VOODOO
Voodoo has no scripture or world authority. It is community-centered and supports individual experience, empowerment and responsibility. Voodoo is different in different parts of the world, and varies from community to community. This is mostly about Voodoo in New Orleans and Haiti. Voodoo embraces and encompasses the entirety of human experience. It is practiced by people who are imperfect and may use religion for their own purposes. It is a cultural form of the Afro-American religions developed by enslaved West Africans and the French, Spanish, and Creole populations of the U.S. state of Louisiana. Voodoo is one of many incarnations of African-based spiritual folkways rooted in West African Dahomeyan Vodun. Those who practice Voodoo believe that there is a visible and an invisible world, and that these worlds are intertwined. Death is a transition to the invisible world, so our predecessors are still with us in spirit. They watch over and inspire us. Voodooists develop relationships with the Lwa to seek their counsel and help with concerns in the visible world. In some ways this is not dissimilar to the secular practice of studying and honoring remarkable historic figures. Voodoo has ordained clergy, Hougan (priests) and Manbo (priestesses) that make a commitment to a spiritual path and can offer guidance when needed, but it is believed that each person is responsible for their own actions and capable of self-actualization. Voodooists especially places value on the strength of community for support and enrichment. Just as there are differences within other faiths, there is great variation within Voodoo beliefs and practices. In places and times where conditions are very desperate, Voodoo is often focused on survival. It differs from Vodou in its emphasis upon gris-gris, Voodoo queens, use of Hoodoo paraphernalia, and Li Grand Zombi. It was through Louisiana Voodoo that such terms as gris-gris (a Wolof term) and “Voodoo dolls”’ were introduced into the American lexicon. Their knowledge of herbs, poisons, and the ritual creation of charms and amulets, intended to protect oneself or harm others, became key elements of Louisiana Voodoo The practice of making and wearing charms and amulets for protection, healing, or the harm of others was a key aspect to early Louisiana Voodoo. The Ouanga, a charm used to poison an enemy, contained the toxic roots of the figuier maudit tree, brought from Africa and preserved in Louisiana. The ground-up root was combined with other elements, such as bones, nails, roots, holy water, holy candles, holy incense, holy bread, or crucifixes. Voodoo queens were known to exercise great power in their communities, and had the role of leading many of the ceremonial meetings and ritual dances. These drew crowds of hundreds and thousands of people. They were considered practitioners who made a living through the selling and administering of amulets, or “gris-gris”, charms, and magical powders, as well as spells and charms that guaranteed to “cure ailments, grant desires, and confound or destroy one’s enemies”. Singing is among important rituals as part of voodoo worship. Songs have been passed down orally for hundreds of years. Songs would be accompanied by patting, clapping and foot stomping, but not drum playing, unless it was part of the weekly public ceremony in Congo Square in New Orleans during slavery times. Songs are sung to give descriptions of personalities for the deities, such as their names, likes and dislikes, origin, responsibilities, strengths, and weaknesses. Sometimes the songs are sung in address to the deities, and sometimes as if the deities themselves were speaking (or singing). Many songs mirror tunes of the Catholic Church, as well as associate the Catholic saints with African deities. There are only two ways a new song would be added to the voodoo repertoire. The first is if someone has heard the song in a dream, as this is believed to be the spirit’s revelation. A second instance is if a person is in a possessed trance and asks the people around them to sing it and memorize it, when it is considered to come straight from a spirit. There are four phases to a voodoo ritual, all identifiable by the song being sung; preparation, invocation, possession and farewell. The songs are used to open the gate between the deities and the human world and invite the spirits to possess someone. A Protection Pour A strong protection spell with voodoo elements, to be used to block unwanted magick from coming into your home. Do this spell on the night of the new moon (the dark moon). You’ll need to have: A cups of pure water (rain is best) Black ink 4 or 5 black whole peppercorns A pinch of graveyard dirt A splash of vodka A red candle Light the candle before you begin. Mix everything together in a bowl made from glass, metal or ceramic. Stir everything around with the index finger of your left hand. Call to the voodoo God Legba to protect your house. Go out to your front door, and pour the mixture all over the steps or walkway coming up to the door. Splash it around good. You can continually refresh the spell by pouring out a new shot of vodka over the same area each night of the new moon.
