At his side rode Ysandre de la Courcel, his granddaughter, Dauphine and heir to the throne of Terre d’Ange.
If this were an allegory play, they might have represented the Old Winter and New Spring, for Ysandre de la Courcel was as fresh and beautiful as the first day of spring. She rode sidesaddle on her dappled courser, clad in a gown the color of the first shoots of the crocus to poke through the cold earth, with a cloak of royal purple over it. A simple gold fillet bound her flowing hair, which was of the palest blonde, and her face was youthful and fair.
On the street, D’Angelines hailed her with affectionate cries, but on the balcony, I detected a murmurous undertone. Ysandre de la Courcel was young, beloved and beautiful, heir to a kingdom; and notably unwed, neither betrothed nor promised. Though her face betrayed nothing, she had to be aware of the undertone, I thought, watching from above. Surely it must follow her everywhere she went. The emblem of de la Courcel, the House Royal, flew beside them; lower than the flag of Terre d’Ange, but preceding all others, as was custom. A silver swan on a field of midnight blue, the small party gathered beneath it made it look somehow forlorn. Ganelon de la Courcel’s line ended with Ysandre. His only son was dead, and his only brother, Prince Benedicte, had wed into the ruling Caerdicci family in La Serenissima to a woman who gave him only daughters.
All these things, of course, I knew; yet somehow seeing it made it so. On that balcony, surrounded by murmurs, I watched the elderly King and the young Dauphine—no older than I myself-and I felt around me the eddies of hunger centered on a precariously held throne.