#inpuj

A TPOLM AND INPUJ PRODUCTION www.tpolm.com  www.eerikinpujsound.com --------------------------------------------------- ilkae - light industry+ [EIS001; 2010] 01. other people (it's cold in here) 02. LSK+ 03. amethyst 04. warm filaments 05. wolfram 06. esprit de corps 07. rangefinder 08. shutter 09. magnesium 10. the green spectrum 11. ah, the fire department! (feat. tstewart) 12. castle 13. endless bark 14. the light (sweden4) [14 tracks / 72:44] --------------------------------------------------- Credits: All tracks written by A.Munson 2004-2010. Tracks 2 and 9 feature additional hexadecimal wizardry by proswell. Track 11 is a collaboration with Travis Stewart. Recompiled and mastered in 2010 by Aaron Munson. Artwork by Anna Belanger. Visual post-production by Nate Reeves. Dedicated to J Misra, Connor Long, and Walter Carpenter. Special thanks go out to coax, craque, and nkurence whose help in constructing this remaster+expansion was invaluable. .......=======////////////////                                                                        credits                                        released July 15, 2010                

DU™ @ghostwerk - Shadow Culture DU-BNKA4 https://detund.bandcamp.com/album/shadow-culture for elizabeth. Video by @djkero renoise works from 2012 to 2016 tracked and mixed by curt hurry at datamask engineering in las vegas, nevada track 7 is a remix of an ilkae module with the filename “29.xm” special thanks to aaron munson, kero, zachary gray, lassi nikko, riley mccarthy, kynes and henkka kyllönen. shouts to my 702 valley clique, datamask and lightcones crew, my loved ones. I was born in North Hollywood in early 1997, gaining consciousness long after the 90s tracker scene began to slow down. For nine years I’ve been in love with tracker software like Renoise and Schism Tracker, sparked by the mystique the 90s module scene presented to me in my pre-teens. In late 2011, I was invited into the #inpuj irc channel by Aaron Munson (ilkae) and brought into contact with many artists who crafted the modules that had inspired me so much. The spirit of sample-based module tracking born from .MODs to .ITs extends into my vision of Renoise today, using it as less of a VSTi host and more like the FastTracker III of my dreams. Mastered by Speekrcreep #renoise #detund #detroitunderground #ultrabianka #juke #footwork #idm #ghostwerk #tracker

DU™ @ghostwerk - Shadow Culture DU-BNKA4 https://detund.bandcamp.com/album/shadow-culture for elizabeth. renoise works from 2012 to 2016 tracked and mixed by curt hurry at datamask engineering in las vegas, nevada track 7 is a remix of an ilkae module with the filename “29.xm” special thanks to aaron munson, kero, zachary gray, lassi nikko, riley mccarthy, kynes and henkka kyllönen. shouts to my 702 valley clique, datamask and lightcones crew, my loved ones. I was born in North Hollywood in early 1997, gaining consciousness long after the 90s tracker scene began to slow down. For nine years I’ve been in love with tracker software like Renoise and Schism Tracker, sparked by the mystique the 90s module scene presented to me in my pre-teens. In late 2011, I was invited into the #inpuj irc channel by Aaron Munson (ilkae) and brought into contact with many artists who crafted the modules that had inspired me so much. The spirit of sample-based module tracking born from .MODs to .ITs extends into my vision of Renoise today, using it as less of a VSTi host and more like the FastTracker III of my dreams. Mastered by Speekrcreep #renoise #detund #detroitunderground #ultrabianka #juke #footwork #idm #ghostwerk #tracker

DU™ @ghostwerk - Shadow Culture DU-BNKA4 https://detund.bandcamp.com/album/shadow-culture for elizabeth. Video by @djkero renoise works from 2012 to 2016 tracked and mixed by curt hurry at datamask engineering in las vegas, nevada track 7 is a remix of an ilkae module with the filename “29.xm” special thanks to aaron munson, kero, zachary gray, lassi nikko, riley mccarthy, kynes and henkka kyllönen. shouts to my 702 valley clique, datamask and lightcones crew, my loved ones. I was born in North Hollywood in early 1997, gaining consciousness long after the 90s tracker scene began to slow down. For nine years I’ve been in love with tracker software like Renoise and Schism Tracker, sparked by the mystique the 90s module scene presented to me in my pre-teens. In late 2011, I was invited into the #inpuj irc channel by Aaron Munson (ilkae) and brought into contact with many artists who crafted the modules that had inspired me so much. The spirit of sample-based module tracking born from .MODs to .ITs extends into my vision of Renoise today, using it as less of a VSTi host and more like the FastTracker III of my dreams. Mastered by Speekrcreep #renoise #detund #detroitunderground #ultrabianka #juke #footwork #idm #ghostwerk #tracker

DU™ @ghostwerk - Shadow Culture DU-BNKA4 https://detund.bandcamp.com/album/shadow-culture for elizabeth. Video by @djkero renoise works from 2012 to 2016 tracked and mixed by curt hurry at datamask engineering in las vegas, nevada track 7 is a remix of an ilkae module with the filename “29.xm” special thanks to aaron munson, kero, zachary gray, lassi nikko, riley mccarthy, kynes and henkka kyllönen. shouts to my 702 valley clique, datamask and lightcones crew, my loved ones. I was born in North Hollywood in early 1997, gaining consciousness long after the 90s tracker scene began to slow down. For nine years I’ve been in love with tracker software like Renoise and Schism Tracker, sparked by the mystique the 90s module scene presented to me in my pre-teens. In late 2011, I was invited into the #inpuj irc channel by Aaron Munson (ilkae) and brought into contact with many artists who crafted the modules that had inspired me so much. The spirit of sample-based module tracking born from .MODs to .ITs extends into my vision of Renoise today, using it as less of a VSTi host and more like the FastTracker III of my dreams. Mastered by Speekrcreep #renoise #detund #detroitunderground #ultrabianka #juke #footwork #idm #ghostwerk #tracker

DU™ @ghostwerk - Shadow Culture DU-BNKA4 https://detund.bandcamp.com/album/shadow-culture for elizabeth. Video by @djkero renoise works from 2012 to 2016 tracked and mixed by curt hurry at datamask engineering in las vegas, nevada track 7 is a remix of an ilkae module with the filename “29.xm” special thanks to aaron munson, kero, zachary gray, lassi nikko, riley mccarthy, kynes and henkka kyllönen. shouts to my 702 valley clique, datamask and lightcones crew, my loved ones. I was born in North Hollywood in early 1997, gaining consciousness long after the 90s tracker scene began to slow down. For nine years I’ve been in love with tracker software like Renoise and Schism Tracker, sparked by the mystique the 90s module scene presented to me in my pre-teens. In late 2011, I was invited into the #inpuj irc channel by Aaron Munson (ilkae) and brought into contact with many artists who crafted the modules that had inspired me so much. The spirit of sample-based module tracking born from .MODs to .ITs extends into my vision of Renoise today, using it as less of a VSTi host and more like the FastTracker III of my dreams. Mastered by Speekrcreep #renoise #detund #detroitunderground #ultrabianka #juke #footwork #idm #ghostwerk #tracker

DU™ @ghostwerk - Shadow Culture DU-BNKA4 https://detund.bandcamp.com/album/shadow-culture for elizabeth. renoise works from 2012 to 2016 tracked and mixed by curt hurry at datamask engineering in las vegas, nevada track 7 is a remix of an ilkae module with the filename “29.xm” special thanks to aaron munson, kero, zachary gray, lassi nikko, riley mccarthy, kynes and henkka kyllönen. shouts to my 702 valley clique, datamask and lightcones crew, my loved ones. I was born in North Hollywood in early 1997, gaining consciousness long after the 90s tracker scene began to slow down. For nine years I’ve been in love with tracker software like Renoise and Schism Tracker, sparked by the mystique the 90s module scene presented to me in my pre-teens. In late 2011, I was invited into the #inpuj irc channel by Aaron Munson (ilkae) and brought into contact with many artists who crafted the modules that had inspired me so much. The spirit of sample-based module tracking born from .MODs to .ITs extends into my vision of Renoise today, using it as less of a VSTi host and more like the FastTracker III of my dreams. Mastered by Speekrcreep artwork by @ultrabianka crashcrackcrush.tumblr.com #renoise #detund #detroitunderground #ultrabianka #juke #footwork #idm #ghostwerk #tracker

DU™ @ghostwerk - Shadow Culture DU-BNKA4 https://detund.bandcamp.com/album/shadow-culture for elizabeth. Video by @djkero renoise works from 2012 to 2016 tracked and mixed by curt hurry at datamask engineering in las vegas, nevada track 7 is a remix of an ilkae module with the filename “29.xm” special thanks to aaron munson, kero, zachary gray, lassi nikko, riley mccarthy, kynes and henkka kyllönen. shouts to my 702 valley clique, datamask and lightcones crew, my loved ones. I was born in North Hollywood in early 1997, gaining consciousness long after the 90s tracker scene began to slow down. For nine years I’ve been in love with tracker software like Renoise and Schism Tracker, sparked by the mystique the 90s module scene presented to me in my pre-teens. In late 2011, I was invited into the #inpuj irc channel by Aaron Munson (ilkae) and brought into contact with many artists who crafted the modules that had inspired me so much. The spirit of sample-based module tracking born from .MODs to .ITs extends into my vision of Renoise today, using it as less of a VSTi host and more like the FastTracker III of my dreams. Mastered by Speekrcreep #renoise #detund #detroitunderground #ultrabianka #juke #footwork #idm #ghostwerk #tracker