US Vogue May 1957
Hair: John Bernard. Earrings: Trifari.
Model : Joanna McCormick
Coiffure : John Bernard. Boucles dâoreilles Trifari. Photo : William Klein
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US Vogue May 1957
Hair: John Bernard. Earrings: Trifari.
Model : Joanna McCormick
Coiffure : John Bernard. Boucles dâoreilles Trifari. Photo : William Klein

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The Stay Awake (1987) | John Bernard
âThe ghost of a serial killer, executed for murdering students at a Catholic girlsâ school, returns to the school to take revenge on the current student body.â
US Vogue August 1, 1957
Anne St. Marie wears a black and brown British wool tweed Chanel-style suit by Davidow and a cashmere blouse. Gold jewelry by David Webb. Chanel hair by John Bernard, styled by Alberto VO5.
Anne St. Marie porte un tailleur "style Chanel" en tweed de laine britannique noir et marron par Davidow et un chemisier en cachemire. Bijoux en or David Webb. Coiffure "Chanel" de John Bernard soignée par Alberto VO5 coiffure.
Photo Richard Rutledge
US Vogue April 1, 1958
Anne St. Marie is wearing two necklaces hereâeach a fifty-inch silver chain beaded with faux pearls and colored stonesâone with blue, one with green. These, to be worn hanging loosely in the back of an inverted neckline dress, or tangled haphazardly in any direction. By Schreiner. Hairstyle by John Bernard.
Anne St. Marie porte deux colliers ici-chacun une chaĂźne argentĂ©e de cinquante pouces perlĂ©e de fausses perles et de pierres de couleur-un avec du bleu, un avec du vert. Ceux-ci, Ă porter suspendus librement dans le dos d'une robe Ă dĂ©colletĂ© inversĂ©, ou emmĂȘlĂ©s au hasard dans n'importe quelle direction. Par Schreiner. Coiffure par John Bernard.
Photo Clifford Coffin
vogue archive
US Vogue April 1, 1958
Anne St. Marie wears a sixty-inch rope of double-faced rhinestones to loop cavalierly into the back of an end-of-the-day shirt. (Corollary of a longer necklace now: a shorter skirt.) By Luciana. Hairstyle by John Bernard.
Anne St. Marie porte une corde de soixante pouces de strass double face à boucler cavaliÚrement dans le dos d'une chemise de fin de journée. (Corollaire d'un collier plus long maintenant : une jupe plus courte.) Par Luciana. Coiffure par John Bernard.
Photo Clifford Coffin
vogue archive

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US Vogue April 1, 1958
Carmen Dell'Orefice wears this crystal flashback with rhinestones and faux. emeralds, falling in the back to illuminate a low-cut dress. Drop earrings in the same stones. Hairstyle by John Bernard.
Carmen Dell'Orefice porte ce flash-back en cristal avec strass et faux. Ă©meraudes, tombant dans le dos pour Ă©clairer une robe dĂ©colletĂ©e. Pendants d'oreilles dans les mĂȘmes pierres. Coiffure par John Bernard.
Photo Clifford Coffin
vogue archive
What's It Like to Be a Cow or a Pig?
Whatâs It Like to Be a Cow or a Pig?
Saturday, October 28th, Hollywood California
LIVE from Hollywood, California during âThe Walk,â a riveting âstreet artâ performance created by John Bernardto show how cows and pigs are subjected to institutionalized torture and forced to their deaths, all for unnecessary human consumption. Contributor GwennaâŠ
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While every noise was totally suppressed in-doors, what does my reader suppose he would hear or observe were he to take his seat with me at one of the inn windows and survey the streets? For the most part he would hear nothing, for when the inhabitants were allowed to issue from their doors they stole about the highways like so many sprites or like the mysterious heroes in Mrs. Radcliff's romances, so light were their movements and their steps so inaudible.
âShhh, God will hear you!â (Like... I canât... I canât tell...)
John Bernard Learns About The Connecticut Blue Laws