January thoughts: Why  I Make Art
By Pia De Girolamo
January 2023
January is a transitional month of endings and beginnings. In art, the god Janus is depicted as having two faces, one looking ahead and one looking backwards. So it is fitting that in January people feel moved to take stock, review the old year, and make plans for the new. During this liminal time at the beginning of the month, I happened to be walking the dog when a memory about art emerged from a stream of thoughts. I remembered reading in a book* on aesthetics that art âintensifies the sense of immediate livingâ and by art, the author means everything from cave paintings, to tattoos, to pottery, jewelry, poetry, theater etc. *(Art as Experience by John Deweyâitâs a bear to get through, so donât start reading it unless you really want some brain calisthenics). As one thought led to another, I started wondering about why art exists and why I make it, topics that I find useful and interesting to revisit from time to time.
Callla Lily by Pia De Girolamo
Picasso said âArt washes away from the soul the dust of everyday lifeâ. While art can be escapist it can also lift a veil and remind us to see and experience reality, the good and the bad, which often gets lost in the fog of our thoughts and the busyness of our lives. When we put ourselves on auto pilot we forget to look, to feel, and to appreciate a tree, a place, a person, a landscape, a rock, a cup of coffee, a crumbling, graffitied building. It allows us to see with fresh eyes and with a âBeginnerâs Mindâ.
Why do I make art? Making art makes me an explorer of the world. Â It allows me to experience things twice-once in real life and once again in the studio. My inquisitiveness is engaged and I look at things more closely and experience more fully in order to get them down on paper or canvas.
Art takes me âout of my headâ when a painting is clicking along without me having to think about it and I am in a state of flow. State of flow is like a form of meditation and often like a mini-vacation. Â At some point after the flow ceases though, the analytical brain takes over with its narrative of critique-does it work? is it balanced? is it interesting? Which is usually necessary to some degree to bring a painting to fruition. Even though this is the ârationalâ brain engaging it is a very interesting exercise because it poses questions and what ifs as in âwhat happens if I change this color, or this shape and so on and how does it affect the rest of the paintingâ? These questions lead to other questions and keeps me fascinated with the process of creating.
Elizabeth Gilbert in her book Big Magic says she writes solely because she likes to, she enjoys her creativity, and writing is fun! And really isnât that the bottom line? Â I make art because I love making art! I am delighted by the process that takes me from a blank canvas to something completely new. Art making is of course frustrating at times and closing the gap between intention and execution is a tricky tightrope to walk, but the totality of the act of creation is fun and exciting, sometimes just because it is challenging and the outcome is not assured.
Art is a means of connection with other people. I especially love it when a viewer can tell me how and why my art moved them. Itâs also interesting when a viewer sees a meaning or feeling that I did not consciously intend but subconsciously might be there. Then I deepen my understanding of the work as well as myself, and that may help me make the next painting. Even if the viewerâs interpretation is way off base, if it helps them make a connection with the work, the art has found a way to forge a personal connection.
Ainsley in the Green Chair by Pia De Girolamo
In early spring an insistent impulse-something not rational-compels me to start cleaning out my pots and my vegetable patch and start getting ready for planting. This winter an impulse (the whispers of Janus?) compelled me to think generally about art and why I make it, which jumpstarted the desire to evaluate last yearâs specific highs and lows in my art and then set goals. Essentially, I sketched the outlines of a year and Iâll be painting in the scene, figuring it all out along the way.












