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I found this book for $1 in the little store tucked into the back of the Toronto Library, when I was visiting with a friend. It seemed weird and interesting, so I though eh why not, and indeed, weird and interesting it was! I've collected my favourite quotes below and noted the section they were taken from (although these excerpts were rarely the beginning or entirety of the section).
The Emperor's schooling
The academy presented no need to vacate and every incentive to stay on and, in the way of the academy, to seek out an abject corner in a neglected field of study and to become its propagator and its proponent, its proctor and its prodigy, its professor and, eventually, its professed. Indeed, the Emperor might have elected to remain at the academy, a prisoner of its delights, were it not for the profound misery he detected there.
Taking Tea
I build my fire of bracken boughs, my bed of straw and twine.
I boil and pour my nettle tea, not once expecting wine.
Between my knees the valley lights flicker and are gone.
Above my eaves the cooking fires beyond the clouds burn on.
I never am invited to sup and sleep elsewhere.
I'm too high up for some folk, for some not halfway there.
Here beside me on this ledge where I sip and sit,
The stunted tree has cracked the rock you'd think imprisoned it.
Regarding farmers
The land and the army are lawful occupations. If a man's wealth is in next year's crop, he will not run with it on his back. If neighbouring states are kept always in peril of invasion, no man will run there. The land and the army are one occupation. Farmers endure and their hope is seasonal. With little alteration they can be used for war.
Reflections on reputation
Reputation has no substance beyond report. Report is the whole of it, its origin, its occasion, its objective, its accomplishment, its residuum, not only its basis but its entirety. The reputation of any one of us depends upon who is reporting it, how he came by his opinion, his entitlement to it, his nature and his quality and his condition at the moment he permits it to be released, his (at the risk of wit-play) reputation. [...]
The impulse to gather together the fragments of observation, the shards of gossip, the detritus of scandal, and to construct of them a reputation for another being is irresistible. [...] The attraction of it when done is unique. Who, after all, does not enjoy literature?
In our natural state the least of us is an original of untamed will and contradictory impulse who, once arrested and examined, alters. He must be apprehended and scrutinized again and again. Our world with us in it moves on, and is incomprehensible. But characters wholly invented hold still.
The governing of the Empire
When we named the date for our revolution, the First Emperor declared it a national holiday so that our massing in the streets appeared to be in his honour. When we looted the shops, the First Emperor declared all property common so that we would not be guilty of theft. When we decided to disband our revolution and go home, the First Emperor declared that the revolutionary army was required for the defence of the empire, and we remain conscripted.
The Festival of the Fall
Immediately following any war, the restitution of a land, of its infrastructure and its chattel, is premised upon the will of the people to carry it out, something that itself requires the sort of psychic energy possessed by those whose recollection of war is merely historic. Such was not the case in the empire where everyone was pretty well convinced that any reconstruction merely would be the construction of a new target. This condition of the public temperament was not a matter of embitterment, but of practical observation and accurate short-term memory. The credulity needed for renewal would take several generations of innocence to acquire.
The Second Criterion (the vital axis)
"In the mountains at the snow line, sparse in foliage, of boulders plentiful, there amid the scrub-bush, ancient rockfall, elder moss, there is born the river, born in tumult among ice-crags amid snowfields combed with blowholes, dropping sheerly down the rock face to the cauldron pool beneath.
[...] Here an island temple hollow with crows, a broken bridge no more than a board, a barge half-sunk where a jetty stood. No men yet, only relics of their passing. Water-reeds, bending, paint the wind. Here antique pavilions too remote for tenants, vacant the horizon, seamless the sky. Indolent the river, loitering nearly shoreless, water by its ripples, pleats in unstained silk."
The first letter of the Imperial Historian
I must complete my book. It is not that I want to write. I want to have written. The writing, that is a matter of the severest pain. How could it be otherwise?
The fifth letter of the Imperial Historian
Oh, horror! In an age unenvisaged among folkways undreamt of, a passerby stoops to examine a shard, finds another to fit, lays a third as a through-band, and by such rude mechanics manages to build -- build what? A cairn in a landscape not yet evolved? A rough stone altar to gods unborn? A dyke to withstand who knows which beast from incursion upon what occult husbandry? No! No! A maimed book of my broken half-told tales bearing the name of another!
The advice of Li Ssu regarding archives
Normally, conquerors destroy with zeal the archives of a conquered people. Which consideration does not apply to us. Your people, sire, have long since given up consulting their historians.
The last words of Li Ssu
A man tortured for information gives the name of his friend because he is afraid to die alone. When they meet for execution, the betrayed forgives his betrayer. In whispers through the blindfold he confides that even now, if he were given the chance, he too would betray another to save himself, no, not to save himself, what is worse, he like his own betrayer would betray another only so as not to die alone. "That," he whispers, "is the advantage the authorities possess. They are not tempted into betrayal by the possibility of companionship."
Imperial gossip regarding Chao Kao
In the final days of the empire, Chao Kao wielded much power and his deeds influenced the lives of many, but no book of the Emperor contains his life. Thereafter, no matter how important a man may be, if he is wholly without admirable parts, history chooses to ignore him as much as possible. Thus, if good is rewarded by the perpetuation of its name, then the reward for evil is oblivion, which probably is why evil so vigorously seeks its reward in the here and the now.
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Anna Carin Bjorck sits on the rear hood of a 1959 Chevrolet Impala convertible, wearing a caramel-colored suede cardigan, lined with guanaco, a turtleneck sweater, and slim pants, both in lighter caramel wool. Cardigan, by Leathermode, wool flannel pants by Jack Winter. Korrigan sweater in Lesur wool. Amalfi shoes.