already his appearance doesn't matter anymore, his transgressions and his crimes don't matter anymore, and what does? the ring, the proof he has loved. gnawing and biting

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which could mean nothing.
never forget erik used that chandelier to murder someone for madame giry specifically
a saga