Oct 14, 2019
"The most serious mistakes are not being made as a result of wrong answers. The truly dangerous thing is asking the wrong questions."
-Peter F. Drucker -
Claremont, California - Spring, 1971
Loading...
seen from United Kingdom
seen from Malaysia
seen from United States
seen from Malaysia
seen from Malaysia
seen from United States
seen from United Kingdom
seen from Malaysia
seen from Malaysia
seen from United States
seen from China
seen from Russia
seen from Türkiye
seen from United Kingdom
seen from Malaysia
seen from United States
seen from Germany
seen from United Kingdom
seen from Malaysia
seen from United States
"The most serious mistakes are not being made as a result of wrong answers. The truly dangerous thing is asking the wrong questions."
-Peter F. Drucker -
Claremont, California - Spring, 1971
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Wherein we work on upcoming videos in continuation with the footage I just got back with from #lisbon for my upcoming EP . Had a super-productive weekend with the brotha @boehm_leon working on new content for upcoming releases (watch this space!) - our third production - it’s a pleasure and privilege watching this dude develop into the bad-ass multi-disciplinary artist he is and collaborating in the organic, fluid manner we do. . . . . . . . . . . . . #musicians #artists #videoedits #interdiciplinary #cologne #nomadlife #tourlife (at Cologne, Germany) https://www.instagram.com/p/BrLG5ZEAqKV/?utm_source=ig_tumblr_share&igshid=il1fz3w0v1y9
Through the use of discrete mathematics, inefficient coding may be reduced that is more unavoidable in a smooth transition between numbers. Rather than assigning excess cpu and data. In substitute, sequence based recognition for non-visible calculations could be a path of least resistance where complex calculations are involved such as those involving pi. It would take longer with a new calculation, and shorter on familiar calculations similarly to muscle memory. This is already partially in place, for example loading into a game may take longer if the system has been deactivated for a prolonged duration than it would if you were launching it after having just exited it. Systematically chartering direct connections after indirect connections have been established a significant amount of times, especially as cpu is increasingly prioritized over data storage. To clarify, these discrete models would not be involved in new calculations nor in the user interface. I hypothesize that deep learning behaves bisimilarly, but that it could behave similarly under a more supervised construction of neural connections and pathways.
Esperando el gran momento ✌ Tras CAMERINOS ✍ #ASÍQUEPASEN5AÑOS #INTERDICIPLINARY #INTER (en Teatro Peón Contreras)
Dándole volumen a las máscaras de Lite. (Ya estaban hechas) #INTERDICIPLINARY #INTERDICIPLINARIO #INTER
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Rachel Rosenthal Company
Rachel Rosenthal was an interdisciplinary artist, a teacher and animal rights activist based in Los Angeles, California.
June 11, 2016 Kate Noonan, the new artistic director answers a few questions, by: Kelsey Amara.
KA What is your vision for the year?
KN My vision for the year is to expand the number of classes during the fall, to curate a guest artist season
for the company's TOHUBOHU! ensemble performances, and to grow our audience. The overall vision and goal of the company to is honor Rachel Rosenthal's legacy and carry her work forward.
KA What is the Rachel Rosenthall methodology?
KN Not an easy question to answer briefly. Rachel and I wrote a book on her methodolgycalled The DbD Experience (Chance knows what it's doing) Routledge 2009
The methods were developed after a life working in various disciplines, in visual art as a painter and sculptor, as a dancer with Merce Cunningham, and in the theatre. Antonin Artaud's The Theatre and it's Double gave Rachel the desire to combine all the arts in one theatrical form. Her first company was called "Instant Theatre" in 1955, and they performed totally improvised evenings of theatre.
Our ensemble is the latest iteration of Instant Theatre and is comprised of visual artists -painters, designers, sculptors— as well as dancers, actors, musicians, storytellers and martial artists. Each brings unique talents to the fore in this form.
Totally improvised, spoken text is minimal in our performances. This opens the possibility for multiple points of entry for an audience, and welcomes as many interpretations as there are audience members.
KA How do you work with performers?
KN I teach the Dbd workshops, which is process oriented, and an 8 week class that is more geared toward creating structured pieces. The ensemble meets once a week and we workshop for several hours, improvising and doing exercises to develop new muscles and to identify and break physical habits and habitual ways of being in relationship to one another.
KA What advise would you would give to young artistic directors and choreographers?
KN Don't second guess what an audience wants. Speak with your own voice.
KA How do you use new media and costume design in the show?
KN We have a large prop and costume area that is filled with a variety of items collected through the decades. New things keep showing up all the time. The overall aesthetic is arte povera; we use everyday items in unexpected ways, and everything we utilize has a handmade look, cardboard boxes, cloth, recyclables, etc. The costume design is done on the fly, and it's amazing the odd and inventive combinations that arise. As to new media, we sometimes use projections in performance, and have had many visual artists as guests in performance. One of our frequent collaborators is Multimedia Artist/Percussionist/Composer Amy Knoles. Amy tours globally as a soloist performing computer assisted live electronic music with electronic percussion controllers and linear/interactive video.
Latest science news and analysis from the world's leading research journal
Check out this really interesting special issue about interdisciplinary science.
from installation-drawing series
A ROOM FOR MY MOTHER
© Maryam Muliaee
exhibited at Group Show Not I / Nie Ja
at BWA Contemporary Art Gallery in Katowice
Curated by: Kasia Kujawska-Murphy & Edyta Wolska