The day you were born I was shakin’ like a leaf on an old oak tree Then you stayed like a thorn Red roses raining’ down til they flooded me
INTERVIEW WITH THE VAMPIRE Season 1, Episode 7 | Season 3, Episode 5
Keni
Peter Solarz

Andulka

Kiana Khansmith

izzy's playlists!
YOU ARE THE REASON
he wasn't even looking at me and he found me
One Nice Bug Per Day

Product Placement
will byers stan first human second
2025 on Tumblr: Trends That Defined the Year
wallacepolsom
Three Goblin Art
I'd rather be in outer space 🛸

Love Begins
Monterey Bay Aquarium
🪼
NASA

styofa doing anything

seen from Brazil

seen from Malaysia
seen from Croatia
seen from Bangladesh
seen from India
seen from Ukraine

seen from Türkiye

seen from Saudi Arabia
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

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@eleancrvances
The day you were born I was shakin’ like a leaf on an old oak tree Then you stayed like a thorn Red roses raining’ down til they flooded me
INTERVIEW WITH THE VAMPIRE Season 1, Episode 7 | Season 3, Episode 5

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Boys, there is no need for fighting.
Assad Zaman as Armand
THE VAMPIRE LESTAT || 3.05 "New York"
One gifset per production of ALW’s The Phantom of the Opera
- World Tour (2024-2026)
The apparition had reached the landing halfway up and was therefore on the spot nearest the window, where at sight of me, it stopped short and fixed me exactly as it had fixed me from the tower and from the garden. He knew me as well as I knew him; and so, in the cold, faint twilight, with a glimmer in the high glass and another on the polish of the oak stair below, we faced each other in our common intensity. He was absolutely, on this occasion, a living, detestable, dangerous presence. But that was not the wonder of wonders; I reserve this distinction for quite another circumstance: the circumstance that dread had unmistakably quitted me and that there was nothing in me there that didn’t meet and measure him. I had plenty of anguish after that extraordinary moment, but I had, thank God, no terror. And he knew I had not—I found myself at the end of an instant magnificently aware of this. I felt, in a fierce rigor of confidence, that if I stood my ground a minute I should cease—for the time, at least—to have him to reckon with; and during the minute, accordingly, the thing was as human and hideous as a real interview: hideous just because it was human, as human as to have met alone, in the small hours, in a sleeping house, some enemy, some adventurer, some criminal. It was the dead silence of our long gaze at such close quarters that gave the whole horror, huge as it was, its only note of the unnatural. If I had met a murderer in such a place and at such an hour, we still at least would have spoken. Something would have passed, in life, between us; if nothing had passed, one of us would have moved. The moment was so prolonged that it would have taken but little more to make me doubt if even I were in life.
Henry James, The Turn of the Screw

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Catherine Tate and David Tennant as Beatrice and Benedick
Much Ado About Nothing (dir. Josie Rourke, 2011)
The simple joy of her hand in mine.
Michel Fokine and Vera Fokina as Harlequin and Columbine in a ballet Le Carnaval (more photos here)

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Le Comte de Monte-Cristo (1961) dir. Claude Autant-Lara
Nosferatu (1922) | The Turn of the Screw (1982) | Svengali (1931)
XXII, XXIX | Where have you just chosen to go?

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Despite what you've been sold, we are friends, he and I.
THE VAMPIRE LESTAT | 3.04 "The Devil's road"
LA RELIGIEUSE (1966) dir. Jacques Rivette France, 1760. In exchange for a boarding fee, the spiteful aristocratic mother of the unwilling 16-year-old nun-to-be, Marie-Suzanne Simonin, shuts her up in a convent. As a result, forced into taking her vows, innocent Marie-Suzanne resigns herself to her fate and promises poverty, chastity, and obedience to God. Three mothers superior (Madame de Moni, Sister Sainte-Christine, and Madame de Chelles) treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire. Suzanne’s virtue brings disaster to everyone in this faithful adaptation of a bitter attack on religious abuses by the Enlightenment philosopher Denis Diderot. (link in title)