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kaenis replied to your post “It’s been a while but I’m talking with a friend about it and man...”
imo we wont know if its great writing or not until they elaborate on it. right now its just something that happened and we have other things to deal with until then.
I know it’s only really been touched on in Moonlight/Lostroom, but that’s also all we have to go off right now, and at least in my eyes, his actions don’t make sense with who Galahad is.Â
Galahad is the pure knight. He’s the one that is allowed to take the actual Holy Grail and goes up to heaven. His inclusion in the story is to deliberately act as a foil against his father, Lancelot. Lancelot is the sinner, Lancelot is flawed, the other knights are flawed, and only Galahad is pure enough. He’s not the strongest of the knights (although that also gets thrown out the window), he’s the purest of heart.Â
To an extent, I can understand him being angry at our ignorance of the future and how our (justified) actions resulted in something worse happening. But the idea of Galahad then deciding “Well, I’m not going to help you with this. You’re on your own!” really doesn’t feel in-character. His leaving is a particular bad nugget, but the entire twist that’s he’s not happy with us is also not strong writing. It relies on him being angry about things we couldn’t have possibly known.Â
It’s possible I’m misremembering things here, and they really have not touched on the Galahad thing at all after this happens, it’s just doesn’t feel right for who the character is supposed to be.Â
Thanks! I'll definitely poke you when I'm at a dungeon if I see you online
kaenis replied to your post “I think Grey and Reines should have more content bein together, as a...”
i love when big brain artists draw them together https://twitter.com/tottemo_tomato/status/1260664532784930816
Oh this is pretty cuteÂ
>:))))) I’m going to get HUGE and GREAT at rotations to contribute properly so we can Enjoy Our Haul And Martial Glory when the time comes!

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Oh shit, oh no oh god.
In 24 hours you’ll have me at your inbox with my heart crushed or my blood boiling because of the music and I am excited to know which one is it gonna be
Monster MKIIs and Raptors: “Oh boy I love flying to the Point unimpeded by Snipers while their Casters focus on our Big Beefy Dudes!”
Jessica, using her minuscule constitution to hide among the dirt particles of the battlefield, effectively fooling even the most advanced Arts Sensors:
Carpenter Brut lives in a perfect conceptual recreation of a cyberpunk neighborhood set in the 31st century, constantly monitored by men in suits and actors that live out this dystopia in true The Truman Show fashion, convincing Carpenter Brut that that is truly what the world is like, and to fight against this faux totalitarian regime, they make the hardest-going tracks in the world, gets on a motorbike with the rest of the “resistance”, and dukes it out with this fake government in motorcycle jousting matches using lead pipes, stop signs, and pool cues (guns don’t exist in the 31st century, the resources to make them and any ammunition have been exhausted), this is the only explanation I can come up with so as to explain how Carpenter Brut composes tracks that go that hard, and I don’t think I am wrong in the slightest.