—Kyle Dargan (Logorrhea Dementia: A Self Diagnosis, 2010)
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—Kyle Dargan (Logorrhea Dementia: A Self Diagnosis, 2010)

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I think of race as something akin to climate change, a force we don't have to believe in for it to kill us.
Kyle Dargan, from his poem “Daily Conscription” (published in Poets.Org, August 22, 2017)
There is no space for your resentment in the life raft nor in your gut— that holdÂ
just above your birthing grotto. Fill yourself with the song—sing. Do not sink. You must be buoyant. When rescue is slow to arrive
you will need to drop anchor, give the ocean your limbs.
— Kyle Dargan, from “Song of the Women and Children” Honest Engine
I think of race as something akin to climate change, a force we don’t have to believe in for it to kill us.
Kyle Dargan, “Daily Conscription,” via poets.org
“A House Divided,” Kyle Dargan
On a railroad car in your America, I made the acquaintance of a man who sang a life-song with these lyrics: "Do whatever you can/ to avoid becoming a roofing man." I think maybe you'd deem his tenor elitist, or you'd hear him as falling off working-class key. He sang not from his heart but his pulsing imagination, where every roof is sloped like a spire and Sequoia tall. Who would wish for themselves, another, such a treacherous climb? In your America, a clay-colored colt stomps, its hooves cursing the barn's chronic lean. In your America, blood pulses within the fields, slow-poaching a mill saw's buried flesh. In my America, my father awakens again thankful that my face is not the face returning his glare from above eleven o'clock news murder headlines. In his imagination, the odds are just as convincing that I would be posted on a corner pushing powder instead of poems-- no reflection of him as a father nor me as a son. We were merely born in a city where the rues beyond our doors were the streets that shanghaied souls. To you, my America appears distant, if even real at all. While you are barely visible to me. Yet we continue stealing glances at each other from across the tattered hallways of this overgrown house we call a nation--every minute a new wall erected, a bedroom added beneath its leaking canopy of dreams. We hear the dripping, we feel drafts wrap cold fingers about our necks, but neither you or I trust each other to hold the ladder or to ascend.Â

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“We can no longer afford that particular romance.” —James Baldwin
Brother Rickey halts me before I cross East Capitol. He trumpets that we are at war. I want to admit that I don’t believe in “white” —in the manner that Baldwin did not—but Brother Rickey would simply retort that my disbelief is no immunity from the imaginations of those who think themselves “white.” As we await the stoplight’s shift—so I may walk and he may holler “Final Call!” between lanes of idle traffic— I think of race as something akin to climate change, a force we don’t have to believe in for it to kill us. I once believed in the seasons. (I fantasize fall as Brother Rickey’s favorite—when his suits, boxy and plaid, would be neither too hot nor thin.) But we are losing spring and fall—tripping from blaze to frost and back. And what’s to say we won’t soon shed another season, one of these remaining two, and live on either an Earth of molten streets or one of frozen light? That’s when worlds end, no—when, after we’ve eradicated ourselves, we become faint fossils to be exhumed by the curiosities of whichever life-forms follow our reign? I still owe Brother Rickey two dollars for the paper he last placed in my hand, calling me “soldier.” I don’t have to believe that I am enlisted in order to understand he’ll forgive my debt so long as this idea of “whiteness” sorties above us— ultraviolet, obliging an aseasonal, unending deployment. Released by the signal, I advance—my head down, straining to discern the crossfire from the cover.
Kyle Dargan, “Daily Conscription”
Daily Conscription by Kyle Dargan
“We can no longer afford that particular romance.” —James Baldwin
 Brother Rickey halts me before I cross East Capitol. He trumpets that we are at war.
I want to admit that I don’t believe in “white” —in the manner that Baldwin did not—but Brother
Rickey would simply retort that my disbelief is no immunity from the imaginations of those
who think themselves “white.” As we await the stoplight’s shift—so I may walk and he may
holler “Final Call!” between lanes of idle traffic— I think of race as something akin to climate change,
a force we don’t have to believe in for it to kill us. I once believed in the seasons. (I fantasize
fall as Brother Rickey’s favorite—when his suits, boxy and plaid, would be neither too hot nor
thin.) But we are losing spring and fall—tripping from blaze to frost and back. And what’s to say
we won’t soon shed another season, one of these remaining two, and live on either an Earth
of molten streets or one of frozen light? That’s when worlds end, no—when, after we’ve eradicated
ourselves, we become faint fossils to be exhumed by the curiosities of whichever life-forms follow
our reign? I still owe Brother Rickey two dollars for the paper he last placed in my hand, calling me
“soldier.” I don’t have to believe that I am enlisted in order to understand he’ll forgive my debt
so long as this idea of “whiteness” sorties above us— ultraviolet, obliging an a seasonal, unending deployment.
Released by the signal, I advance—my head down, straining to discern the crossfire from the cover.
via poets.org
Let us commemorate his ascendancy with a sale. How else to appreciate a great retail politician, how to valuate history? A Sale Unprecedented. A national day of big-box store therapy. (Nothing cyber. There’re are rarely peddlers behind the pixel arrays.) Let us celebrate proper the talents of salesmen— this toolkit forgotten among recent days. Be not mistaken. It isn’t a command of product jargon, not a graceful demonstration of the merch. A salesman makes you feel triumphant about trading your coin, about the chance to be purchaser. No pressure to confess that buying a piece of hate wrapped in the common red felt good (or better, at least, than the angst of not knowing what your pale tender will be able to buy you in five years, or two or tomorrow). Whether or not it was shrewd to shell-out for this Uncle Sam’s club membership, you won’t care once these great deals cross your eyes. Low-cost swastikas. Free hijabs pulled right from the heads of living models. Free delivery, free returns of those who no longer serve your sense of nationhood. Too good to be true this promotion. Though we’ve already bought all we need, can’t we buy again to be better consumers, good citizens? Open your wallet. Show respect for our once in a lifetime tycoon—he who didn’t fabricate these synthetic flags we wave but was savvy enough to silkscreen his name in the white space between bars, stars, and sell each for triple markup. Don’t you feel satisfied? How could you not be convinced it’s still a steal?
THE RUMPUS INAUGURAL POEMS: Kyle Dargan, “Mountebank”