May 14
Evrim Kavcar, ‘‘böyle havalan’’ I ’’take off like this’’, 2026, stoneware heykel/sculpture, 9.5 x 7 x 6 cm, Fotoğraf/Photo: Mustafa Turgut
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Evrim Kavcar, ‘‘böyle havalan’’ I ’’take off like this’’, 2026, stoneware heykel/sculpture, 9.5 x 7 x 6 cm, Fotoğraf/Photo: Mustafa Turgut
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Lastra tombale del professore Francesco Corti (1495), Palazzo centrale dell'università di Pavia.
FabioRomanoni - Opera propria
Lapide tombale di Francesco Corti (Pavia, 1420-1495), membro del Collegio dei Giuristi a Pavia dal 1456 e lettore di Diritto civile dal 1483 al 1491 presso l'Università. Fece parte del Consiglio ducale e divenne senatore di corte a Milano. La lapide, già nella chiesa di San Francesco a Pavia, fu spostata nel 1781 nel "Cortile di Volta" dell'Università di Pavia. L'iscrizione dice: "Obiit anno 1495, die 30 Iulii. // Sacrarum interpres legum, sanctissimus olim / Franciscus patriae gloria magna suae / quem probitas quem cana fides pietasq(ue) decorum / fecerat. Hoc positum marmore corpus habet. // Bernardinus / Curtius gratus / filius fieri / iussit. // Iustus ut palma florebit".
Si mon désir d’écrire remonte à l’enfance, il ne s’est pas concrétisé par les moyens ordinaires : l’inspiration, l’imagination, le silence, les litres de gros rouge entonnés devant une machine à écrire d’occasion, les pelouses folles d’une résidence secondaire où l’on médite, allongée toute vacante en suçant des herbes, le milieu des gens de lettre,s le grave bureau à dossiers, téléphone et fétiches, connais pas. L’imagination? Je n’en ai pas. Le tout-France littéraire? Je l’ignore et il me le rend bien. Le matériel ? Un papier de cantine entraînant le Bic entraînant les doigts entraînant les mots. Autour de moi étaient le merveilleux et le sordide, le temps volé à reconquérir d’urgence, l’oubli instantané à gagner de vitesse, le rien à arracher au néant. J’ai essayé d’en parler, le soir, de traduire le creux des heures sous l’ampoule nue ou le vasistas maigre.
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The Triumph of Death (unknown artist) 1440-5 Palermo/Italy
The Forty Martyrs of Sebaste
Ivory relief icon from Constantinople, 10th century (Bode Museum, Berlin).