Vilhelm Hammershøi Near Fortunen, Jægersborg Deer Park, North of Copenhagen 1901

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Vilhelm Hammershøi Near Fortunen, Jægersborg Deer Park, North of Copenhagen 1901

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Motas de polvo bailando en un rayo de sol. Dust Motes Dancing in the Sunbeam. Vilhelm Hammershøi. 1900.
Landscape. Summer. “Ryet” Vilhelm Hammershøi (Danish; 1864–1916) 1896 Oil on canvas Ordrupgaard, Charlottenlund, Denmark
Vilhelm Hammershoi, Hvile, 1905, Musée d’Orsay, Paris.
“Sunshine in the Drawing Room (III)”, 1903, Vilhelm Hammershøi.

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Vilhelm Hammershøi (1864-1916) Danish
1Â Â Â Â Â Interior, Sunlight on the Floor (1906)
2Â Â Â Â Â Interior (1899)
AÂ Â Â Â Â Hanne Finsen & Inge Vibeke Raaschou-Nielsen (1981)
light is the principal subject…and that light is the meagre Danish winter light, the light of grey weather quite without color, warmth, or gaiety, albeit so rich in nuance…There is a light that pours in over the canvas and defines the space…The light is usually indirect for, of course, Hammershøi also knows that indirect light is often the most beautiful…
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As in this case, the interiors by the Danish artist Hammershoi are usually of his own house in Copenhagen. Several others also include a figure seen from behind, but many are of the empty rooms. He travelled and exhibited in Europe, and was well known in London early in this century. He had lived here in 1896-7, partly in the hope of meeting Whistler, whom he admired.
search at     theartstory.org
read            https://www.bbc.com/culture/article/20190417-why-hammershi-is-europes-great-painter-of-loneliness
shadowgraphs
“Hammershøi’s shadow paintings evoke this atmospheric sense of just pastness, the intimation of a moment just missed ...”
“The window is an interface of transparency and obscurity, allowing a clarifying light to pass through while blocking view of the external world.”
Still Life with Hammershoi  - Barbara Richardson
British, b. 1944-
Oil on canvas, 22.5 x 20 cm.