Across from Rhian, two children begin to cry.
Kei’s eyebrows curve in concern beaide him; the children’s mother rushes to soothe them, and he shifts as if he wants to reach out, wants to help, though Rhian can’t think of any way he could. Kei has always had a soft spot for children.
They’re not the only ones in distress. The announcement went something like, this flight is being delayed twelve hours, and now they’re surrounded by clamour and complaints. Rhian pictures himself as an anchor of calm, of silence, in all this noise.
He’s kind of relieved, actually. He hadn’t particularly wanted to go home. He doesn’t, ever.
Neither had Kei, but worry twists at his mouth all the same. Rhian nudges at his shoulder in a silent question, and Kei shrugs.
“My parents will be unhappy,” he says softly. “Though I admit they would be anyway. My sisters— well. I don’t know what they’ll think. Maybe it’s just not meant to be.”
Kei speaks of his sisters often. At Arbed— when they would talk about other schools, more normal ones— they had almost seemed like a point of pride. It’s difficult to tell. For people like them, the problem children, the troubled cases, it is endlessly hard to think well of your family. They won’t ever think well of you. Even Japeth dislikes Rhian, and they’re both in the same boat, so it’s not like he has anything better to show.
But perhaps that’s just them, the Sader family. Kei talks about his sisters from a distance, more like characters than anything else. But he has never quite spoken ill of them. lt’s more that they were never afforded the chance to be close; a forced sort of isolation. Again, very much unlike Rhian and Japeth, who were stuck together, like it or not.
His parents are a different story, a more sensitive one, but so are everyone’s.
“I guess you’re happy,” Kei observes in that same, quiet way.
“Any excuse not to go home,” Rhian says. “Anything at all.” It’s a strange thing to say, in the midst of all these people who want to go home— because no one goes to Foxwood for any other reason, no one thinks of it as anything but a poorer, less exciting version of Camelot or Jaunt Jolie— but it’s the truth.
Rhian does not know what it is, to long for home. Home has always been this: absent father, obsessive mother, crazed twin. Not people Rhian wants to be defined by. Not somewhere he wants to go back to.
And sometimes it was this: inadequacy. Rhian tries— tried?— to be a good kid, to make it work, if only because he knew Japeth wouldn't. It won't ever be enough. There will always be something in him that his mother resents, even if it's only his father’s blood, his father’s face. And there will always be the fact that his father didn’t care for him, for them, that they were only an afterthought. And there will always be this family he cannot fix.
Home is too much work and not enough to gain from it, from trying. Rhian doesn’t really care to try anymore. He’s not scared. He’s not. He’s just— not willing to watch it fail.
Kei lays a hand over his. “You're in your own head again,” he says, not unkindly.
“I always am,” Rhian murmurs. Always dreaming, or, lately, the antithesis of it. Convincing himself of reality. He curls his fingers through Kei’s, and for a moment they just sit like this, holding hands at the boarding gate.
He is blessed, to have Kei, who is perhaps the only person from whom he has nothing left to hide. Rhian could not ever know how to thank him. Could not ever be grateful enough.
Kei squeezes his hand, near-gentle, and lets go. He picks up his phone from where it lies in his lap, starts typing a message. To one of his sisters, most likely. They’re lucky to be sitting next to a charging station, though they’ll probably have to give it up sooner or later. Rhian glances at his own messages— four from his mother, one from his cousin Agatha. He contemplates ignoring them.
“At least reply to Agatha,” Kei says abruptly. Rhian hadn’t realised Kei was looking over at him and his screen, close enough for their shoulders to brush. “I like Agatha.”
“Who I reply to isn’t defined by who you like,” Rhian mutters. But he clicks her message open anyway. Kei’s mouth curves into a slight smile, the only response that Rhian gets.
you’ll be here at seven tomorrow, right? Agatha has texted. my dad is worrying again.
And then there’s that. Rhian tries very hard to avoid family dinners with the previous generation of Sader siblings, which are made even more awkward for him by the fact that their entire branch of the family is technically illegitimate, and also born out of Rhian’s grandfather cheating. Going to school in a different region of the Woods has made that quite easy— for him and Agatha both, as awkward classmates, though she normally does try to go home.
This was supposed to be the first dinner he attended in a year or two. Well, that’s unfortunate. my flight got delayed, he types back. twelve hours. but mom and rj will be there at seven.
you’re KIDDING me, Agatha replies almost instantly. honestly, good for you. but good luck telling your mother. This is followed by a string of pictures of pathetic-looking animals, about ten more than Rhian asked for, or wanted. At least she didn’t say skibidi like she did the last time they texted, or he might have to block her again.
“I almost feel bad,” he mutters. “Throwing her to the wolves.”
“The good Professor will protect her from the worst of it,” Kei says lightly. “Unless your brother brings Aric, in which case there will be blood, probably. I wouldn’t put it past Aric to take a shot at Professor Sader, too. Animal that he is.”
Kei, of all of them— Rhian and his mother and Aric’s own mother and everyone else but Japeth— has always despised Aric the most. It’s been a long-standing grudge, held since Aric nearly killed Kei back in Arbed. Years have passed, now, and the scar still tugs at Kei’s lip when his mouth curls. A constant crooked flaw in his joy.
Kei, Rhian remembers, had been more angry than anything else. It had been Rhian who had worried, hands curled in Kei’s, heart in his mouth.
“If Japeth brings Aric, I’ll throw him out myself,” he says.
Kei laughs— breaks off halfway to say, “Hello, did you need something?”
Rhian stares at the kids standing in front of them. One taller girl, one tiny boy who can’t be more than five. Kei smiles, indulgent.
“Could we share the charging station?” the girl asks shyly. She holds up the phone she’s holding. “Please?”
“Of course,” Kei says, before Rhian has the chance to react. Not that he would have said no. He’s not a terrible person, just… not particularly fond of children. “You can sit there if you want?”
He gestures to the empty seats on their other side. “If your parents are alright with it.”
The two kids are already looking at their mother— and, oh, they were the ones crying. She waves an affirmation at them, exhausted, and Rhian feels a little more sympathetic. Fine. He can tolerate it, for now.
Kei tugs his charger out so that the kids can plug theirs in, chattering happily. They’re playing Candy Crush. Because of course they are. Five minutes later they lean over to ask Kei whether he knows how to play.
Kei is on level eight thousand and counting. Rhian is pretty sure he was playing earlier on. What a question to ask. What a question, indeed.
The kids are on level five hundred. Kei is practically glowing. Well, as long as he’s happy.
Rhian wouldn’t mind staying like this, he thinks, a little wistfully. Twelve hours, four more on the plane. A world to themselves. A little life of their own. A liminal space, a transition, a delay. Rhian and Kei, the way he always wants it to be.
If he’s ever longed for home, he thinks it might look something like this.