#goodomensbtsedit

Michael Sheen: I got to do it one more time with him [David] thinking we were doing another take but it was just so I could hold up score cards at the end and go, "SEVEEEEEEN!". (x)

After S2 David Tennant and Michael Sheen discuss driving the Bentley :)

Michael: Series One David spent his whole time moaning about how hard it was to drive that Bentley.

David: And cursing. Cursing.

Michael: This series, I get to drive it.

David: Yes. How are you finding it?

Michael: Awful.

David: Yeah.

Michael: Absolutely awful. I understand everything you’ve-

David: It's terrible. It’s beautiful. It's a thing of great beauty, but you don't want to have to actually drive the blooming thing.

Michael: Just turning the wheel...

David: Yeah.

Michael: It's like The World's Strongest Man event.

Jon Hamm: I've worn everything on this show, from nothing to a rug wrapped around me to a beautiful bespoke suit.

Kate Carin (Costume Designer): When we see him at the bookshop for the ball, we thought it would be hilarious that Aziraphale had asked him to get really dressed up for it. So we did a bit of a homage to Liberace. So he's got a powder blue dinner suit that's encrusted with rhinestones. And then Douglas asked if we could do some sort of coat to go on top of it for one of the scenes when he leaves. So, of course, we didn't do just a coat. We did a huge ostrich feather coat, which we made from scratch.The girls did all the ombre on the feathers so it matches the dinner suit, gets lighter and lighter blue as it comes to the top, and then he's kind of surrounded by this halo of white feathers.

Sarah-Kate Fenelon (Producer): There is a shot when he emerges from the bookshop to meet all of the demons and say, like, I am who you're looking for, where he looks a little bit like an angel. And the silhouette of him kind of emerging in the light is very epic and is then just completely undercut by sort of, move out of the way. (video)

Kate Carin (Costume Designer): I was very adamant that I would need manufacturing on this job, because it gives you an opportunity to create things that you can't just find on the shelf and you can then really create worlds. I felt that Shax's, for me, from the outset, was always going to be red. In her final look when she comes back to lead the demons in the battle against the angels, I said to her, 'Will you wear a red leather catsuit?' And she said, 'Yes.' So we made her a red leather catsuit. And then I said to her, 'What about if we give you really, really great kind of animalistic shoulders?' So we made her huge leather, scaly shoulders, which she also donned, no problem at all. You'll see on the front of her armour is the stork, which is the Shax's demon's creature animal, so we had that embossed.

Sarah-Kate Fenelon (Producer): It's like the Neil Gaiman version of whata demon would wear when they were going, you know, she looks fabulous, but she also looks fierce.

Annie McEwan, the Good Omens Season 2 Hair & Makeup Designer, talks about the challenge of Aziraphale's hair :)❤ (video)