#jazzaggression

Oiro Pena  - Teelukissa - Sun Ra-inspired one-man (Antti Vauhkonen) band from Finland (Jazzaggression)

Jan Simonsen Quintet was an active mid-seventies, norwegian jazz group, drawing up influences from Herbie Hancock to McCoy Tyner the group's very rhythmical approach fell positive with the crowd and landed them regular gigs at the famous Club7 venue in Oslo, the group also performed at Molde Jazz 1976. In Winter that same year the group recorded these four tracks to reel using Asker church for maximum reverb effect and broaden the acoustics. Jazzaggression is pleased to present these 4 tracks on vinyl for the first time, with one bonus track (digital). Vinyl comes in a special heavy paste-on sleeve with printed inner sleeve containing full story and photos. Limited to 500 copies! This is a preorder Ships mid-February.

A dedication to man’s best friend, GONE TO THE DOGS is the result of a surprise collaboration between renowned UK pianist Greg Foat, bassist Paul Armfield and drummer Ken Black. Greg had initially booked Red Squirrel studios for another project but was left alone in the last minute, luckily Paul and Ken came to the rescue and this is the result, 4 original tracks – completely improvised with a strong groove backbone and Greg on the Rhodes spicing it up with additional Roland Juno 106 interplay. A surprisingly fresh listen! Limited to 500 copies, UK type sleeve and laminated front, these won’t stay around for long.

More music from trumpeter extraordinaire Etuk Ubong, we’ve run a limited hand-stamped 250 vinyl run with the best tracks from his first album and EP from 2016 and 2017, Miracles and Tales of Life. The music is simplistic yet thoughtful modal jazz that was written around the time of the death of Ubong’s mother Margaret. The Quartet features an all-star Nigerian rhythm section rounded up with Ubong’s unique voicing. The LP comes in individually hand-stamped. Pre-orders starts with copy 1 of 250! Note: only one copy per customer!

It was inevitable — finally an OPE release on Jazzaggression Records! And what better format than the 10-inch EP? Our favorite. Just enough music, nimble and handy. Like many others, we’ve been following the one-man spiritual jazz phenomenon that is Gustav Horneij. Just like our contemporaries at labels we admire — RR GEMS, Ultraääni, and others — we knew it was only a matter of time. Imagine jamming with yourself: start with drums and bass, get that backbone locked in. Then layer on the melodies — reeds, flute, strings — one by one. Overdubbing while listening back, tweaking, repeating: “Nope… that didn’t work… okay, try again… now we’re getting somewhere.” For timeless hours, Gustav immerses himself in instrument after instrument — playing each in his own way, feeling out what sticks and what doesn’t. It’s total expression — many voices within one player. Now, six albums in, we’ve got an EP with four deep cuts composed around his bamboo flutes: “Instant,” “Udon,” “The Deepest Bowl,” and “Picante Beef.” The title? Bamboo Noodles — a low-carb alternative maybe, but don’t get it twisted: all the flavors and inspirations are here. Eastern vibes. Infectious bass lines. Distant harp textures. Melodic licks. It’s been my personal soundtrack lately — and we think you’ll dig it too. Pressed as a limited edition 10-inch vinyl — 500 copies only, individually numbered and plastic-sealed. Cut at 45 RPM for maximum detail, sweet highs, and less groove distortion. OPE releases fly fast, and this one won't be re-pressed, so get it while it's available.

Mu Quintet’s exhilarating ‘Summit’ amalgamates rich compositions and vibrant improvisation, pushing small ensemble boundaries to dynamic effect. The Leeds outfit captivates with intricate melodies and rhythms on highlights ‘Miss B’ and ‘Maya’s Mood’ while’ Diogenes Pot’ intrigues as a powerful opener, setting the avant-garde tone. Props to Jazzaggression for giving this previously digital-only album a much-deserved vinyl release.

“Enjoy Foat's rhythmic mastery, jazz-infused mood, and cosmic synths, accompanied by Finland's finest, including the legendary saxophonist Eero Koivistoinen.” Greg Foat travels to Finland, teaming up once again with the Jazzaggression label to unveil "Feathers." Building on the success of "Gone to the Cats," the collaborative trio date with Aleksi Heinola and Teemu Åkerblom, "Feathers" follows a similar formula while expanding its musical horizons. "Feathers" introduces an even larger cast of Finnish musicians, including the notable inclusion of Finnish saxophone legend Eero Koivistoinen on tenor sax and the talented Ilmari Heikinheimo on percussion. Recorded over a stormy long weekend in mid-October 2022 at Jazzaggression's in-house Studio Pelto, the album strikes a balance between precomposed tracks and spontaneously created pieces. Devotees of Greg's earlier releases are in for a treat, as "Feathers" skillfully merges his signature atmospheric touch with an expanded synthesis of sounds. Imagine the legendary Eero Koivistoinen infusing his prowess into the monumental jam "Riding the Breeze," while tracks like "Feathers" and the contemplative "A Prayer for Love" showcase a downtempo elegance that lingers in the air. Yet, "Feathers" doesn't stop there—it delivers captivating jazz classics as well. Experience "The Sandpiper," a bluesy minor jam reminiscent of the golden era of CTI Albums, or delve into the engaging rhythms of "Inconsequential Narrative" and the thematic intrigue of "As the Crow Flies." A particularly enchanting aura envelops "When All Is Said and Done." Its ephemeral minimalistic essence captures a spontaneous late-night allure, compelling the engineer to "Keep the tape rolling..."—the kind of magic that can only be conjured in the moment. With "Feathers," Greg Foat brings his animalistic trilogy of albums on Jazzaggression to a triumphant close, possibly delivering his most exceptional recording yet. Album comes limited to 1000 copies, sealed with hype sticker and hold a coloured insert with photos documenting the recording, with info and digital download of album.

The melodic tour-de-force of Kveldsragg that occupies the whole first side showcases Johansen’s post-bop background, in a multi-layered harmonical approach. While the B-side Morrasol is a new dawn, the album finishes with the haunting and beautiful voice of Harald Tusberg Jr. who’s lyrical tribute to the deciesed fellow musicianJon Klette will leave you mesmerized.