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Thiago Lazzarato + chocolate cake...
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[Deleuze and Guattari] trace a short history of debt that encourages a non-economistic reading of the economy, a reading not based on exchange but rather on an asymmetrical creditor-debtor power relation. A non-economistic interpretation of the economy means, on the one hand, that economic production is inseparable from the production and control of subjectivity and its forms of existence, on the other hand, that money, before fulfilling the economic functions of measure, means of exchange, payment, and accumulation, manifests the power to command and distribute the places and tasks assigned to the governed. [...] Capital is above all a power to command and prescribe exercised through the power of destruction/creation of money. [...] Anti-Oedipus and the university courses, conceived and written well before the institution of neoliberal policies, help us to understand why debt and finance, far from being pathologies of capitalism, far from expressions of certain people's greed, constitute strategic mechanisms orienting investments and, thereby, determining the forms of "destruction" of the old and the "creation" of a new world capitalist order. The financial and banking systems are at the center of a politics of destruction/creation in which economics and politics have become inextricable. If we want to understand how powers are reconfigured by the debt economy, we must first of all establish the links between economics and politics. [...] Capitalism objectively conceals the fact that money functions in two fundamentally different ways, as revenue and as capital. In the first case, money is a means of payment (wages and revenue). It buys a quantity of already-existing goods imposed by capitalist production. It is limited to reproducing the established power relations and forms of subjection necessary for that production. In the second, money functions as a financing structure (credit money and the quasi-money of finance). In other words, it has the possibility of choosing and deciding on future production and commodities and, therefore, on the relations of power and subjection underlying them. Money as capital preempts the future.
Maurizio Lazzarato, The Making of the Indebted Man: An Essay On The Neoliberal Condition

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Trump articulated, pt. 2
âThe essence of the âcurrent crisisâ lies in the incapacity of capitalist forces to articulate the discursive and existential dimensions, in the impossibility of assembling ensembles of actualized economic, social, and technological flows and the virtual and incorporeal dimension of subjectivity production, existential territories, and universes of value. If the production of subjectivity is not part of a social field, a âproductâ, a politics, a language, and so forth, we are faced, as is the case today, with a pathology of subjectivity (racist, xenophobic, individualist, confined to oneâs own interests, etc.). The watchwords concerning employment, full-employment, wages, labor, the defense of the welfare state, and so on, which ought to be connected to subjectivity, do not lead to subjectivation processes, for they do not open onto new worlds, do not constitute optional matter for modern-day subjectivity.â
Maurizio Lazzarato, Signs and Machines: Capitalism and the Production of Subjectivity (2010), 217
This is why Iâm concerned about the possibility of a Trump win: not just the direct effects in the US, and to us in the rest of the world (given its economic and military influence), but because it will have been caused by the inability of the âleftâ - or more broadly, the centre - to articulate an alternative subjectivity to what Trump offers: the authoritarian reaction to âglobalisationâ and social and economic liberalism, the simplification of class and economic relations into populist elite-bashing and immigrant-scapegoating, the growing distrust of an educated establishment and media. This is a matter of both language and economics, or âdiscursiveâ and âexistentialâ, of signs and machines: the subjectivity of post-industrial dread, those whiteboy blues that are being channelled into incipient fascism. The particular awfulness of Trump may be unique to America, to its speech logic and racial divides, but the basic problems are common across the developed world - as is the lack of an apparent solution, a persuasive left narrative to effectively shape political discourse away from violence and hatred*. Thatâs the really scary part. Â Â
(*though thereâs plenty people can do on an individual and collective level to counter this in their communities...! I just feel pessimistic about how this gets organised and directed on the overall political/governmental level, and guilty about my own personal distance from left oppositional politics in Ireland.)
On Trumpâs Articulacy and Speaking Truth
(Obviously, Iâm really hoping Clinton wins this week: even though the polls have tightened a lot, here are some reasons why Trump is different from Brexit; here are some thoughts about the deeper social malaise behind this fascist candidate; these are just some thoughts Iâve been having about Trump and his specific use of language, or political speech, vis-a-vis âtruthâ)
âThe organic link between language, speech genres, and speech acts âcannot become lexical, grammatically stable, and fixed in identical and reproducible forms, i.e., cannot itself become a sign or a constant element of a sign, cannot become grammaticalised.â
Linguistics appears obsessed by the desire to reduce the indeterminacy, risk, and instability created by the event-capacity of enunciation to a fixed grammatical or syntactic structure, to norms of enunciation, to the invariants of official language.â
Maurizio Lazzarato, Signs and Machines: Capitalism and the Production of Subjectivity, ââScumâ and the Critique of Performativityâ
I just finished reading this chapter of Signs and Machines, which I think says in a (more philosophically dense) way what Eimear McBride says here, that âGrammatical sentence structure sets a false linear construction on the experience of lifeâ. Speech contains linguistic and non-linguistic aspects, and cannot be reduced to either: it also has a body and a context, a moment and an event. Lazzarato is quoting the theorist Bakhtin, but in order to connect him to Guattari and to Foucault on the role of language in political discourse.
In the chapter he takes as its starting point the use by Nicolas Sarkozy prior to the 2005 French Presidential Election of the word racaille, or âscumâ, to describe youth of the banlieues or deprived suburbs of Paris: the deployment of socially and racially charged language by a conservative, authoritarian politician in a time of tension (riots that occurred after the deaths of two teenagers). Specifically, (and as a critique of Judith Butlerâs writings)
âOut hypothesis is the following: discursive machines are something other than language [...] since they imply a multiplicity of signifying and asignifying semiotics, technologies, functions, and so on, that do not operate according to performative logic but in a completely different register. They intervene in the social as part of a strategy of governing conduct that functions as the event-generating dynamic of an âaction upon an actionâ.â
I also just read yesterday this rather bizarre opinion piece in an Irish newspaper which tries to shoehorn Trump into criticism of small left-wing political parties, with the sentence:Â âLike Trump, what the far Left here stand for is a dictatorship of the articulate.â Which... what - Trump, articulate? As far as I can see itâs meant to be a criticism of populist sloganeering (donât presume to use words like âdemocracyâ outside of their orthodox non-meaning) but I think it makes more sense if understood in the light of the above: articulate not by measure of grammatical syntax, or lexical conformity, but by the ability to articulate - join - both linguistic and non-linguistic elements of political speech.
Nature as culture is expressive nature; it speaks to itself because there is a "continuum without any solution of continuity" between a person who says "oak tree" and the oak tree itself. The latter is not the referent of the sign "oak tree", but a sign itself, an iconic sign, just as the living person is not the referent of the sign "person", but a "living-iconic" sign itself. A person and an oak tree are the "im-signs" of reality which cinema merely reproduces. Subjectivated nature, animated culture, is a "Vedic-Spinozan" God, says Pasolini, which speaks with itself. Everything that exists, whether plant or rock, expresses, sings, the glory of this immanent "God".
Maurizio Lazzarato,âPasoloni and Neo-Capitalismâs Semiotics of Immanenceâ, Signs and Machines, p. 136.
I really like this idea - especially that phrase âcontinuum without any solution of continuityâ - because I think this kind of immanence is key to the Zen perception of the world, or the unfolding of subjectivity into the âsounds of the valley streamsâ.Â
(The âPasoliniâ referenced here is the Italian film-maker and writer Pier Paolo Pasolini, whom Lazzarato draws on a lot in this book, specifically his âphilosophy of languageâ in Heretical Empiricism)