āSometimes, violence is necessary. Violence changes things.āĀ
āAre you alright, Jiyong? You seem out of it today.āĀ
You should have died instead, I should have lived.Ā Itās almost like itās your own blood on your hands, isnāt it? Are you happy, Jiyong? I thought we would be together till the end, two halves together only whole when together. Thatās what you said ā Itās almost like itās your own blood on your hands, isnāt it? Donāt miss me, move on. Itās almost like itās your own blood on your hands isnāt it? Itās lonely here without you.Ā Itās almost like itās your own blood on your hands isnāt it? I miss you, so much more than I can bare, Jiyong. But you⦠you, ah.
SHUT UP, SHUT UP, SHUT THE FUCK UP ā Ā
āJiyong, are you okay?āĀ No. Too many voices in my head.
No, that was the wrong way to describe his mental cell. There were only two voices residing there. The first, whom only chanted one and only one sentence. And the second, such a familiar voice he knew so well that whispered one thing, then changed masks to shout another. Multiple different facades and he was losing himself trying to listen for which one was truly her. Ā It wasĀ a voice that was fading out by the second and he longed to hold onto for longer. But instead it slipped between his fingers, like loose strands of gray hair. But he needed to capture it, her voice. That was all he had left. He needed to save it, some how, trap it more than in the confinements of his head. He was losing her too quickly. Time was not a comrade. Comrade? What battle was he fighting? Whomever the enemy was, he was losing. Wounded. Bleeding? Internally. Or maybe this was just a psychological game. Only the worst warfare of them all.Ā
Too many fucking voices in his head yet he couldnāt find his own amongst it.
She sees them before he feels them. The next time he grasps any sense of reality is when her fingers brush over his arms, tracing along the outer bits until they arrived by his palms. And then she would trace his palm lines, one by one, ever so patient and slowly. Her final act would be to place their hands together, clasping her fingers over his own. He only realized he was in tears when his vision was blurry as he tried so hard to gaze upon that face of hers. No words are allowed to leave him but his hands sign to her.Ā
Thereās violence in my head, and it wonāt stop.
She watches him make out the words with his hands, and he sees the pity glossing over her eyes. āSometimes, violence is necessary. Violence changes things⦠Itās⦠itās not alright, obviously.ā She seems to regret her own words all of a sudden before she continues again. āI donāt think anything will be the same for any of usā¦Ā but can you please, at least try to tell me, just what is going on inside that head of yours?ā She pauses. He can see the way she contemplates. Itās written over the way her lips purse, tightly too as they close until they speak with that wondrous voice of hers again. āOr⦠not tell, but show me.ā For a moment, itās him who contemplates. Itās written in the way his eyes close, shut tight until wrinkles formulate along his forehead.Ā
The scene shifts immediately, and he doesnāt quite remember when heās ever agreed to what is happening ā but it all happens too quick, and heās got her hand in his own the next time he breathes out.Ā Itās hard to show her the monsters in his head, because ā they are only mere projections, and what he believes is that the true monster lurks beneath his own skin. Itās even harder because she only smiles, as if he cannot feel the way her every step shakes against the solid cement they walk upon. He doesnāt blame her for her fearing, his dreams werenāt exactly a childās fantasy.
The charcoal cement beneath almost melts into tile as they continue. Suddenly thereās a glow, some sort of light and then one realizes they had been in the darkness the whole time. And then the air hits them ā itās warm, ventilated, kept and trapped. Then walls come up soon after, and the house builds around them, above them. They still are walking as the house constructs itself all around, and when Jiyong ceases in his next stop, sudden the ground beneath them has been brought up. They stop and soon they stand upon the second floor of a miniature house. He tenses, because he feels her anger in bringing someone else into their home.
The wall besides him is splattered with red, marked with an H. As they walk past, his steps quicken but they are not quick enough. The walls almost seem to cave in on the both of them as they whisper ā itās almost like itās your own blood on your hands, isnāt it? His hand tightens on Ariaās, and he stops again once a door appears down the hall.
āLet me out. Let me out⦠LET ME OUT, LET ME OUT ā JIYONG, LET ME OUT!āĀ
The door shakes in fear. The ground beneath them trembles with it too. He hears the lights on the ceiling buzz, not in excitement but in complete frantic anticipation. But he remains firm in his stance, looking over at Aria. Itās pain stricken, but he smiles. Apologetic, maybe. Before he can say anything else, the door frame succumbs to the pounding and the air around them becomes cold. His hand slips from Ariaās and he can no longer hide the way it vibrates in the journey to the door handle. It turns, unlocks ā the door screams.
She comes ready, bursting from the door and he only watches as a knife plunges through Ariaās stomach. She falls to the ground on her knees and he feels the other female tug him towards the door, inside. He wants to help Aria and he can only watch through the punctured gape of how she bleeds on the floor of the house. The walls cry for her. He disappears behind the door with Hayong.Ā
He regrets opening doors to her in the first place.