#grimmerie

So I've actually never really heard anyone explore in-depth how the powers work in Wicked, because I guess they're both simple AND mysterious enough that most people regard them as self-explanatory. But I think there's actually a lot of interesting things we might learn about the characters and world through observing how and when magic happens in Oz.

So with the Grimmerie, it seems to work by reading people's hearts and granting them an approximation of what they ask for. I've pointed out before how it's kind of a mirror version of what the Wizard does: people come asking for their "heart's desire", and both the Wizard and the Grimmerie want to grant that desire and make people happy. But whereas the Wizard must do this with charlatanry (and in the end, people always end up having to either go and get what they came for themselves, elsewhere, or they already had it all along), the Grimmerie can actually twist reality to give people some version of what they wanted (and didn't already have): but it always comes with some fucked up cost that makes them regret it. It plays into the overarching theme of "what is happiness? Is it getting your heart's desire? What will you give up to get it? Is it worth it?", etc. I think it could even be inferred that every character who ever comes into contact with the book — directly or indirectly — is in a way "cursed" to never obtain true happiness, only a mockery of what they'd imagined happiness to be. This extends to the Wizard, Glinda, Morrible, Elphaba, Nessa, and even Chistery. And the grander the desire, the graver the cost for getting it — Chistery is able to get away with physical pain for his dream of flying, but the human characters all have their dreams come true only in ways they are never able to actually enjoy. I think the reason Elphaba is the only one able to not only read the book but get away with using it repeatedly, is due to her own innate power.

Elphaba's power is very different from that of the Grimmerie. She seems to have the ability to just flat-out REJECT ACCEPTED REALITY. She defies the law of gravity; even TIME (essentially "remembering" things that have yet to happen). Every time we see her use her powers, she does so to STOP what is transpiring, or simply to say NO to what is before her. Making things fall up instead of down, recalling the future instead of the past, reading books that are illegible. It's in keeping with her overall character, being off, or backwards, or at odds with everything around her: crowds part as if repelled when she comes near; her first day of school she's already being told she's going to excel far beyond what any of the other students could ever hope to achieve. The idea of "I clash with everything" isn't just a joke about color coordination, it's quite literally how she interacts with the world, including on a metaphysical level. She distorts and repulses.

The reason she has such a different relationship to the Grimmerie than everyone else who's tried to use it, is precisely because she clashes with everything. More importantly: she rejects both the world as it is, AND the world as she wants it. She denies her own desires for the sake of what she considers more important. She knows that she can have all she ever wanted: but she can't. She won't. She chooses to go AGAINST heart's desire, REJECT happiness — to deny HERSELF. Something that, perhaps, only a child of both Oz and Kansas — of fantasy and reality — is able to do. She's so at odds with the fantasy world she's been born into, so committed to Truth — a world of objective non-fiction — that she actively says no to her own dreams, and can literally disrupt and challenge the basic laws and logics of the story that she's in. She can use the Grimmerie because she uses the same language: negation. You can't reverse the Grimmerie's spells because they ARE reversals — distortions of a twisted nature. But Elphaba can't want what she truly wants in her heart; she rejects it; it's already reversed. To the "what are you willing to give up to get what you want?" question, Elphaba is the only one in Oz who can honestly just reply "NO", and give up her heart's desire of her own accord.

Now, how Morrible's powers work seem to be a lot different from the others. Her abilities aren't derived directly from the Grimmerie (though we know she has at least studied it), and appear to be innate like Elphaba's, but they manifest very differently. But why weather?? I think it pertains to her innate nature. She's a manipulator whose temperament changes like the wind (warm with some and cold with others), capable of clouding the truth or making things clear as she pleases, and acts as if the world revolves around her like a cyclone. She has total control over her powers because her power is control. There might have been a time when her powers were more benign — she says her talent is "encouraging talent", so perhaps we could infer that her true powers are motivating/suggesting things, giving directions, and that whenever she developed into the truly wicked person she is now, that power darkened into coercion/manipulation. So she can direct a cloud to disperse, encourage a wind to blow, or persuade a crowd to become a raging tempest.

As for Glinda: the musical/film(s) kinda implies she doesn't have any powers?? At least not the innate kind that Elphaba and Morrible have. We haven't seen her use any spells (except a simple one that got cut way back in the pre-Broadway tryout run of the musical), her bubble is shown to be mechanical rather than magical, and she's obviously interested in learning sorcery but fails the only time we really see her try to use it, and she doesn't believe she can read the Grimmerie. So whatever magic Glinda possesses has to be developed, and given she has never really been encouraged to do so (whether in school or when she's Glinda the Good), she probably hasn't had much of a chance to become a real witch by the time the story wraps up (although it would be a fun inclusion if the second film shows her using a spell at some point). Also: since magic seems to be related to character's personal qualities or narrative themes, it's actually quite meaningful that Glinda (at the very least) struggles to use it — she's constantly questioning who she is, what she wants, etc., and so whether she possesses a natural power of her own or needs to develop it through training, we might infer that her magic is similarly "unsure" of what it's supposed to do.