Mar 11
Heinz Mack: Mack Szene, Mack Seen, Mack-A-Zine, MACKAZIN: Die Jahre 1957-67, Typos Verlag, Frankfurt am Main, 1967 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Estate of Heinz Mack]
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Heinz Mack: Mack Szene, Mack Seen, Mack-A-Zine, MACKAZIN: Die Jahre 1957-67, Typos Verlag, Frankfurt am Main, 1967 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Estate of Heinz Mack]
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Günther Uecker (13 March 1930 – 10 June 2025) — Double Spiral [nails, white paint, canvas, on wood, 2012]
“DYNAMISCHE FORM, SCHWARZ” HEINZ MACK // 1959 [oil and resin on canvas | 90 x 75 cm.]
“Among all the possible conditions derived from the concept of movement, only one is aesthetic: resting restlessness — it is the expression of continuous movement, which we call ‘vibration’, and which our eyes experience aesthetically. Its harmony stirs our souls, as the life and breath of the work. […] To me, movement is the true form of a work.” —H.M.
Otto Piene, Plate (folio 8) from the portfolio Rose or Star (Rose oder Stern), (screenprint on colored paper from a portfolio of texts and eight screenprints), Edition Rottloff, Karlsruhe, 1964, published 1965, Edition of 30 [MoMA, New York, NY. © 2026 Otto Piene / ARS, New York / VG Bild-Kunst, Bonn]
Günther Uecker — Television (TV, table, nails, 1963)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Otto Piene, Plate (folio 5) from the portfolio Rose or Star (Rose oder Stern), (screenprint on colored paper from a portfolio of texts and eight screenprints), Edition Rottloff, Karlsruhe, 1964, published 1965, Edition of 30 [MoMA, New York, NY. © 2026 Otto Piene / ARS, New York / VG Bild-Kunst, Bonn]
ZERO 5. The artist as curator. Collaborative initiatives in the international ZERO movement 1957-1967, ZERO foundation, MER. Books, Gent, 2015 [Saint-Martin Bookshop, Bruxelles-Brussel]
Otto Piene, Plate (folio 7) from the portfolio Rose or Star (Rose oder Stern), (screenprint from a portfolio of texts and eight screenprints), Edition Rottloff, Karlsruhe, 1964, published 1965, Edition of 30 [MoMA, New York, NY. © 2026 Otto Piene / ARS, New York / VG Bild-Kunst, Bonn]