Mitch Marner. | Hockey Night in Brampton | 2024-08-21

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Mitch Marner. | Hockey Night in Brampton | 2024-08-21

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in case tmblr notifications went funny i'm sending this ask for a second time: you mentioned that near is one of the best developed characters in the story. do you mind telling us more?
(I got your ask the first time; it just can occasionally take me a while to get to questions like this, haha.)
I think Near is a well-written and one of the best developed character because he a) fulfils his role adequately/is plot-relevant, b) has a clear arc, c) goes through character development, has d) important connections to key characters, and e) gives us insight into what Ohba thinks at the end of the story while remaining entirely in character.
And I know that a lot of people think Near was an unnecessary addition, that it should have been L who defeated Light, etc. But not only do I happen to like L’s death (even though he’s my favourite character along with Near), I also think that the second arc introduces themes we wouldn’t have had otherwise.
Death Note has always been about the idea that no matter how great, influential, or beloved (by fans) you are, death is coming for everyone. It’s fitting that Near waves the tarot card “Death” in our faces, since it traditionally is the equaliser, the complete neutrality that treats everyone the same, be it kings, the clergy, or peasants:
It’s all those little things that make Near such a great character for me. All his quirks and interests that make his personality distinct add to the story; both thematically and visually, without coming across as forced or steering the story in the wrong direction.
He doesn’t have to be likeable in order to fill the holes left behind by L’s death, and in a way I find it funny that a lot of people seem to dislike him more than Light. Some people who hated Light for “killing” L are suddenly rooting for Light, and I enjoy that sort of irony. (Especially because, in more than one way, Near is to Light what Light was to L.)
It’s not like that for me at all, but it’s a fact that Near is a character that gives you a lot of stuff to work with. Be it to compare and contrast him to the other main characters, or because he has some of the most insightful quotes, and he also gives us endless fandom wank. He has it all.
Sometimes I think part of why Near is such a controversial character, is because he’s incorporated a little too well. Not only is he dutiful and less ego-orientated than certain other characters, he also deals with his own insecurities and something like survivor’s guilt, but without making the story about him. But I think they had to do it like that, since it would have taken the spotlight from Light (haha).
For the one scene question, Her Name Is Brienne?
This one is easy! It was definitely the scene with bird!Brienne chilling out in Jaime's hair (and yanking at the tangles 😂) as he carried on with every day tasks. The imagery of it still delights me.
sayu sayu sayu for the bingo
Sayu is cute and likeable without being unrealistic. The entire dynamic of the Yagami family makes sense, and is one of the best-written aspects of DN.
I enjoy her relationship with Light in particular; it humanises him a lot, and their sibling banter almost makes you forget that he's a serial killer, haha. But I also wish she could've been better developed. It's sad that her main role in the second half of DN is getting kidnapped.
Though I like that the last time we see her, she seems to slowly recover from her trauma. Which, of course, is quite tragic when you think about how she'll lose her brother soon… But yes, I have a lot of sympathy for both her and Sachiko.

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An Archive of Our Own, a project of the Organization for Transformative Works
The crowd around her is quietly tittering and Cersei wants to slap the old bat from Highgarden seated near her that dares to suggest that Jaime looks positively thrilled to be wed in the next moments, a groom that can’t even await another instant for the arrival of his bride. Neither of Cersei’s late husbands had been described to be thrilled to be wed to her and she is the most beautiful in all the lands. No one can be happy in a marriage, no one wants to marry, the bride can only hope to gain power, and the groom can gloat in the gain of a living trophy.
Which is why this wedding is absurd. Brienne of Tarth is no one’s idea of a trophy, much less one that inspires superiority upon being gained. So the only reason that Jaime must have chosen to marry her is to infuriate Cersei.
An Archive of Our Own, a project of the Organization for Transformative Works
The Lady Brienne is almost as magnificent as her namesake.
Tyrion thinks that it’s hilarious and endearing that Jaime has ordered that suns and moons and lions be painted ostentatiously all along the boat’s hull, japing with his older brother that he fashions his boat like he once fashioned his wife. Jaime smiles at this jape and only demands that gilded merlions should be added to the railings of the vessel, all of them roaring as pretentiously as possible.
An Archive of Our Own, a project of the Organization for Transformative Works
It is after they couple the first time that Brienne finally addresses all of the elephants in the bedchamber. “Are you going to keep those cages, leaves, and lions forever?”
Jaime holds Brienne tighter, hooks her knee with his knee up higher, and whispers just under her ear, “Merlions, Brienne.”
“I’m sorry, merlions,” she smiles fondly at her husband and kisses his brow.