Amanda Vähämäki (Finnish, b. 1981, Tampere, Finland) - In the Night from Kolor Klimax: Nordic Comics Now, 2012, Drawings
Peter Solarz

RMH
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Cosmic Funnies

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shark vs the universe
DEAR READER

祝日 / Permanent Vacation
Claire Keane

JVL

★
NASA
Alisa U Zemlji Chuda
TVSTRANGERTHINGS
dirt enthusiast
styofa doing anything
KIROKAZE
todays bird

#extradirty
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@eleancrvances
Amanda Vähämäki (Finnish, b. 1981, Tampere, Finland) - In the Night from Kolor Klimax: Nordic Comics Now, 2012, Drawings

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THE LION IN WINTER (1968) — Dir. Anthony Harvey
the nicki/louis parallels have only just started and i’m already devastated
the one band member thinking to himself that he's so glad lestat killed one of the tech guys and lestat going "dude I just fired him like a normal person" was an underrated moment tbh
In The Odyssey, Odysseus is extraordinary for the flexibility with which he can inhabit many different names, or no name at all. It is this quality of being multinamed and nameless that enables him to survive. By contrast, almost all the warriors of The Iliad yearn to have a name and a story that lasts forever. Their many names and titles, as sons and brothers and comrades and fathers and rulers, are essential to their identities, their connections with one another, and their fame after death. They fear, above all, being humiliated (cursed with a negative name), or forgotten and nameless. The lists and catalogs of names are essential to the poem’s own work, of memorializing and mourning the dead. Once the bodies return to dust, these syllables are all that remain.
– Emily Wilson, Translator's note for The Iliad.

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My favorite part of The Three Musketeers og book was Milady and Constance knife fight which definitely was there
The Punisher | Virtue of the Vicious (1x10)
the beautiful thing about aging is there are so many versions of your life, so many things you thought you would never get over, so many funny and absolutely heart breaking things that you not only get over but just sort of forget about
SENSO (1954) dir. Luchino Visconti
today i overheard a girl say "no, f*ck that. i will be lovely to everyone. maybe some people will remember they have a heart."

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im just so happy i live in a time period where actual meaningful biological transition is possible. even if we lose rights or the ability to exist in public, nothing can turn back the clock on that, and just by having any sort of access to that our lives are made immensely better. millions of our sisters throughout history would never have dreamed of a day where they could have what HRT does for us.
please don't lose the plot of this. if you're a trans person on HRT you're a living miracle, the dream of hundreds of millions of your ancestors. your lives are all deeply meaningful no matter what anyone says.
A prayer by Kalonymus b. Kalonymus ben Meir that appears in his poem ספר אבן בוחן, יג Sefer Even Boḥan (§13), describing the author's wish t
Cursed be the one who announced to my father: “It’s a boy!"... ...How could he twist the course of the stars so much? How could he have erred so in his astrology? A lying tongue, a fool’s mouth it had given him For he foolishly transformed justice to poison He altered the law and transposed the lines
Oh, but had the artisan who made me created me instead – a worthy woman... ...I would say "how lucky am I"
Father in heaven who did miracles for our ancestors with fire and water... ...Who would then transform me from a man to woman? Were I only to have merited this being so graced by goodness...
What shall I say? why cry or be bitter? If my father in heaven has decreed upon me and has maimed me with an immutable deformity then I do not wish to remove it. the sorrow of the impossible is a human pain that nothing will cure and for which no comfort can be found. So, I will bear and suffer until I die and wither in the ground. Since I have learned from our tradition that we bless both, the good and the bitter I will bless in a voice hushed and weak: blessed are you [HaShem] who has not made me a woman.
I think I'm gonna go lay down for a little while.
Jacob Anderson as LOUIS DE POINTE DU LAC
THE VAMPIRE LESTAT | 3.02 "TOLEDO"
Marcello Mastroianni in A Special Day (1977) dir. Ettore Scola
twisted every way.

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“I think she’s threatened by it. She’s threatened by it as somebody who loves him and who wants to be the primary relationship in his life, wants to be the most important person to him in any room, and suddenly, there is somebody else. And Louis having Lestat’s ear just really saps her power.” (x)
Mary Wollstonecraft Shelley (1797–1851), Frankenstein, manuscript, MS. Abinger c.56, fols. 20v – 21r, 1816 – 1817. The Bodleian Libraries, University of Oxford.