πΎπππ ππ π πππ, π΄'π πππ πππππππππππ
.Λ³Β·ΛβΆπ©πΊπͺβΆΛΒ·Λ³.
One of my favorite looks I ever did tbh.
Btw, check this band out, they need more recognition!
seen from United States
seen from TΓΌrkiye
seen from Yemen
seen from Bulgaria
seen from United States

seen from United States
seen from China
seen from United States
seen from Bulgaria

seen from Malaysia
seen from Germany

seen from Malta

seen from Malta
seen from United States

seen from Costa Rica

seen from United States

seen from United Kingdom
seen from China

seen from Israel
seen from United States
πΎπππ ππ π πππ, π΄'π πππ πππππππππππ
.Λ³Β·ΛβΆπ©πΊπͺβΆΛΒ·Λ³.
One of my favorite looks I ever did tbh.
Btw, check this band out, they need more recognition!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Horrible
Human Traces, 2017, dir. Nic Gorman Sara is only in five minutes of this feature length film, playing a conservation worker leaving a subantarctic island where Sophie's character will overwinter with her husband and a newly arrived worker. And yet she manages to bisexual everything up (subtext only sorry, maintext is all a two sided love triangle with the two men). And to think I skipped this at the film festival because I didn't think it would bechdel.
OhnescheiΓeskotztmichechtan
Cosmic Prints...

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Iβve always wanted to read Sebastian Faulks. Which should I start with?
Magical beach
A mouthful of dust would be something. You could gather it any time, couldnβt you, any time you like, from the corners of rooms, the underneaths of beds, the tops of doors. The rolled-up hairs and dried stuff and specks off what-once-was-skin, all the glamorous leavings of breathing creatures ground down to essence and glued together with the used-up leftover webs and the flakes of a moth, the see-through flakes of a bluebottleβs dismantled wing. You could easily (for you can do such a thing whenever you choose, if you want to) smear your hand with dust, roll dustβs precious little between a finger and a thumb and watch it stencil into your fingertips, yours, unique, nobody elseβs. And then you could lick it off; I could lick it off with my tongue, if I had a tongue again, if my tongue was wet, and I could taste it for what it is. Beautiful dirt, grey and vintage, the grime left by life, sticking to the bony roof of a mouth and tasting of next to nothing, which is always better than nothing
Ali Smith, Hotel World (2001)