Paul McCartney's costumes in Give My Regards To Broad Street (1984)
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Paul McCartney's costumes in Give My Regards To Broad Street (1984)

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But I know you won't leave me 'cause you told me so And I've no intention of letting you go
(Bad to Me, 1963)
Whatever happened to The life that we once knew? Can we really live without each other? Where did we lose the touch That seemed to mean so much? It always made me feel so Free as a bird
(Free As A Bird, 1977/1995)
So you, you must tell me something,…I love you, Say goodbye or anything
(The Lovers That Never Were, 1987)
I talked with Yoko the day after John was killed and the first thing she said was, “John was really fond of you, you know.” It was almost as if she sensed that I was wondering whether he had… whether the relationship had snapped. I believe it was always there. I believe he really was fond of me, as she said. We were really the best of mates. It was really ace.
(Paul McCartney,May, 1982, interview with Ray Bonici for Music Express)
I do (have a connection) and I don’t expect it to go even though we are separated by death. It’s just something I will always feel, some sort of link with John. That’s for sure.
(Paul McCartney, interview with Steve Wright, Radio 2, December 9, 2005)
And I won't go away until you tell me so No, I'll never go away
(No More Lonely Nights, 1984)
I stand by what I said The promise that I made Will never be broken
(Days We Left Behind, 2025)
Clocks in Give My Regards to Broad Street
the screenshots include the movie progress bar and timestamp, so you should be able to find the scene if you so wish
Maybe some day I'll track the progress of time through the movie
Give My Regards To Broad Street is a journey into the many layers of Paul's psyche, personality and the way he processes traumatic events (yes, he needed therapy, but I think that it was some kind of therapy for him). It explores many what-if scenarios built on events and people of his life. The main theme is his grief for John and the business troubles of the breakup. The leading story plot is basically a scenario in which Paul manages to prevent all bad events from happening, which kind of represents denial, Paul's main coping mechanism, and the good ending his positivity, which is sometimes forced. All the secondary dreams represent real events and the emotional impact they had on him. It's really an escape from reality in this sense. Mr Rath clearly represents Allen Klein, Harry is John and Sandra could be both Cynthia and a part of Paul he couldn't feature heterosexually on screen.
“I often felt like I was his priest” – Paul McCartney in The Lyrics, 2021
Scene from Give My Regards To Broad Street (1984) PAUL: They tell me you just got out. HARRY: (sighs) I'm not a bloody criminal. Look, no mask, I ain't got any dynamite. Left it all at home. Paul watches him quietly. HARRY: Nah, really, I was set up – by this nutty copper, y'know, framed. It's always been like that with me. Even at school they had it in for me. Boy scouts. I got sent home from camp! Caught smoking. I wasn't the only one… They said I was a bad influence on the others. Same in prison. This cop frames me, I said, "But I didn't do it, your honour." … Didn't believe me. I'm not a bad boy. Not really. I'm just… manipulated. PAUL: Tell you what, I'll give you a chance… But if you're fibbing and you do one thing wrong, you'll be out. I mean it. But if you're straight with me, you'll be in. HARRY: Yeah, I'll be in. PAUL: Okay, that's it. It's a pact. HARRY: Packet of what? PAUL: A pact. A deal. HARRY: A pact. They shake on it.
"Not Such A Bad Boy" (1984) by Paul McCartney
Screengrab from Give My Regards To Broad Street (1984) – Paul jotting down the lyrics to "Not Such A Bad Boy"
“I always find myself wanting to excuse John's behaviour, just because I loved him. It's like a child, sure he's a naughty child, but don't you call my child naughty. Even if it's me he's shitting on, don't you call him naughty. That's how I felt about this and still do.” Paul McCartney in Many Years From Now (1997)
Scene from Give My Regards To Broad Street (1984) During a band rehearsal and after catching a glimpse of the crook Harry used to work for, Paul becomes distracted by a vision of Harry betraying him by selling away Paul's master tapes. PAUL: DON'T DO IT! DON'T DO IT… Er… sorry. My fault. Let's have a quick break, eh? Cup of tea or something.
"He [Brian Epstein] and Paul had some kind of collusion... to keep me straight, because I kept spoiling the image." – John Lennon, St. Regis Hotel interview (1971)
Scene from Give My Regards To Broad Street (1984) "Well it's not my fault – I didn't hire him." PAUL: Let's spit it out, shall we? It's all my fault; bad judgement – Once a villain, always a villain, right?
"We could be making this whole thing up, y'know. I mean, a man is missing; he once, a long time ago, had a bit of form. And now here we are we've judged him, found him guilty, and sentenced him, all in one day." – Paul in Give My Regards To Broad Street (1984)
"Wanderlust" (1982) by Paul McCartney (also included on the soundtrack of Give My Regards To Broad Street)
Scene from Give My Regards To Broad Street (1984) Sandra, one of Harry's closest, breaks down over the possibility of Harry having stolen the tapes. Paul comforts her, despite being plagued by his own visions of a guilty Harry running away with the tapes and being apprehended by the police. SANDRA: She [Harry's wife] drove him to it. He only did it because of her. PAUL: But we don't think he did it. Do we. Sandra meets his gaze and shakes her head.

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Paul McCartney in Give My Regards To Broad Street
"Okay, that's it. You're in. It's a pact." "A packet of what?" "A pact, a deal."
Happy Birthday @i-am-the-oyster 💙
Give My Regards To Broad Street (1984) dir. Peter Webb