Catherine Tate and David Tennant as Beatrice and Benedick
Much Ado About Nothing (dir. Josie Rourke, 2011)

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Catherine Tate and David Tennant as Beatrice and Benedick
Much Ado About Nothing (dir. Josie Rourke, 2011)

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The simple joy of her hand in mine.
Michel Fokine and Vera Fokina as Harlequin and Columbine in a ballet Le Carnaval (more photos here)

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Le Comte de Monte-Cristo (1961) dir. Claude Autant-Lara
Nosferatu (1922) | The Turn of the Screw (1982) | Svengali (1931)
XXII, XXIX | Where have you just chosen to go?

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Despite what you've been sold, we are friends, he and I.
THE VAMPIRE LESTAT | 3.04 "The Devil's road"
LA RELIGIEUSE (1966) dir. Jacques Rivette France, 1760. In exchange for a boarding fee, the spiteful aristocratic mother of the unwilling 16-year-old nun-to-be, Marie-Suzanne Simonin, shuts her up in a convent. As a result, forced into taking her vows, innocent Marie-Suzanne resigns herself to her fate and promises poverty, chastity, and obedience to God. Three mothers superior (Madame de Moni, Sister Sainte-Christine, and Madame de Chelles) treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire. Suzanne’s virtue brings disaster to everyone in this faithful adaptation of a bitter attack on religious abuses by the Enlightenment philosopher Denis Diderot. (link in title)
one of my favorite this american life segments of late is about the people who played orchestra pit for phantom of the opera on broadway and how, like, a sizeable majority of them had literally been playing the show since it opened in 1988 (on broadway. I know it opened in 86 on the west end, you random pedants, but I am specifically talking about broadway musicians) because their contracts stipulated that they'd have jobs throughout the show's entire run... but nobody anticipated that phantom would become the longest-running broadway show of all time.
and none of these people wanted to walk away from a guaranteed job, so very few of them ever quit. they just kept doing the same show eight nights a week... for twenty or thirty years... and by the time it finally closed last year most of these musicians (who had been working together for DECADES) hated each other and really really fucking loathed phantom. I can't stop thinking about it. it's indescribably hellish to imagine but also the funniest thing I've ever heard in my life.
can you imagine.
[ID: excerpt from an article reading: One of my favorite stories, which should drive anyone who has every played in a band crazy-- there’s this bassoon player who has sat next to the same clarinet player since 1988. She’s convinced he plays half a note4 flat on every note he’s every played. He denies this. /]
and then everybody clapped

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princesses
AMADEUS 1984, dir. Miloš Forman