Brother: I will never remember this ref's name. Even when I see him and they say his name when he is on screen, I would never think he looks like a Graham Scott.
Me: Wait, is that who that is? I was trying to figure out who this is. He sort of looks like Jon Moss from the back, but I knew it wasn't him.
Brother: They've said his name like three times and I never remember what he looks like. He should change his name or get really fat or something.
Me: He should wear his name on the back of his shirt. Why don't refs do that?
Brother: Pretty much every ref could have no name, except this dude, ‘cause I think I know most of them by what they look like.
Me: Graham Scott fact: He went to school with Radiohead.
Brother: I wonder if his nickname was King of Limbs, because just like I will forget about that album, I will forget about Graham Scott.
Me: Oh yeah, that's an album that exists. I don't know if I could name one song off of it. Is ‘Nude’ on that? I don't remember.
Brother: No, that's In Rainbows. King of Limbs could have a song called ‘Graham Scott’ on it and I would still forget his name and forget that song.
Me: I knew it was one of those two. It's a demo that was around for a billion years before it ended up on an actual album. The Graham Scott song is just a tuneless instrumental that's an unlabeled outro on the album.
Brother: It's like a ‘secret’ track that they force you to wait for and then you say, I'm never waiting for that again.
Me: It's like how [the American version of] Modern Life is Rubbish technically has like 70 tracks on it, but like 55 of them are just blank space before you get to the last track.
Brother: I bet when Graham Scott listens to that, he says 55 times, That one was for me.
