To stay or to enlist?Â
Itâs the critical decision that many Black families wrestled with as the armed services could provide economic opportunities and that question is illuminated by ZoĂŤ Charlton in A Movement in Every Direction: Legacies of the Great Migration. In her installation, Permanent Change of Station, Charlton creates a large-scale, multilayered vignette of deciduous and evergreen trees, Southeast Asian terraced rice fields, and Florida Spanish moss.
By placing together elements that do not naturally coexist, Charlton blurs the boundaries between the real and imagined; the familiar and foreign. In a large-scale drawing, a Black American woman in high-ranking military dressâperhaps a distant relative of or stand-in for the artistâprepares to launch a miniature U.S. Air Force McDonnell F-4C-23 Phantom II fighter plane toward the 1950s-era white suburb of Levittown, Pennsylvania.
Experience the details within Charltonâs work that incorporates landscapes from Vietnam and the Philippines, where her family served in the armed forces as part of #GreatMigrationBkM through June 25.
Hear from three of the artistsâAkea Brionne, Leslie Hewitt, and Robert Pruittâwhose work is on view in this story-rich exhibition during Brooklyn Talks on May 18. They'll discuss their individual practices and the profound impact of this movement of millions of Black Americans across the South and the country.Â
đ https://bit.ly/3M4y8YJ
đźď¸ ZoĂŤ Charlton (born Eglin Air Force Base, Florida, 1973; based in Baltimore, Maryland). Permanent Change of Station, 2022. Collage on wood panel and graphite, gouache, collage on paper. Pop-up construction: 73 1/8 Ă 195 3/4 Ă 120 1/4 in. (185.7 Ă 497.2 Ă 305.4 cm). Collage: 82 Ă 211 1/4 in. (208.3 Ă 536.6 cm). Courtesy of the artist. Brooklyn Museum. (Photo: Jonathan Dorado) â E. Brady Robinson Photography











