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Hey y'all. You ever yearn for another man's company so badly that you fall ill with fever and isekai a dobbleganger in to take your place so you don't have to grieve the loss of his company after his eternal exile.
So you one one of very, very, very few people who I have ever seen draw Kevin/Edgar. The fact that you have done so means the world to me. Honest to god made my day, possibly my week, to see the art you made of them and I'll be holding those pieces close to my heart. I doubt you'll make more, but I wanted to thank you for what you've made. <3
Ah! Little did you know that periodic appeals to my ego work
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Okay so like. I do actually want to come back and write something once this event wraps up, because I'm genuinely kind of baffled at how much we're being... like given? It's sparking some ideas. No promises on it though because I need to write being carried by the muses and the tides.
Edit: Also this art at the bottom is REALLY cute I forgot to mention it at first. Thank you for. Letting me see them....
Anyway. I can do you one better than 100 words. Back in like. 2022, I was working on a massive Hanahaki Kevgar AU. I ended up dropping it because I explored what I was interested in with "As the pieces fall into place" (Aka erectile dysfunction au) and was pretty happy with what I had + I think I used chunks of this dialog in that fic (So if some of that looks familiar thats why). However, I also had like. A REALLY NOT INSIGNIFICANT part of this fic written?
Thought it would sit around and collect dust forever in my docs, but you and I both know how sad the state of the Kevgar tag is in. Here's what I had of it put together. Again, I can't stress enough. This is unfinished. But it's also uhhh. Almost 5k words of unfinished? So hopefully some of it still scratches at your brain, even if it's just a draft.
"Original Authors note:Â
Hello there main friend group, extended twitter friendgroup, and three random strangers in my puter that this pairing will appeal to, I hope this fic finds you well.
Basically, I saw a tumblr post maybe a year or two back that talked about the idea of Hanahaki not as a lethal disease, but instead a chronic one. The idea that itâs a manifestation of your emotions, and your emotions arenât going to kill you, but by damn theyâre gonna be a bitch to deal with. Especially if you keep shoving them down in a little box and avoiding them.Â
Basically the flowers are a metaphor. It takes away from the tragedy but adds an angle of nuance that I as a writer find personally enjoyable to navigate and play with.
AND I thought to myself. Man you know who would be fun for that? Gay Kevin."
===================
Edgar Valden is real pretty, is the main thing.
Frustratingly so. Men, let alone men with personalities as rotten and cruel as Valdenâs shouldnât be allowed to be as pretty as he is.Â
But he is, and itâs an issue.Â
Heâs also. Ah⊠Small. Frail enough to tug at Kevinâs heart strings in a way heâs not entirely comfortable with. He catches himself thinking about that mid-match, Edgar dizzy enough from a recent hit not to fight being carted around on his shoulder. A head smaller than Kevin, and lighter than some of the ladies, Edgar is easy on his arm and warm against his shoulder.
The first time he realizes it, the illusion is immediately ruined by Edgar catching his barings, and begins to kick and struggle out of his hold and cuss him clean. But a sickly, uncomfortable feeling settles in his stomach, and eventually even the most private of Kevinâs thoughts always have a funny way of haunting him. Itâs easy to hate him when heâs standing in front of you, sneering and glaring like the bullheaded swine he is. But out on their game field, when the adrenaline runs so heavy his blood goes cold, and Edgar is flying around the field with the same amount of speed and dedication that he takes to his art, it becomes harder to separate pretty from fragile. And late into the night, when Kevinâs thoughts have a tendency to haunt him the most, thereâs no escaping it. He prefers it to the guilt that plagues the back of his mind at those hours, but it sits at the pit of his stomach with the same amount of discomfort and nausea as that guilt does. And that guilt, inevitably, turns to rage.
And rage always comes back to frustration.Â
When he starts hacking up petals and blood, he doesnât think itâs Valden. He doesnât think itâs anyone, really.Â
//
Emily tells him that itâs called Hanahaki.
âIâm surprised youâve never encountered it before,â She says, as a general musing.
âIâve heard of things like it,â He says, âYou tend to hear a lot of rumors nâ stories while travelinâ around. You canât take everything at face value, yâknow? Thought it was closer to tall-tales.â
She nods, her brows furrowing together. She tends to get like that when sheâs deep in thought. Sort of snappy, and certainly less patient. But she hasnât gotten to the point that she gets after they finish their matches, running around like a chicken with her head cut off. Instead, itâs quiet pacing.
âOur body has an odd way of reacting toâŠâ She tilts her head, carefully considers her words before she says them. Sheâs smart like that, âEmotions. Stress. Eventually, it manifests itself physically,â She gives him a concerned look, âHas there been any changes in your life?â
He gives her a weird look. Permanent state of stasis they seemed to be trapped in, their changes were rare and minimal. He had less games these days then when heâd started here, and most of the new personalities at the manor were a respectable sort. To his silence, she almost rolls her eyes. Almost. Sheâs professional enough not to.
âAyuso, it could be anything. Have the games been worse recently?â He gives her a stranger look for that one, and she tuts, runs her hands back through her hair and messes up her otherwise pristine looking bun, âHonestly, Iâm surprised we havenât gotten a case of it in the manor sooner. Maybe because of how isolated we are..?â She considers it in silence, and Kevin thinks it would be wrong to interrupt her. But then sheâs turning to look at him, âCan I see those petals again?â
Raising a brow, he takes out the handkerchief heâd collected them in. Itâs from a personal favorite outfit of his, and at first heâs not actually sure what sheâs looking for. Because she brushes the petals off to the side, and raises the cloth to the light, and what she says next concerns him more than anything else about the conversation has, âItâs an abnormal amount of blood for such a minor case,â She mutters, stares, âYou did come to me immediately, right?â
He huffs laughter. His throat hurts, ââCourse, course. I didnât see petals and think it was normal.â
She glares, âDonât get smart with me, Ayuso. I swear, some of these people could come down with consumption and avoid me for itâŠâ She sighs, and her shoulders fall, âIs it growing thornsâŠ?âÂ
âIs that possible?â He asks, and feels somewhat foolish for doing so. Of course it is. She wouldnât have mentioned it if it hadnât been.
âItâs not unheard of,â She says, and steps forward to hand him the handkerchief back. When she looks over at him again, itâs with a certain amount of sympathy he rarely sees on her face, âYou should be fine, butâŠI wonât say it will be pleasant.â
He chuckles, and it comes across as weak and forced, âMs. Dyer, I may be something of a foolish man, but I donât think anyone is foolish enough think flowers in your throat are aâpleasant experience.â
She rolls her eyes at him, âLet me see what medicine I can find. I might be able to kill a few of them off for youâŠâ
//
He doesnât want to acknowledge his unfortunate reality, but the first time he vomits up fist fulls of flowers, heâs in a match with Valen
Itâs not a good match. Emily goes down fast. Kevin doesnât have time to get across the map. Mike tries to pull off a rescue, but Michiko is faster than he is, and a bit more clever to boot. Edgar manages to pull something off with those paintings of his, but Kevinâs never been any good with the technology in the manor, and by the time Emilyâs out of the game they barley have two ciphers done.
With Michiko distracted by Mike, it gives him the chance to slip away with Edgar. He knows Edgar took a bad hit, because he stays limp over his shoulder rather than attempt to fight and squirm against him.
(Heâs warm, something whispers in Kevinâs ear.)
âThere you are,â Kevin draws, and drops him on the ground with no amount of care or subtlety. Edgar stumbles back a few steps, attempting to blink away the lightheadedness that comes with these matches.
â... Thanks,â Edgar says, quietly, and brushes himself off at the knees. Though heâs doing well to hide it, he has an embarrassed blush on his face, and he needs to lean back against the crumbling wall to keep his balance.Â
Kevin reaches out to steady him a bit better, and Edgar shoots him a look that could kill.Â
âGo decode, Iâll catch my breath and find a way to distract her again,â Edgar turns to give him an odd sort of look, the normal irritation that shadows over his face mending away to something else entirely. Though what it is, heâs unsure, âWe can probably still save this if IâŠâ Heâs trailing off, a distant, manic look to his eye as he does. It answers none of Kevinâs questions, and only increases his concern, and when Edgar kneels on the ground itâs to fuss with something in his hand.
Heâd not noticed it before, but the painter already has a syringe in his hand. He must have scavenged the supplies from Dyer's chair, because heâs already trying to find a vein with shaking, cold-nipped looking fingers.
And like a pendulum swinging back and forth, his irritation washes back to sympathy. And with that sympathy comes guilt, and nausea.Â
Kevin steps forward, and grabs his arm for him. Edgar immediately tries to pull away, but Kevin is stronger than him, and it only takes tightening his grip to get Edgar to still. Edgar squirms under his touch, and something in Kevinâs head equates him to being no different than one of those squeaking barn kittens that didnât know threats from friends and so they yelled and hissed at anything that grabbed âem.
âHold still,â he says, his voice strained, and Edgar does glare at him this time, âSave the supplies. Yâmight need it later.â
Edgar lets him. Patch him up. He canât argue with strategy, and their playing field is the uncomfortable equalizer. To Kevinâs discomfort, Edgar spends the entire time staring at him with this ugly, uncanny look.
âŠ
âYouâre hurt,â Edgar says, suddenly, and reaches out to grab Kevinâs face. Edgarâs hands are soft, and but his touch is not. His thumb brushes against his mouth, and heâs surprised to find that it comes back with blood. He doesnât remember tasting it. Maybe heâs already so used to it, that heâd just not noticed it, âWhen did you take a hit?â
A smarter man would be able to come up with an excuse on the spot. Itâs not unusual, afterall, to end the match covered in your teammates blood. Especially ones that run as poorly as thereâs. Especially with Kevinâs position being as it is.
Kevin is not a smart man. Heâs dull, and a coward.
âIâm fine,â He snaps, and pulls back from Edgar. Feeling suddenly quite defensive, he feels his lips curl up in defiance. Itâs all show, really. Because underneath it, he canât deny the sudden surge of nerves and panic and fear. Heâs never been any different or any smarter than a cornered animal, but most men in his position arenât.
 Edgarâs hand lingers in the air, fingers oddly delicate despite the blood. And Edgar stares at him. He stares at him for a long time, his eyes distant and hollow and cold, âOkay,â He says, and his tone is odd when he says it. Like Edgar doesnât entirely believe him. And when Kevin thinks heâs going to leave it at that, he clarifies with, âOkay. You donât have to tell me. Whatever. Just- Go decode. Maybe I can still save this for us, you useless assholeâŠâÂ
And Edgar trails off, stares at the spot of the snow where his own blood has dripped on the snow.Â
Thereâs no fight left in him after that. There should be. This is the part where Kevin normally feels anger and discomfort at the mans provocation, where they ruin their match and draw the hunters ire. Itâs normally the part where irritation takes over sensability.
Instead, Kevin stumbles away feeling nauseous. He doesnât decode. Decoding would be the smart thing to do, and he is not a smart man. A cold sweat crawls over his skin, and heâs shaking hard enough that heâs having trouble staying upright. He feels it, in his throat and in his gut. Something cutting into his flesh, like the way a cats claws would dig into skin.
He makes it behind shack, before he needs to stop and stable his weight on the wall.
Itâs petals and blood mix on the ground in a ugly red soup, chunky and red with rotting petals and cuts of flesh. He wheezes in an attempt to catch his breath, but he finds himself dizzy for it. Eventually, he needs to kneel on the ground and rest his head against the wall, unable to keep his eyes open without risking another fit. The cold weather of Leoâs is as much of a sting as it is a comfort on his throat and skin. And just when he thinks heâs settled his head, he lurches again, the cycle repeating all over.
He doesnât realize the blood rushing in his ear is the hunter until he feels her cold hand on his back.
âOh dear..â Michiko says, and her voice is soft on his ear, âThis is where youâve been hiding.â
Michiko is a sweet sort of lady. She doesnât take the chance to knock him out over it. Instead, she lingers behind him and ushers him in the direction the dungeon must be, stopping him from falling over himself twice in the process
Heâd not realized sheâd found Edgar. She must have. By the time she guides him over to the dungeon, itâs already open, the wind blowing out of it. He drops into the dungeon without as much as a tip of his hat, and there's this cold, empty feeling that sits in the bottom of his stomach.
Valden was going to kill him.
// Editors note: These next sections are unfinished, but I still give everything I had for you. Anything that has a "...." Around it was supposed to have more of a lead in.
Edgar doesnât kill him.
But also Edgar doesnât talk to him for a while, after that.
He doesnât talk to him. He expects a fight out of it, but he stumbles into the room so pale and dizzy that it draws the concern of Emily immediately.Â
[Edgar picks a fight with Emily because he's confused and irritated]
âCome on now Valden, donât give her a hard time âcause youâre in a shitty mood,â He steps in between them, and Edgar snarls at him.
âDon't fucking touch me,"
...
Something clicks into place in Emilyâs gaze, something Kevin barely catches himself. She looks at the two of them. Opens her mouth to say something. A scolding, maybe.
Then closes it, her eyebrows furrowing.
//
The first time he coughs up a stem, he cuts up his throat so badly he canât talk.
Perhap's its for the best. He feels uncharacteristically irritable about the whole thing, as the rose thorns hook into his throat and restrict his breath.....
âAyusoâŠ?â Edgar calls out, and he sounds surprisingly⊠small. It pisses him off.Â
âJust-â Kevin draws in a long breath, holding his head in his hands,Â
Edgar lingers in the doorway for a few seconds, blinking dully. He looks away, âI was going to ask if youâre alright.â He says, sounding short with him. âI thoughtâŠ.â He trails off, stares at him for a long time. His gaze burns into Kevinâs skin
âNevermind,â Edgar grumbles, and pushes past him. Itâs with a harsh shove, and some smarter part of Kevin thinks he might deserve it. But some ugly, more stubborn part of him only makes him angrier.Â
//
....
âOf course I know what hanahaki is,â Edgar says, and the door closes with more force the necessary, âThe droll hopeless romantics in the arts donât know how to shut up about it.â
âYou donât hate me?â Kevinâs heart swells.
âWhy would I hate you?â Edgar wrinkles his nose at him, âYouâre annoying, and I wish youâd learn how to shut the hell up. But thats really not different than any of the other dumbasses that populate this manor."
Unsure of whether or not to be relieved or to scold the man, Kevin laughs. He feels light headed.
âWant to hear somethinâ funny?â Kevin doesn't wait for a reply, âI donâtâŠ. think I hate you.â
Edgar takes a moment to process that. Then laughs at him. Loudly, and full body. Itâs sharp on his ear, and as ugly as it is pretty. Perfect, for a man like Valden, âThat's what youâre so worked up about?â He asks, and steps forward to look him over.Â
âYouâre fuckinâ-â
âYouâre throwing around children's insults and throwing up flower petals over the fact you might not hate me. Ayuso thatâs- Ridiculous. Tell me you see how ridiculous that is,â He says, and his smile is hidden behind his hand. Kevin feels ill looking at it. Because even when heâs mocking him, that smile causes his stomach to turn and nerves to creep under his skin.Â
(His smile is, while at first perplexed, otherwise sincere. Itâs something rare to see on the man.)
And he- he doesnât understand. Edgar doesnât know. He doesnât understand what this means for Kevin, he doesnât understand the severity of that acknowledgement.Â
Kevin barely understands what this means for himself.Â
Kevin lunges forward and grabs him by the shirt. He kisses him.
Edgar looks startled. At first, he panics, and Kevin has acute awareness of the way his hand grabs at his shirt and wrist. He doesnât pull away
But eventually, he calms as Kevin does. His hand moves from his chest to his jaw, cupping his cheek like it actually means something to him. His hands are soft, and Kevinâs are not. Kevinâs lips are chapped, and Edgarâs are sweet. It causes guilt and disgust to rest in his gut all the same, and instead of rage, it just sinks and sits there.Â
When he pulls away, Edgar is giving him a distant, careful look.Â
Kevin stares at him with exhaustion, pale in the face and ill in the stomach.
âOh. You taste like blood. Come here.â Edgar says, and his hand lingers on top of Kevinâs wrist, on his cheek, thumb against the corner of his lip,
Edgar kisses him again. It doesnât help, but Kevin still indulges in it like it does.
...
When Kevin breaks away, heâs shaking.
Guilt. Disgust. Anger. Discomfort. There are butterflies in his stomach, like the first time [his lady I forgot her name] grabbed his hand and smiled at him.
Fuck.
He pulls away, and he vomits.
Edgar is quiet this time. Thereâs no mockery, and no cruelty. He watches him with a blank expression on his face, hand drifting like he's unsure whether or not he wants to touch him again. Then, he kneels down next to him. A warm body against his side, a soft hand on his back, rubbing right up between his shoulder blades.
âHey,â Edgar says, âGo to bed, Ayuso. We can talk later.â
His eyes burn.
Edgar helps him over into bed, and sits on the edge of it until he falls asleep.Â
They donât talk about it.
//
He tries to talk to Patricia about it.
âMother once told me that love was something you chose to do. People think they fall in love. And maybe thereâs some honesty to that. But love is conditional. Itâs as much of a choice as cruelty,â Patricia says. She looks toward him, frowns, âBut I will admit. You seem to have been born strictly to challenge that idea.â
Kevin canât help himself. A smile hesitantly pulls onto his lips, and he says, âYâthink?â
âThatâs not a compliment. Moron,â Her tongue clicks against her teeth, but her eyes soften on him.
âI donât know. It sort of sounded like one.â
...
"Listen, Kevin. And I am begging you to listen closely. Because I'm going to tell you something I wish, more then anything, someone had told me," She struts forward, placing her hands on either side of his cheek. The touch is gentle, but firm, guiding his gaze to hers. She has to gaze up at him to look him in the eye, but when that meets, hers narrows on his with an almost predatory look.
But then it falls. Her lips twitch down, and her hands fall, "It's okay."
He laughs, "That's it?"
She considers her next words carefully. Instead of snapping back at him, there's a patient, creeping look to her eye, "It's okay that you're uncomfortable with this."
And his blood runs cold.
Something must change about his expression, then. Because she sways forward again, closer than before. She swallows, slow and collected, "It's okay to feel disgusted with yourself, and it's okay to feel guilty. That's outside of your control. I need you to think about that, because I know you don't understand it. What you're feeling now is- it's fine. It's just... Fine. But if you sit there and let it eat you alive then you're better off dead."
....
He coughs.
And coughs again, . Heâs struck with a sudden wave of exhaustion.
He ... Sits down. He feels winded.
He holds his head in his hands.
"I don't think this was ever about Valden," He says, and his hand scratches at his throat.
"Maybe not," Patricia shrugs, "Maybe it was. You'll have to be the one to figure that out.â
//
He extends an olive branch.
"Do you wanna come drinkin' with me tonight," Kevin asks, and he holds back a grimace as he asks.Â
Edgar looks at him weirdly, "Not really," He says, too fast for Kevin's heart to handle. But then he continues. Not in any consideration of Kevinâs immediate heartbreak, but because he muses outloud to himself more than he doesnât, "It gets too loud in Demi's bar. That room is too damn small sometimes. That doesn't sound even remotely relaxing."
Kevin pauses.
"It can just be us," he offers, and takes a small step forward, "I ain't exactly picky about where I drink. If the bar is too loud I can come on up to your room, or you can come up to mine."
"..." Edgar turns to look at him, and his gaze glimmers with a curious interest, "Why don't you come by my studio tonight with some wine."
For a minute, the guilt in his heart is replaced by those soft, lovely butterflies that scatter and crawl about.Â
âAlright.â
//
....
âOh, itâs you,â Edgar wipes away the paint off his arms, and nods him into the room. Kevin offers him a suspicious, quiet look, but steps forward.
âHurt my heart, Valden. Soundinâ so disappointed I showed up.â
âI didnât actually think you would,â Edgar says, like an admittance, âSit down.â
Kevin does.
âI hope you donât mind if I paint you while we drink,â Edgar says, pouring the wine Kevin brought into two cups. And Kevin - he grunts.
âNow I didnât exactly remember that beinâ part of the deal.â
âSucks.â
Edgar extends the cup out for him to take. Kevin does. Their fingers brush, and Kevinâs entire arm buzz with the nerves that come from it.
Edgar works in silence, for the most part. Itâs awkward, and uncomfortable. Kevin falls into sharp coughing fits, and Edgar without fail will wrinkle his nose at him, come on over, and wordlessly tilt his head back to the position he wants him in. His touches are soft, and careful. Calculated in a way that Kevin doesnât often see on him. The wine aside, Edgar has tea prepared for him, which surprises him. Given that Kevin arrived so late, itâs mostly luke-warm. Edgar doesnât bother mentioning or apologizing for that.Â
He finishes off a glass of wine. Then another. It just further succeeds in giving him that uncomfortable, sticky feeling heâs never been good at handling.
Edgar stares at him, and Kevin feels that gaze crawling across his skin. The room isnât warm, but it might as well be.
âIâve never been good at portraits,â Edgar admits to him, suddenly, his gaze lowering to his pallet. Kevin waits for him to continue, but realizes that on his on he probably wonât.
Despite himself, he prompts him.
....
His gaze is tired. His figure is stiff, âIâm not good at this, Ayuso. Iâve never been good at this. So Iâll be forward. I donât know why youâre here, and itâs really hard to convince myself of any explanation that seems reasonable.â
Kevin's throat itches. Edgar looks up at him.
âWhat are you asking me, then?â
âI donât know.â Kevin says, âI donât even really know what I want outtâa this, if Iâm beinâ honest with you.â
Edgar rubs his eyes. It seems tired, âFuck me, youâre so fucking stupid sometimes,â
Kevin feels that anger, that kneejerk horror, and he moves to stand. Thereâs a snarl on his lip before he knows it, as the embarrassment passes over him
âNo, no. Jesus- Get that look off your face, I wasnât insulting you. You just- Are.â Edgarâs jaw sets. His paintbrush slams down, and with it, Kevin stills. He looks like he has a headache, âYou are.â He repeats, sharply, and more firm.
âHow is callinâ me stupid not an insult?!âÂ
âWhat else am I supposed to call you when you act like this!?âÂ
Kevin stares at him in disbelief, and Edgar throws his hands up in the air. He holds his head in his hands and closes his eyes, and thereâs this short, uncomfortable silence between the two of them. It passes. It always passes.Â
Kevin gets up to leave.
Edgar catches his hand and stare at him. Kevin hadn't realized he could move that fast, or maybe that he'd been approaching him to begin with. Kevin turns to snap at him, but when their eyes meet he feels it all die out.
âSit down,â Edgar says
Kevin.... sits.
[The note in my drafts here just said "Second Base" With no other context]
He feels. Guilt. For for wanting him like this.Â
And, above all else, guilt at placing himself in Edgarâs life. Guilt for his feelings.
He coughs.Â
Kevin nudges Edgar off of him, and for a moment Edgarâs eyes flash with panic and - To Kevinâs mild horror, betrayal. But Kevin doesnât have time to sit on it. He rolls over and, as heâs become so accustomed to, hacks and coughs until vomit and blood and whole flowers pool out of his mouth. At first in chunks, and then and into a puddle on the otherwise clean cloth. It tastes like rot in his mouth, stinks like the mush thrown at hogs.Â
When he comes back down from it all, Edgar is next to him folded on his kneeâs. He has a hand between his shoulder blades, tracing sweet little lines into his back.Â
When Kevin breathâs again, heâs surprised.Â
His hand is still near his mouth, covered in the ugly [visceral] and gore.Â
Kevin thinkâs Edgar will leave him as he did before, especially when he leaves his side and mumbles about not needing to do anything tonight. But to his surprise, he comes back. He has a rag in his hand, stained by paint but otherwise clean, and a cup of water. Edgar takes his hands between his own again and mindfully begin to clean it. His nose wrinkles up when his hands touch a little too close to the gunk, but to Kevinâs surprise, he still works to clean them.
Itâs been a while since anyoneâs done that for Kevin.
He feels emptier for it.
...
âDidnât think someone like you would have the stomach for this,â Kevin says, eventually, when his body no longer betrays him.
â... My sister used to get sick when she was younger,â Edgar says,Â
âYeah?â
âYeah,â He looks ahead, rather than at Kevin, âThe maids were supposed to take care of her, but IâŠâ Edgar trails off, his fingers twitching. Kevin doesnât push him about it. He has a few stories of his own that he wouldnât want told.
âSorry âbout your uh-âÂ
Edgar looks down at the vile, and wrinkles his nose, âWhy are you apologizing? Itâs just spare bedsheets. They were probably Balsaâs anyway,âÂ
They sit in silence.
Kevin is the one to leave.
//
What he hates most, he thinks, is that Edgar isnât wrong. Kevin canât deny his own attraction to the man at this point. Thatâs why he was here, wasnât it? And thereâs such shame in that. He was better than that.Â
He doesnât have a defense for himself. He says, "Is it hard to believe I find you kind of- I donât know. Youâre interesting?"
Edgar's nose wrinkles. His face blanks over. God that's - infuriating. He does that when he realizes he's not going to be getting his way, that he's maybe not as right as he thought he was. Kevin knows this because Kevin's argued with him before, "What could you possibly find fascinating about me?"
âI donât know yet,â He answers, weakly, and Edgar gives him a look with disbelief so thick he can cut through it. His throat feels dry. Not even the stuffy, clogged dry that could get him out of this, but instead an uncomfortable, distant feeling that has him falling silent and still. He wants to raise his hands up and touch them to the other man's shoulders, but just as much, he finds his hand paralyzed at his sides.
Edgar tries to take pity on him.
âAyuso, thatâs not- Itâs not an accusation,â Edgar says, slowly, âItâs just what it is.â
Kevin draws a long breath in. It's patient, and careful, "You were okay with me using you like that?"
"You weren't using me," Edgar sounds annoyed, but thereâs confusion there, "I want to fuck you. If I didnât want to fuck you, I wouldnât be here.â
Kevin flinches at the vulgarity of it. Maybe it's just how sharply it contrasts the emotions of the conversation, but he - He does flinch.
...
Edgar steps closer, so that they can sit next to one another. He's still and uncomfortable. "Okay."