On the Higher-Critical Method of Hermeneutics
It is exceedingly trendy to devour religious information of all kinds through the lens of secular scholarship, for either the sake of general knowledge, or for the sake of an artistic adventure. For either of those purposes, and certainly for the purpose of actual religious learning, the higher-critical approach fails on every level. The biggest perpetrators of this online are Genetically Modified Skeptic and Religion for Breakfast; the biggest print perpetrators are Bart D. Ehrman and George Harris. This method fails to accurately describe and convey the concept of religious orthodoxy, and therefore fails to accurately convey controversies within religions; it also fails to anthropologically contend with religions in a way that is honest and charitable; it denies not only the very concept of truth, but also the very concept of literary analysis.Â
Much of the basis for this argument is rooted in vintage anthropology-- I preface âvintageâ because anthropology has changed a great deal in the last 100 (even 50) years, and has come more and more to reflect the higher-critical method of hermeneutics, of course applied to secular cultural artifacts. In the past, anthropologists did not seek to study other cultures as a way to change their own, or as a way to frame their own. They studied it for pure passion. They studied it for themselves. An anthropologist doing similar good work today is Daniel Everett who wrote the sympathetic, raw, and amazing book Don't Sleep, There Are Snakes: Life and Language in the Amazonian Jungle. A main reason why Everettâs work is so effective is because it takes the word of the PirahĂŁ people (the subject of the book) as true. This makes the book strikingly intimate, especially because it is told from Everettâs own perspective. We thus get a greater understanding of the culture-- a highly mysterious and un-understandable culture at that. He writes, ââI mean, what are you going to do to him for shooting your dog?â âI will do nothing. I wonât hurt my brother. He acted like a child. He did a bad thing. But he is drunk and his head is not working well. He should not have hurt my dog. It is like my child.â Even when provoked, as KaaboogĂ was now, the PirahĂŁs were able to respond with patience, love, and understanding, in ways rarely matched in any other culture I have encountered.â
A key problem with the higher-critical method is that it applies a hermeneutics of suspicion, rather than a hermeneutics of trust, as vintage anthropology did. The passage above would read much differently, and be much less revelatory, had Everett followed the encounter with an insistence that the PirahĂŁ must not actually be so compassionate, and must, in fact, be putting on a show to fool outsiders for more canoe money. Just as that is unsatisfying, so too is a hermeneutics of suspicion that insists Jesus said to care for the poor in order to manipulate starving Jeudeans into joining his âmovementâ. Not only is it unsatisfying, but it makes no sense. The higher-critical scholar must invent new motivations seen nowhere else in the text, or in adjoining texts of the day, to justify what is essentially a headcanon. It assumes too much, and what it assumes is an insult: people do not say they believe what they do because they believe it-- they have ulterior motives. The higher-critical method demands you see all people as charlatans.
We should notice that this is an anti-historical method as well. Historians do not make a habit of assuming primary sources are lying unless there is extremely good reason. Iâve studied the writings of Ibn Fadlan on the rituals of the Vikings, and not once did a professor or a critic write that he mustâve been making up the horse-killing for the sake of making barbarians appear worse than Muhammadeans.Â
The method is also unliterary. It is possible for an atheist to read the Bible (or any scripture, for that matter) and encounter it as a complete work of fiction, whilst still applying the usual rules of textual analysis and letters. It is possible, even in the context of âfictionâ for interpretations to be baseless and wrong. We hear in school there is no such thing as a wrong answer in literature, but be assured, there is. There are analysis, conclusions, and summaries that are disconnected from the text so to have nothing backing it up for any kind of merit. For example, if someone were to say, âThe theme of Hamlet is that love conquers all,â that would be a conclusion so wrong youâd probably assume the speaker was pretending to have read it. The same is true with the Bible, and with all other scripture. The theme of Maccabees is not that the oppressed should take their torture lying down and there is nothing in the epistles to suggest the Apostle Paul was gay. The latter is fanfiction and the former is active subversion-- look out for that.Â
You may believe I want only the Bible to be interpreted in such a way. But this would be wrong. I am frequently disgusted by the mistreatment of other sacred texts; in the HCM, this is particularly suffered upon the Quran. My insistence against the HCM is not only religious, but born of an anthropological conviction. I love people; the whole world is my people. I love to study them, to learn about their experiences, and to read what they have written. It breaks something in my heart when even documents I disagree with are encountered as if they are intentionally lying. The Quran was written by a man, and I believe that man believed what he wrote to be true, and I believe that those who believed him really did. I do not like to be taken for a liar, and I assume the feeling is the same through all people.Â
It weakens the position of the opponents of any text, because in order to argue against something, you must actually know it. You must understand it, and you will never understand something you donât trust to be the words someone once believed.














