āThe Moon has kissed you.ā: An analysis into the relationship of Renamon and Impmon from Digimon Tamers, why it possibly has sound basis in the canon, and why they could possibly be one of the most layered relationships in all of the Digimon franchise. [PART 3: Symbolism, imagery, metaphors, comparisons to other archetypes, and other.]
PART 1 HERE
PART 2 HERE
Ā· Ā Ā Ā Power, and the law of the Digital World
This section will be rather short, but I feel to understand their characters itās necessary to point out. Power is a rather abstract thing and it could mean different results depending on what field youāre applying it, but for the Digimon context it mostly means power on a physical level; to subjugate others to your will based on fighting prowess. The Digital World is Tamers is much more different than it was featured on the universe of Adventure; itās a desolate land where the Digimon have to fight for survival; much more akin to animals in our real world. We even see this emphasized in the third episode, where Renamon and Guilmon leave the powers behind to get actually beastial in their attacks- growling, biting, etc etc. Itās a little unsettling for those used to the Digimon in a more fantastic manner, but it serves to showcase that in this world, physical violence is rather a matter of life or death.
So, we know Digimon in this world are much harsher, we understand that, and I think you can get where Iām going with this. Renamon and Impmon are initially portrayed following this belief, of fighting making you stronger, and all that (not only them; Terriermon is portrayed as wanting to get into fights as often). Of course, this is a very basic understanding of power, as weāll see later. Itās less having enacting change than about making others around you submit to your power. While Renamon eventually learns of this, Impmon takes the long road.
But he learns, eventually, even if it means he has to learn it the hard way (Leomonās death will always haunt him, Iād wager). Like I said before, the Digital world in this universe is cruel, but based on Leomonās words, you can get around it by knowing when to fight and when to bend over. Itās a very practical lesson, I feel, that many parts of western media donāt truly get: you need both hard and soft power in the right moment with the right people to get a point across. Sometimes words can change a personās mind, but in other situations you must use strength; when there are enemies to defeat, sometimes itās the only way. Itās not about being a killing machine, or a useless passive tool; you just have to know when to strike.
So, we can read this as the Digimon gaining a conscience and mind besides what they were programmed, or what the habitat of the Digital world gave them. Ironic enough, the original Digimon abandoned the human, only to later gain a sense of āhumanityā of their own by interacting with human children, decades later. Funny how it comes along.
Ā· Ā Ā Ā Other Symbolism and imagery
Well, here Iāll point out other symbolism and imagery that didnāt fit into religion or culture. Pop culture references, slang, and the like.
First up, letās start with Beelzebumonās design, which, I think I said before, not only calls back to Phantom of the Paradise, but also to a bird. Notice the sharp helmet, the black wings, the talon-like fingersā¦He looks downright bizarre, doesnāt he? Compared to other more humanoid Digimon, he looks a little uneven.
Yet I think the birds imagery is there for a reason, since it can allude to many things. It can allude to ravens, who are often associated with death with Western culture; but also but generic carrions / birds of prey, since theyāre the most aggressive types of birds, and as we know, Beelzebumon early on is presented similar to an icon of Death the series has: he brings doom, and even if he manages to kill only one character, his actions manage to shape up the rest of the series.
I also think itās fascinating that the Deva that suggests him to make the Deal to get power is Catsuramon, based on the dog in the Chinese Zodiac. In more colloquial terms, hitmen who are used by men in high places to get rid of possible enemies are often called ādogsā since theyāre used often to do the dirty work; ea ātake out the trashā so that a powerful manās public perception/reputation isnāt soiled. In a way the Devas use Beelzebumon in a similar manner, just use him as a mercenary to take out the pesky kids who would otherwise ruin their plans. They donāt care about his wellbeing or struggle, after all, heās nothing to them; just the convenient hitman for their plans to go as intended. So what if they ruin a potential friendship between him and the gang? It it not of their concern, and if he goes too out of hand (like it did happen in ep. 35), well, you know the saying āput the dog to sleepā? I reckon if Beelzebumon hadnāt been so powerful and there had been more Devas around at that point, maybe it wouldāve been his end much earlier on.
And again, the symbolism! Ruki initially used Renamon as an āattack dogā as well, not really concerned for her wellbeing but just using her to get to a goal. Remember how I said earlier Renamon and Guilmonās fight is framed to resemble more an actual dog fight than anything more animeish or fantastical. I do love how the show clearly states that self-reflecting and maturing is what distinguishes our heroes from the āvillainsā; Ruki learns from her mistakes and begins to trust and care for Rena, while the Devas just wallow in their pride until the end of the world comes and bites them in the ass.
Remember what I said before about Vajramon, about how heād be important later on? His crush is interesting to notice because, in an oddly manner, itās eerily similar to how Impmonās interactions with Renamon are showcased. Vajramon urges for Renamon to ditch the humans and live with the Digimon, on their own terms. Itās not so dissimilar to how Impmon initially tried to lure Renamon in to his side, to convince her that living wild and free is ten times more exciting than being at the mercy of the humans.
The red shoes comparison in ep. 27 is also good to point out again since Iāve read some analysis of the fairy tale, and apparently, the story could be read as an analogy to temptation and redemption (religious redemption)ā¦.Just in the same episode where our demon boy gets tempted to make a pact with the devil, something heāll regret later onā¦
Iāll have to add more to this idea. The comparison with the Red Shoes is interesting because usually, unless it delivers vital information or adds importance to the plot (like say, Princess Tutu with Swan Lake), fairy tales and references in childrenās media tends to be very simple, well known facts or stories, so that more audiences can understand the reference without getting lost. Hereās the thing tho, while the Red Shoes was popular for a few years, itās nowhere near as popular as other fairy tales like Cinderella or Red Riding Hood or even Hans Christian Andersenās other works like the Litle Mermaid or the Ugly Duckling. If the writing staff wanted to pinpoint something, they couldāve easily used an invented fairy tale or brought forward a local Japanese folktale. So, the Red Shoes is added there because it can relate to the plot, but again, also look at it from a symbolic perspective.
In most analysis of the fairy tale, the story can be read as an allusion to temptation and redemption, specifically of the religious variety. So now, we can see, well, whatās the big deal? Since neither Juri, Takato or Jen have those stories in their characters arcsā¦But you know who does?
Bingo.
And you know who has his prominent scene where he sells his soul to the devil in the same episode?
Bingo bingo bingo.
Ā· Ā Ā Ā East and West, and the Relative āOtheredā Culture
Digimon takes a lot of cues from real-life mythologies to base the designs of their monsters, nobody denies that. Weāve spoken of the religious aspect of these two, but what about the cultural aspect? Does it ring as true?
Well, yes. For religion shapes a lot of our cultures as well, and informs us a lot about our mindsets, our beliefs, and other aspects that form our selves. But other aspects of culture can flourish apart from religion; family, education, work or anything else that shapes how we function in our society. Digimon can take these elements and mold them to shape new aspects of the characters.
First, we can explain that Digimon, as an anime, is a product made mostly by a Japanese staff, with Japanese writers and producers, and as we can infer, Japan, like any other country; has a different culture than the one we (the West) is accustomed to. Heck, that can be applied to each Western country as well, since each of us differ in some aspects (where it be food, language, beliefs, etc etc). Based on what most of the writers grew up with, they were probably influenced by their surroundings when writing the series.
So where does Renamon and Impmon fit in all this? Well, compared to the other main Mons, the two are the ones that represents the most an specific culture, like religion.
I already explained enough in religion, so I wonāt repeat much, but itās interesting to point out again. Renamon is influenced with a lot of imagery from different Eastern religions, from Taoism and Shinto, and sheās not only related in religious terms, but also culturally. Sheās very reserved, and thatās a stark contrast against the other Child Digimon who are much chipper and chattier. In TVTropes, I read, instead, that her quite, withdrawn behavior is a nod to the Yamato Nadeshiko model, an archetype in Japanese media that refers to the āideal Japanese womanā, an archetype for a female character that is idealized as what the perfect Japanese woman would be. Quiet, elegant, but also strong and able to withhold struggles. Now, I stated before Renamon was written as agender, as stated by Konaka, but in some episodes of the series sometimes the writing schews towards favoring a more feminine view of her (characters calling her ābeautifulā, the association with cherry blossomsā¦), and with that idea in mind, she clearly personifies this ideal. Sheās strong, sheās never left without agency, but she also never loses her composure and always respects her superiors. Based on her design and her leitmotif (the flute whenever she appears), she withhelds her culture in great passion (in most dubs, sheās the only Digimon that keeps her attacks in JP, whereas the others have theirs translated or are just basic Eng), and again, sheās sent as the partner to the girl that belongs to a more traditional Japanese household.
Being a Digital Monster, she canāt belong to any specific culture, but if we can apply the idea of ācodingā (adding certain characteristics of a culture or a race to a character that in principle wouldnāt have (example: an alien), but without outright stating it), then we can infer the writers intended for her to be read as Japanese. Yet, this has a different effect on her than on Impmon. Iāll speak of that later.
Impmon instead represents Western imagery in almost every aspect of him. His design resembles a little bit Mickey Mouse, the supposed āiconā of Western cartoons, or even Bimbo from Betty Boop. A mascot, really. A cute trickster cartoon meant to entertain children; makes sense to pair him up with the youngest Tamers, then.
His dialogue in the Japanese dub is peppered with random words of English as well (he mentions āprideā and ābabyā quite pronounced in episode 8). Usually in anime this is a shortcut to point out the character has influence from the West, or is American; usually itās done to point out how different the character is from the rest of the cast, who are more prominently portrayed as Japanese, or how the character attempts to look ācoolā by speaking another language. Think of many English speaking characters in Western media who attempt to speak French / Italian to seem āsophisticatedā or āromanticā (Cultures will idealize/romanticize and exoticize other cultures, it happens all the time, no matter the culture).
The American influence is also in Beelzebumon. The leather jacket, the bike, the rock theme tune heās associated withā¦Commonly associated with the greaser /rock and roll movement, which took place in America. You can recall the number of ābad boysā influenced by this look in media in general. It also has influence on how Japanese media portrays bad boys, since he has blonde hair.
Now, youād think itās nothing special, but in anime blonde hair is very special. In Japan, people with natural blonde hair are uncommon to see, since itās a very homogenous race. People with natural blonde or red hair are uncommon, or foreigners, so often in an anime or manga, unless the character is stated to be from another country, if they have blonde hair itās often to showcase how they āstand apartā and are ānoncomformistā. A large subsection of Japanese youth who bleach their hair often do it to stand out from the rest of society, and sometimes they can be associated in media with gangs and delinquent behavior. You see a bit of this with Yamato in Adventure, that portrayed his initial aloofness and lone wolf nature with his design (also the āaloof musicianā and his partner being a literal wolf- heās based a lot on American ideals of a bad boy); but we also see this complete with Beelzebumon, whoās the āstrangerā of the team. And well, gotta fit the ābad boyā aesthetic. (Notice western biker bad boys often are brunettes; take that into consideration)
And yes, whenever a series does attempt to interpret a culture, it will inavertedly āotherā this culture in contrast to the homogenous, dominant, hegemonic culture. Thereās always an Other, in any story. Here in Digimon, itās the inverse of how would Western Media do so. While with Renamon, itās used to emphasize her connection to the country, and show her as dignified and traditional; with Impmon is to further emphasize his role of the āoutcastā in the group, how he initially stuggles to fit in with the others in many ways. Heās too American initially to get along with the other more Japanese characters.
ā¦And yet, it is interesting, again, to pinpoint, the character that bonds the most with the āforeignerā is the one thatās most wrapped around Japanese traditions. Hmmā¦
Ā· Ā Ā Ā Impmonās redemption, and his placement in the franchise as a whole /Second chances
Digimon as a franchise is not a stranger to redemption arcs, or giving second chances to those who wronged. Tailmon, Ken, Oikawa, Kouichi and others have committed mistakes in the past, or wronged the main characters in significant ways, yet the narrative always attempted to find a way for them to right the wrongs and let the characters commit to turn to the best versions of themselves. Sometimes they succeeded, sometimes they lost, sometimes they almost gave up their livesā¦What matters here is that there was always a chance.
So, where does this go? Well, that Impmon is in a similar position. He probably fits the classic Redemption Arc to a Tee, considering he was conscious of all his decisions, and wasnāt brainwashed/didnāt know better to make his decisions. Yes, you could say Catsuramon influenced him, but all of his choices were done by his own decision. So he wanted powerā¦And he got a taste of what unlimited power can give you, and where it can lead you, if you have no control. He goes to a point where he basically asks himself āwas this worth it?ā.
What is important to note is while it is possible to redeem yourself, it is not easy, for these characters have to sacrifice. They hurt others so much, endangered their mission, so they must understand some things may not be so easy to achieve. They have to gain empathy, to fully turn good, they must realize the damage they cause to others in the first place. They end up even losing loved ones on the way (Wormmon, Wizarmon), but itās what finally leads them on the path to goodness, I think.
What is also vital is that these characters are contrasted against the villains, which showed that, despite their cruel nature, they have a conscience, a sense of empathy, something which the villains lack. They have to stop and think, and realize that their actions have consequences.
Itās also interesting to point out that often, these characters donāt turn to villainy out of a sense of arrogance or pride; but the franchise cleverly shows that itās often grief and misplaced emotions that fuels them to the dark side (it doesnāt help that a wicked figure is often nearby to tempt them). Ken, Oikawa and Tailmon turned evil out of the grief of losing loved ones or living a life of resentment, abandonment and pain. Weāre given enough depth to understand that under different circumstances, they wouldnāt have taken this path. Similarly, I feel Impmon wouldnāt have taken his path if he hadnāt been beaten so badly by Indramon and then exiled himself away from the Tamers (who were ready to welcome him into the team at that point).
Also, curiously enough, the atoner characters in Digimon often are associated with purple. Wonder whyā¦
Ā· Ā Ā Ā Moon queens and their doomed romances /Parallels in couples from other media
Here Iāll focus mostly on other mythology/ media and the moon association, since it adds a lot to the discussion.
I said before, and Iāll repeat it again, but Renamon is closely associated with the moon. Sheās framed in shadows often, her first transformation into Kyuubimon is during the full moon, and Taomon and Sakuyamon feature the moons in their transformations.
Incidentally, their first meeting is on a night of a full moon, her natural element. It could lead to a suggestion of how he tries to tempt her to the ādark sideā, but it cannot work on her because the moon is her mother, she bathes in starlight and shadows; she feasts on moonglow and clouds. The darkness knows her, so it cannot scare her.
Interestingly, a lot of mythology related to moon maidens/moon goddesses are love stories. Like the Greek Moon Goddess Selene who fell in love with Prince Endymion from Earth (thatās the basis for Princess Serenityās story in Sailor Moon), or the Chinese Moon Goddess Changāe who was forced to live on the moon once she was separated from her lover. It is interesting that goddesses who are associated with the moon, in two very different culture (Ancient Greece and China) have their goddesses star in love stories with a mortal man. (we could say that Impmon, in this analysis, is the man- the man who sinned, but was allowed redemption- wow, symbolism from three different religions at once!)
Of course, it is interesting to point out that in Shinto religion, the Moon god is male, which would be a contradiction to our analysis, but I still feel you can make the connection work well.
...And yet, once she evolves into Sakuyamon in the human world, one shot of her has her framed similar to Amaterasu, the sun goddess of Shintoism. Symbolism? You decide.
They even share a few parallels with Daenerys Targaryen and Jon Snow, from Game of Thrones / A Song of Ice and Fire. Dany, like Renamon, is often associated with the moon (āmoon of my lifeā), and has a mystical connection with a magical creature (dragons, kitsunes) and magical white hair. Theyāre seen as goddess-like figures in their narratives. (Mhysa, Mother of Dragons, the Unburnt)Ā They both tend to be strong and ruthless to their enemies, but compassionate with their loved ones. They also both have a storyline that they start as pawns of someone else, only for them to end up as Queens in their own right.
Both of the female in these couples are often associated with the East, while the male is associated with the West.
Jon doesnāt have much in common with Impmon/Beelze aside from the black/death/raven association (āLord Crowā), but they both struggle with accepting their identity as they are (a weak runaway Digimon, a bastard in a prejudiced society), yet both manage to go through stories where they turn being from the lowest of the low to having some of the largest roles in the cast, even gaining power in the process (Lord Commander/Prince That Was Promised, Reformed Demon Lord). Finally, both couples have a lot of foreshadowing and symbolism as well (āa flower grew from a chink of ice in the wall, filling the air with sweetnessā / āThe Moon has kissed you, Lord Snowā¦ā). And both stories are deconstructions of their traditional genre (High Fantasy/Monster Pet anime). Guilmon, like Drogon, is the red and black dragon whom can have a dangerous side if left untreated, but both Takato and Dany need to learn how to control their children so that they cannot keep causing uncontrolled damage. And well, both stories really start to get going once the birth of a dragon comes forward. XP
And well, the three main Digimon are also the same color as Danyās dragons! Coincidences, I know, but I like it.
Ā· Ā Ā Ā Death and the Maiden / Hades and Persephone / Life, Death and Rebirth
Now, at this point this is pure speculation, since this is mostly a Western concept, and probably does not have an exact Japanese equivalent; but often ideas and similar archetypes can be found in almost all cultures and mythologies across the world, and I liked the pattern where this was going; so, better to mention it just in case.
The concept of Death and the Maiden is a very old archetype, harkening back to a set of paintings done during Renaissance Italy, where it depicts a young woman in a passionate relationship with the personification of Death, often in the form of a skeleton. Itās an art movement meant to display the natural contrast between Life and Death Ā (the woman representing life and birth, and the skeleton representing, wellā¦Death; precisely). People have caught on to this movement, and began applying similar concepts in other pieces of art, like literature or theatre.
This has even earlier origins in the Greek Myths of Eros and Psyche and Hades and Persephone; where a pure female figure, often a goddess symbolizing life and spring; falls for a decadent godlike being that symbolizes Death and Otherness.
Itās a tale as old as time, basically; the idea of a beautiful, heavenly woman falling for a demonic monster-man. Itās a staple of almost every culture and every time period. Itās in the Epic of Gilgamesh, the first story ever told in the written world, with Enkidu and Shamat; Greek Myths, as I said before, like Eros and Psyche and Hades and Persephone. Phantom of the Opera (and its variationsā¦Yes, Phantom of the Paradise can go here), The Hunchback of Notre Dame, The Man Who Laughs, East of the Sun and West of the Moon, Wolf Children, La Belle et La BĆŖte and its million adaptations, King Kong, the Creature from the Black Lagoon, the X-Men (specifically romances with either Nightcrawler, Wolverine or Beast; since they emphasize more the message of āmy lover is a monster but heās truer than most ānormalā peopleā), Mamoru Hosodaās BelleĀ (oooh, Hosoda, the same director of Our War Gameā¦), Ancient Magus Bride, The Shape of Water, hell the whole concept of a ābad boyā lover can be this, if itās emphasized his āOthernessā or āanimalisticā tendenciesā¦What these stories have in common is the āmonstrous loverā aspect and elements like Redemption, Compassion for the Other, and the Transformative Power of Love. We can even see these simplistic storylines appear in more mature works like Jane Eyre or A Song of Ice and Fire (and yes, even Dany has a similar āBeauty and the Beastā motif in her story, yet it is not reciprocated from her side). Add to it elements of the āByronic Monsterā that first popped up in Frankenstein, about giving pathos and dimension to the monster figure, beyond being just a threat to be eliminated; and there you have elements that adapt to current Monster romance stories.
So, I find this concept when applied to Renamon and Impmon fitting, especially if we can apply it to their Ultimate/Mega levels. Sakuyamon is framed specifically as a Defense Digimon, and her transformation emphasizes sakura blossoms, which are a flower that blooms especially at the start of spring. Sheās drawn with so much grace and elegance, one could associate her figure as that of a goddess (fitting, since she was named after one). Sakura blossoms symbolize often new beginnings, rebirth, purity and beauty; which would place Sakuyamon in the Persephone/Shamat/Beauty role in this scenario.
The Beelzebumonā¦Now, his story is not based on his looks, which is the basis of most of these monster stories, but heās still associated with a āmonstrous figureā in his darkest moments during the story. A threat to be vanquished. Everything in his design alludes to evil, death and the devil; as Iāve previously commented on. Not only is his name taken from a well known demonic figure (Beelzebub), but details of his design call back to common characteristics of animals associated with death. His wings, long and black, call to the raven; a bird often associated with ill omen and cemeteries. He even has other elements that call back to birds: the beak-like helmet, or his long, talon-like fingers. His design seems to allude to a bird of prey or a carrion bird, known for feasting on corpses. Add to that that he gruesomely kills Leomon, setting up the following events of the second part of the series; and his backstory in other Digimon media as a Demon Lordā¦He can be easily associated as the Lord of Death in this universe. The Hades to Sakuyamonās Persephone in this scenario.
So, with such big contrasts, one would think they would be polar opposites, right? Have nothing in common, no? Well, thatās where we differ. In many of these āBeast and Beautyā / āMonster and Maidenā stories, they ultimately, against the judgement of others, get together. They learn to see similarities with each other and that leads them to start a stronger bond. Commonality leads to empathy, which leads to compassion, which leads to a transformation of the self. If it werenāt for Renamonās empathy, Impmon wouldāve been left for dead in the Digital World. Once in the Real World, heās given a second chance, and without delay he starts amending the bonds he had broken previously. Incidentally, the ātransformative power of loveā is in full essence here, since once he again the friendship of Ai and Makoto, heās able his true Ultimate/Mega form, Blast Mode, which in extended media, is stated to be a āBeelzemon freed of any wickedness in his heartā. Note that Aiās name in Japanese is often translated as āloveā, so, the effect of love indeed does transform our favorite Imp; from a rascal, to a monster, to a person searching to do the right thing. And again, recall back the religious symbolism- the fallen angel NOW regains his wingsā¦And now he can atone for his sins. And once fully good, the Maiden accepts the aid of the Monster once again, without judging him or criticizing him.
We can even suggest that Jenās sensei aiding him to get to Ai and Makoto fits into the ādonāt judge a book by its coverā message, since Sensei was the only one who saw fit to help Impmon, since he wasnāt scared of him. He knows nothing of his past, only knows of his looks, yet āsenses no wickedness in his heartā; unlike all the other passengers in the train who screamed at his sight. So, good, we basically get all the message of the story covered at this point!
So, while itās far from a typical romance, it does share a lot of similar elements for the story to take place. (Perhaps in a future sequel, maybeā¦)
Ā· Ā Ā Ā āCompassion is so often the solutionā
I wanted this to be an entry in itself. Because ultimately, compassion is what saves both of them. Itās often a statement in most childrenās media, which would be considered a clichĆ© and just something not worth talking over, but for this relationship itās vital.
Heck, itās compassion what leads to Renamonās first time evolving. Fighting not for the sake of fighting, but for saving Ruki (āYouāre my partnerā). Itās also the culmination of her character development, going from a Digimon only attacking and dedicated to fighting to giving her life for her friendsā¦Itās that level of compassion where the gods grant her chance to evolve to Mega, the time when she shines the brightest. Itās when Ruki starts seeing her as an equal, and cares for her wellbeing, that their bond can strengthen and achieve evolution without qualms. Compassion allows her to achieve her true power and turn into a beautiful, powerful Goddess.
Similarly, Impmon is saved more than once due to the power of compassion. And the most vital time, it wasnāt even Renamonās doing! The event that lead the course to change his life came all from Juriās actions, who meant nothing to him at that point. As Dukemon defeated him in battle, he was ready to strike, ready to finish all the harm and misery and Beelzemon brought upon the children, but he stopped. He stopped, and only because Juri requested it! Even Beelzemon couldnāt understand it at first; his tone of voice and body language seemed to have accepted defeat and possible death at that point.
Beelzebumon: Why? Ā I donāt get itā¦I killed Leomon, after allā¦
Juri (in tears):ā¦Even if we kill you, that wonāt bring him backā¦And I never want to feel this pain ever again! So pleaseā¦Just stopā¦
-Episode 36
And everyone stops, the battle ends. Dukemon devolves and Takato goes to comfort Juri, while Beelzebumon is lost amidst his thoughts. Everything, all he knew, all he believed in, was shattered in that battle, was shattered in that moment a little girl pleaded for his life. So what was she to him? What was he to her? He believed for a long while that humans were stupid and selfish; and in her eyes, he would be nothing more than a bloodthirsty murderer. He couldāve died, and maybe stuff wouldāve ended right then and there.
But Juri shows him something different, another layer, a second chance, selflessness. His whole image of humans broke in that moment, at the same time that broke all his illusions of power. If it werenāt for that simple act of kindness, maybe he wouldnāt have reconsidered and taken responsibility for his actions. Maybe he wouldāve pondered killing more and more Digimon until a Mega showed up and put him in his place.
But because of that little gesture of mercy, of kindness, was what lead him away from his āexpectedā destiny, that of a cruel Demon Lord; to forge his own path, the Fallen Angel who gained his wings again. He suffered, and lost, but he learned, and he got better than ever. And all because somebody helped him, in the darkest heās ever been.
Other things
Nothing serious, itās just that in promotional material for the series, theyāre always one way or another together. Look:
Ā· Ā Ā
Ā Ā Final thoughts
And all this is why I think this is the most interesting couple that has existed in the Digimon series, or has the potential to be one of the more interesting; since a lot of ideas and themes are tied with context and symbolism and imagery. Itās not just casual dialogue or āwell they look cute togetherā, a lot of beauty of their potential is all in the imagery, the music, the hidden meanings, etc. Itās just a shame the fandom never took off because of outside circumstances, because I know they have the potential, in a parallel universe, to be some of the most characters in the fandom. I mean, they already are, but I think would people would be more on board with their relationship if they saw the parallels. I mean, after all, theyāve got soo many elements others go nuts for in other fandoms: redemption arc, symbolism, ābad boysāā¦
That Iām probably looking too deep? Maybe. That itās just a coincidence? Perhaps. But that there is something thereā¦Oh yesss.










