#juilliardschool

There exists, in the pantheon of musical experience, a particular sort of evening that transcends mere performance and enters the realm of revelation. Indeed, when Leonard Bernstein reflected on music’s power to elevate the human spirit, he might well have been prophesying the extraordinary concert that unfolded recently at Merkin Concert Hall, where the 2025 Special Music School High School Concerto Competition winners joined forces with David Bernard’s Park Avenue Chamber Symphony. Moreover, as Harold Schonberg often emphasized throughout his distinguished career as a critic, the finest musical performances occur when technical excellence serves a more profound artistic truth. On this remarkable evening, we witnessed that transformation in its purest form.Furthermore, the very concept of Kaufman Music Center’s Special Music School—New York’s only K–12 public institution offering intensive musical education without financial barriers—represents something profoundly democratic about artistic excellence. Consequently, as we settled into our seats, there was a palpable sense that we were about to witness not merely a student recital, but rather a glimpse into the future of American classical music.

Sibelius and the Architecture of Melancholy

Maestro Bernard, whose interpretive insights continue to illuminate the Park Avenue Chamber Symphony’s artistic trajectory, opened the evening with Jean Sibelius’s haunting Valse Triste, Op. 44, No. 1. This brief but devastating miniature, originally composed as incidental music for Arvid Järnefelt’s play Kuolema, served as both overture and emotional compass for the evening ahead. Sibelius’s ability to distill existential anguish into mere minutes of music has long fascinated scholars, and Bernard’s interpretation captured the nuances of the composer’s psychological landscape.

David Bernard conducting the Park Avenue Chamber Symphony in the Kaufman Music Center’s 2025 Special Music High School Concerto Competition Concert at Merkin Concert Hall, New York City. Courtesy Park Avenue Chamber Symphony The orchestra’s performance was, quite simply, excellent. The way Bernard shaped the work’s famous waltz rhythm, that limping, spectral dance that seems to mock life’s fleeting pleasures, demonstrated his insightful expressions of Sibelius’s unique harmonic language. As noted in the writings of Sibelius scholar Erik Tawaststjerna, Valse Triste is one of the composer’s most poignant and concise expressions of grief, and Bernard’s reading captured this emotional economy with finesse.

Nickita Zhang and the Sibelius Violin Concerto: Navigating the Nordic Soul

Then came the evening’s first soloist, young Nickita Zhang, the String Division Winner, who approached Sibelius’s formidable Violin Concerto in D Minor, Op. 47, with the kind of fearless musicality that marks a genuine artistic temperament. Widely regarded as one of the most challenging in the violin repertoire, the concerto has humbled many a seasoned virtuoso—yet Zhang navigated its treacherous opening movement with remarkable poise and interpretive maturity.Zhang’s technical command was breathtaking. The concerto’s notorious opening with its brooding, introspective melody that gradually builds to orchestral fury requires not just finger dexterity but emotional courage. Accordingly, Zhang demonstrated both qualities in abundance, her tone warm and focused even on the work’s most demanding passages.Most importantly, Zhang’s interpretation revealed an innate grasp of the concerto’s architectural structure. As Leonard Bernstein explicated in his famed Harvard Norton Lectures, great musical works, like great buildings, exemplify architectural integrity: every element exists in service of the whole. Zhang’s performance reflected a profound, intuitive grasp of this principle, building tension through subtle dynamic gradations and rhythmic displacement rather than sheer volume.

Nickita Zhang, Violin, performing with the Park Avenue Chamber Symphony, conducted by David Bernard, in the Kaufman Music Center’s 2025 Special Music High School Concerto Competition Winners' Concert at Merkin Concert Hall, New York City. Screen Capture courtesy KaufmanMusicCenter.org

Casey Schopflocher: Baroque Brilliance and Vocal Alchemy

The evening’s most unexpected delight came with countertenor Casey Schopflocher’s stunning performance of Nicola Porpora’s Alto Giove from the opera Polifemo. Porpora—Handel’s rival and teacher of the legendary Farinelli—crafted vocal music of such virtuosic complexity that few singers dared attempt it. Nevertheless, Schopflocher, our Vocal Division Winner, approached this Baroque Everest with remarkable aplomb and interpretive flair.The countertenor voice itself represents one of classical music’s most fascinating phenomena. As scholars have noted, it connects us directly to the aesthetic ideals of the Baroque era, where vocal agility and emotional expression were inseparable. Schopflocher’s performance offered not merely entertainment but genuine historical insight.His interpretation of Alto Giove—with its cascading coloratura passages and demanding tessitura—demonstrated technical mastery and stylistic sensitivity. The aria’s dramatic structure, which depicts Jupiter’s rage at mortal presumption, requires the singer to embody divine fury while maintaining perfect vocal control. Schopflocher met these challenges with confidence, his voice soaring with crystalline clarity and emotional conviction.

Casey Schopflocher, Countertenor, Performing with the Park Avenue Chamber Symphony, conducted by David Bernard, in the Kaufman Music Center’s 2025 Special Music High School Concerto Competition Winners' Concert at Merkin Concert Hall, New York City. Screen capture courtesy KaufmanCenter.org

Tommy Wazelle and Chaminade: Gallic Grace Meets Youthful Exuberance

Next, flutist Tommy Wazelle, our Winds, Brass, and Percussion Division Winner, took the stage for Cécile Chaminade’s effervescent Concertino for Flute, Op. 107. Chaminade, one of the few women composers to achieve international recognition during the late Romantic era, originally composed the work as a test piece for the Paris Conservatoire, and its technical demands remain formidable.Wazelle’s approach revealed both technical precision and stylistic understanding. The Concertino’s opening, with its lyrical melody gradually unfolding into a virtuosic display, requires a soloist to balance poetic sensitivity with athletic prowess. Wazelle achieved exactly this balance; his tone was pure and focused, even during the work’s most demanding flourishes.His interpretation also captured the essential Gallic character of Chaminade’s musical language—that combination of elegance and vivacity that marks the finest French music. Chaminade’s gift for melodic invention found eloquent expression in Wazelle’s performance, illuminating every facet of her compositional genius.

Tommy Wazelle, Flute, Performing with the Park Avenue Chamber Symphony, conducted by David Bernard, in the Kaufman Music Center’s 2025 Special Music High School Concerto Competition Winners' Concert at Merkin Concert Hall, New York City. Screen capture courtesy KaufmanMusicCenter.org

Jacky Chuang and Wieniawski: Polish Poetry in Musical Motion

The evening’s emotional apex arrived with violinist Jacky Chuang’s breathtaking performance of Henryk Wieniawski’s Violin Concerto No. 2 in D minor, Op. 22, movements two and three. This Wildcard Winner demonstrated precisely why Wieniawski’s music continues to challenge and inspire violinists more than a century after its composition.Wieniawski—himself a violinist of legendary prowess—understood the instrument’s expressive possibilities like few others. His Second Concerto demands both dazzling technique and deep musical insight, shifting between passionate lyricism and explosive virtuosity. Chuang’s interpretation revealed both qualities in beautiful equilibrium.Most significantly, Chuang’s rendering of the famous slow movement—that achingly beautiful “Romance”—demonstrated emotional maturity far beyond his years. Wieniawski’s extraordinary ability to create violin music of sublime lyrical beauty was fully realized in Chuang’s performance, which sang with poetic sensitivity and heartfelt nuance.

Jacky Chuang, Violin, performing with the Park Avenue Chamber Symphony, conducted by David Bernard, in the Kaufman Music Center’s 2025 Special Music High School Concerto Competition Winners' Concert at Merkin Concert Hall, New York City. Screen capture courtesy KaufmanMusicCenter.org.

The Shostakovich Titans: Yoonsuh Lee and Sol Nicholson

The evening concluded with two monumental works by Dmitri Shostakovich, performed by our remaining Wildcard Winner and Piano Division Winner, respectively.First, cellist Yoonsuh Lee tackled the opening movement of Shostakovich’s Cello Concerto No. 1 in E-flat Major. This work remains one of the 20th century’s most challenging and psychologically layered cello compositions. Shostakovich’s musical language—marked by irony, tragedy, and biting humor—demands a performer capable of traversing emotional extremes with agility. Lee’s interpretation met the challenge with elegant control, capturing the movement’s biting sarcasm and somber introspection.

Yoonsuh Lee, Cello, performing with the Park Avenue Chamber Symphony, conducted by David Bernard, in the Kaufman Music Center’s 2025 Special Music High School Concerto Competition Winners' Concert at Merkin Concert Hall, New York City. Screen capture courtesy KaufmanMusicCenter.org Finally, pianist Sol Nicholson delivered a captivating performance of movements two and three from Shostakovich’s Piano Concerto No. 2 in F Major, Op. 102. Originally written as a birthday gift for the composer’s son, the piece blends buoyant optimism with sly virtuosity. Nicholson navigated its shifting characters with intelligence and flair; her touch sparkled in the finale’s rapid-fire flourishes and was heartfelt in the lyrical slow movement.

Sol Nicholson, Piano, performing with the Park Avenue Chamber Symphony, conducted by David Bernard, in the Kaufman Music Center’s 2025 Special Music High School Concerto Competition Winners' Concert at Merkin Concert Hall, New York City. Screen capture courtesy KaufmanMusicCenter.org

A Testament to Musical Democracy

Ultimately, this extraordinary evening represented far more than a student showcase—it embodied the democratic ideals that make American musical education unique. When institutions like the Special Music School remove financial barriers to artistic excellence, they create opportunities for young musicians to develop their gifts regardless of economic circumstances.The Park Avenue Chamber Symphony’s commitment to supporting these emerging artists reflects David Bernard’s understanding that great orchestras serve their communities by nurturing the next generation of musicians. As Leonard Bernstein reminded us throughout his life, music’s most significant power lies in its ability to inspire hope and forge human connection. This concert, brimming with youthful artistry and vision, did precisely that.We left Merkin Concert Hall that evening with our faith in music’s transformative power magnificently renewed. Undoubtedly, we had witnessed not merely fine performances but genuine artistic statements—proof that when technical mastery meets emotional truth, the result is nothing less than transcendent. One can only imagine what these young titans will accomplish as their artistry continues to mature and flourish in the years ahead.

Concert Program and Concerto Competition Winners

2025 Special Music School High School Concerto Competition Winners' Concert Merkin Concert Hall at the Kaufman Music CenterConducted by David Bernard, Music Director, Park Avenue Chamber SymphonyIntroductory Remarks - David Bernard, Music Director, Park Avenue Chamber SymphonyJEAN SIBELIUS – "Valse Triste," Op. 44, No. 1 Park Avenue Chamber SymphonyJEAN SIBELIUS – Violin Concerto in D Minor, Op. 47, Mvt. 1 Allegro moderato Nickita Zhang, Violin - String Division WinnerNICOLA PORPORA – "Alto Giove" from the opera Polifemo Casey Schopflocher, Countertenor - Vocal Division WinnerCÉCILE CHAMINADE – Concertino for Flute, Op. 107 Tommy Wazelle, Flute - Winds, Brass, and Percussion Division WinnerHENRYK WIENIAWSKI – Violin Concerto No. 2 in D minor, Op. 22, Mvt. 2 & 3 Jacky Chuang, Violin - Wildcard WinnerDMITRI SHOSTAKOVICH – Cello Concerto No. 1 in E-flat Major, Mvt. 1, Allegretto Yoonsuh Lee, Cello - Wildcard WinnerDMITRI SHOSTAKOVICH – Piano Concerto No. 2 in F Major, Op. 102, Mvt. 2 and 3 Sol Nicholson, Piano - Piano Division Winner

Park Avenue Chamber Symphony

David Bernard, Music Director and Conductor 875 5th Avenue, New York, NY 10065 Phone: (917) 740-7227 Website: https://chambersymphony.com/For information and tickets for upcoming performances, visit https://chambersymphony.com/

Kaufman Music Center

Abraham Goodman House 129 West 67th Street New York, NY 10023 For Information, go to Kaufman Music Center.Org

RELATED