Janet Malcolm - Burdock
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Janet Malcolm - Burdock

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“I remember a seminar I once attended that was led by a brilliant and flamboyant Hungarian analyst named Robert Bak. The issue under debate was the nature of transference, and I raised my hand and asked rhetorically, ‘What would you call an interpersonal relationship where infantile wishes, and defences against those wishes, get expressed in such a way that the persons within that relationship don’t see each other for what they objectively are but, rather, view each other in terms of their infantile needs and their infantile conflicts. What would you call that?’ And Bak looked over at me ironically and said, ‘I’d call that life’.” ― Janet Malcolm, Psychoanalysis: The Impossible Profession
The writer is remembered, above all, for her ruthlessness. But when I went looking for it, I found something much more complicated.
[Jojo memes chess game voice] go my simps
Janet Malcolm, Improbable (from The Emily Dickinson Series)
Janet Malcolm from The Emily Dickinson Series (2012)

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« Human nature is such that when we are suddenly taken up by someone whom we consider superior and admirable, we accept his attentions calmly, whereas when we are dropped we cannot rest until we feel we have got to the bottom of the person's profound irrationality. Nor can we easily accept the verdict sent down to us through the mortifying silence of someone who has found us wanting and has packed up and moved on. We protest it, each in our way - our futile way, since the more effective is our protest the more surely do we drive away the person whose love we have lost not because of anything we did, but because of who we are. »
— Janet Malcolm, In the Freud Archives
The phenomenon of transference—how we all invent each other according to early blueprints—was Freud's most original and radical discovery... the idea that the most precious and inviolate of entities—personal relations—is actually a messy jangle of misapprehensions, at best an uneasy truce between powerful solitary fantasy systems... Even (or especially) romantic love is fundamentally solitary, and has at its core a profound impersonality. The concept of transference at once destroys faith in personal relations and explains why they are tragic: we cannot know each other.
Like the life, the work is full of threatening silences. It is beautiful and severe and very cold. It is surrealistic, with surrealism’s menace and refusal to explain itself.
Janet Malcolm, The Silent Woman: Sylvia Plath & Ted Hughes