Mel Chin, Revival Field (1991-ongoing)
“As that last Dorito hangs—in midair—the epiphanic narrative surrounds it with a humorous recognition that this precarious sense of kinship between dirt and flesh may not only elevate dirt to the status of family member but, in this case, elevate the very substance of the self into something worthy of proper care and feeding” (Alaimo, 12)
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